Titlebook: What Katy Read; Feminist Re-Readings Shirley Foster,Judy Simons Book 1995 Shirley Foster and Judy Simons 1995 fiction.myth.novel.women

Palate

justify

結(jié)構(gòu)

Susan Warner: ,ction]… . struck a chord that was still vibrating when . came to prolong the thrill.’. The amazing success of Susan Warner’s first novel, which appeared under the pseudonym of Elizabeth Wetherell. at the end of 1850, is attested by its sales figures on both sides of the Atlantic. It became a best-se

animated

Charlotte Yonge: ,, many of the other texts in this study. Its reprint in 1988 by Virago Press, instead of by a popular children’s publisher such as Puffin, indicates a scholarly, feminist readership rather than a wide-ranging, youthful one, and its failure to be taken up by the media suggests that it lacks obvious tw

Lumbar-Stenosis

Louisa May Alcott: ,,ost enduring in popularity. Although it is over a hundred and twenty years since its first appearance, it remains a best-seller in both the United States and in Britain. The original novel is available in both hardcover and paperback editions on the permanent classics list of mainstream publishing h

GENRE

Folklore

B-cell

Frances Hodgson Burnett: ,,fictions for girls in the late Victorian period. The fantasies of female power which the novel projects so powerfully remain, however, tantalizingly unresolved as the tensions in the text between authority, gender and social class gradually become more pronounced, and the achievements of the heroine

ineffectual

要素

Book 1995y marginalized by the critical establishment. Shirley Foster and Judy Simons use twentieth-century feminist critical practice to open up fresh perspectives on popular fiction for girls written between 1850 and 1920. The study analyses both American and British novels for girls which have acquired ‘c