| 書目名稱 | When Warners Brought Broadway to Hollywood, 1923-1939 | | 編輯 | Martin Shingler | | 視頻video | http://file.papertrans.cn/1028/1027907/1027907.mp4 | | 概述 | Analyses films based on Broadway stage plays with a focus on actors and acting.Offers a revised account of Warner Bros’ early history and cultivation of screen stars.Combines the fields of performance | | 叢書名稱 | Palgrave Studies in Screen Industries and Performance | | 圖書封面 |  | | 描述 | This book offers a different take on the early history of Warner Bros., the studio renowned for introducing talking pictures and developing the gangster film and backstage musical comedy. The focus here is on the studio’s sustained commitment to produce films based on stage plays. This led to the creation of a stock company of talented actors, to the introduction of sound cinema, to the recruitment of leading Broadway stars such as John Barrymore and George Arliss and to films as diverse as .The Gold Digger.s (1923), .The Marriage Circle. (1924), .Beau Brummel .(1924), .Disraeli. (1929), .Lilly Turner. (1933), T.he Petrified Forest. (1936) and .The Private Lives of Elizabeth and Essex. (1939). Even the most crippling effects of the Depression in 1933 did not prevent Warners’ production of films based on stage plays, many being transformed into star vehicles for the likes of Ruth Chatterton, Leslie Howard and Bette Davis. | | 出版日期 | Book 2018 | | 關(guān)鍵詞 | Warner Brothers; Warner Bros; Acting; Actors; movie stars; prestige pictures; theatrical films; forgotten f | | 版次 | 1 | | doi | https://doi.org/10.1057/978-1-137-40658-3 | | isbn_ebook | 978-1-137-40658-3Series ISSN 2946-2495 Series E-ISSN 2946-2509 | | issn_series | 2946-2495 | | copyright | The Editor(s) (if applicable) and The Author(s) 2018 |
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