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Titlebook: William Shakespeare; A Literary Life Richard Dutton Book 1989 Richard Dutton 1989 dramatist.English.history.history of literature.Macbeth.m

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發(fā)表于 2025-3-21 18:52:01 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱William Shakespeare
副標(biāo)題A Literary Life
編輯Richard Dutton
視頻videohttp://file.papertrans.cn/1029/1028658/1028658.mp4
叢書(shū)名稱Literary Lives
圖書(shū)封面Titlebook: William Shakespeare; A Literary Life Richard Dutton Book 1989 Richard Dutton 1989 dramatist.English.history.history of literature.Macbeth.m
描述William Shakespeare is the best-known writer in the English-speaking world. Contrary to popular myth, we actually know more about him and his career than we do about most dramatists of his era - the fruits of three hundred years of fascinated research. Whilst we know less than we would like about Shakespeare‘s private life, we do have a far clearer picture of his professional career, and of the theatres and social structures with which he was involved. And yet the significance of what we know is fiercely contested and we are challenged by a host of contradictions. Elizabethan actors were often classed as vagabonds yet some were also servants to royalty who performed at court. All the roles in Shakespeare‘s plays were acted by men, yet he wrote strong roles for women from Lady Macbeth to Rosalind. So was Shakespeare a feminist before his time? Richard Dutton tackles these and other issues which keep Shakespeare, the most influential literary life in literary history, at the centre of our cultural life today.
出版日期Book 1989
關(guān)鍵詞dramatist; English; history; history of literature; Macbeth; myth; patrons; play; poem; Romanticism; social st
版次1
doihttps://doi.org/10.1007/978-1-349-14143-2
isbn_softcover978-0-333-66548-0
isbn_ebook978-1-349-14143-2Series ISSN 2946-2037 Series E-ISSN 2946-2045
issn_series 2946-2037
copyrightRichard Dutton 1989
The information of publication is updating

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English Chronicle Histories,ple, described them both as tragedies, while the 1608 quarto of ., which we classify confidently as a tragedy, called it a ‘true chronicle history’.. But the term broadly identified a class of drama whose main preoccupation was the facts of history; and Heminge and Condeil found it useful in their division of the first folio.
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Servant to the Lord Chamberlain,are, William Kempe and Richard Burbage (‘servants to the Lord Chamberlain’) for the performance of two plays the previous Christmas season, before the Queen at Greenwich Palace. This tells us a good deal: not only was Shakespeare a member of the newly-formed Lord Chamberlain’s Men (our earliest reco
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English Chronicle Histories,ronicle histories, a dramatic mode he largely pioneered.. Greene’s taunt against the ‘upstart crow’ quoted from .; later in 1592 Thomas Nashe paid tribute to a scene from . (IV.vii):.To call chronicle histories a clearly-defined genre would be overstating the case. Early quartos of . and ., for exam
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