Titlebook: ?i?ek and Performance; Broderick Chow,Alex Mangold Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 2014 comedy.id

多節(jié)

Jeffrey I. Bernstein,M. Ishaq Nadiri theatrical. That would be a theory of speech in which speaking was not only action, but also act, that is, an attempt to affect auditors by speaking, as well as to coordinate efforts through speech. In the examples that ?i?ek discusses, as well as the example that ?i?ek’s own work itself provides,

新字

大罵

W. Kr?mer,W. Ploberger,K. Kontrusof the then latest output of the Batman movie trilogy, Slavoj ?i?ek expressly states his basic principle for analysing popular culture: ‘. shows that Hollywood blockbusters are precise indicators of the ideological predicaments of our societies’.. For ?i?ek, cinema, music, and (more rarely) the perf

悄悄移動

失敗主義者

John McMillan,Aman Ullah,H. D. Vinodly attached, despite seemingly determined disavowal. Yet, as Slavoj ?i?ek argues, the nature of ideological interpellation is such that we persist in it, whether we choose to take it seriously or not: ‘Cynical distance is just one way — one of many ways — to blind ourselves to the structuring power

anaphylaxis

Brain-Waves

W. Kr?mer,W. Ploberger,K. KontrusTwo:.Stanton B. Garner argues that the actor’s body, in its ‘material, physiological facticity’ inserts a ‘fundamental and intrusive actuality into the field of dramatic representation’.. To some degree, the corporeal entity on stage before us (occupying the same room, breathing the same air, gettin

CIS

充足

An Investigation of Asymmetries in ,nment; objects and experiences; space and place; theatre and museum; visitor and audience; presentation and participation. It almost invariably attempts to serve some educational function, as do the institutions of which it is usually a part. For Tessa Bridal, the first element of museum theatre is

defenses