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Titlebook: ‘Regimes of Historicity‘ in Southeastern and Northern Europe, 1890-1945; Discourses of Identi Diana Mishkova (Director),Balázs Trencsényi (

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發(fā)表于 2025-3-25 03:23:20 | 只看該作者
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發(fā)表于 2025-3-25 16:22:54 | 只看該作者
Front Matterrs in use today have as much memory as did minicomputers only o few years ago and they are also able to have larger disk storage devices attached. As a result, this question is not micro versus mini, but two main issues: single-user versus multi-user and the ability to interface with large storage d
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發(fā)表于 2025-3-25 21:34:03 | 只看該作者
Introductiony of the ‘Great Educators’ the clue to many of his opinions is to be found in the details of his upbringing. His father, a judicial and administrative councillor in the small Hanoverian town of Oldenburg, was a diligent, rather frosty man, with no gift for radiating family warmth. By contrast, his m
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發(fā)表于 2025-3-26 02:07:09 | 只看該作者
Latecomers and Forerunners: Temporality, Historicity, and Modernity in Early Twentieth-Century Finnictivity. This interactivity gives the user fascinating possibilities, but it makes producing hypermedia more complex and more expensive. Hypermedia publishers need a way to deal with the greater complexity without increasing the costs as compared with traditional paper-based media. A number of scena
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發(fā)表于 2025-3-26 04:59:45 | 只看該作者
Temporality and Identity in Danish Historical Discourse, 1900–45: Danish Historians Writing Modernitsing system called .TEXPROS. (aTEXt PROcessing System). .TEXPROS. is a personal, intelligentoffice information and document processing system for text-orienteddocuments. This system supports the storage, classification,categorization, retrieval and reproduction of documents, as well asextracting, br
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發(fā)表于 2025-3-26 11:29:47 | 只看該作者
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發(fā)表于 2025-3-26 15:43:32 | 只看該作者
al work is situated within historical, economic and discipliDocumentary productions encompass remarkable representations of surprising realities. How do documentaries achieve their ends? What types of documentaries are there? What factors are implicated in their production? Such questions animate th
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發(fā)表于 2025-3-26 20:25:09 | 只看該作者
Cooperative Modernity: Discursive Constructions of Social Order in the Bulgarian Cooperative Movemenup viewer’s momentary reception of a media text that uses types of others; chronic activation occurs as a result of the recurrent, long-term reception of stereotypes across a body of media texts. Although most documentary case studies explored in previous chapters have focused on situational activat
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