Titlebook: Weimar Film and Modern Jewish Identity; Ofer Ashkenazi Book 2012 Ofer Ashkenazi 2012 Adolf Hitler.film.Judaism.Weimar

Baleful

書目名稱Weimar Film and Modern Jewish Identity影響因子(影響力)




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騷擾

indicate

,The Jews Have No Shame: The “Jewish Tragedy” in Weimar Urban Comedies, of the film answers the worst stereotypes associated with Jewish appearance, behavior, and values: the greedy husband loses his fortune in a card game and dishonorably escapes from his debtors without even notifying his wife; his best friend, a scrawny, childish man—displaying a giant “Jewish” nose

Militia

Weimar Film and Jewish Acculturation,In depicting the nature of Jewish integration in modern Germany, scholars have traditionally oscillated between portrayals of “symbiotic” and “submissive” relationships, differing primarily in their answer to the question whether Jews contributed . to the German public discourse, or rather relinquis

occurrence

A Man in ,, a Jew at Home: Identity and Performance in Weimar Domestic Melodramas,tion. This recurring metaphor associated these comedies with the discourse about Jewish assimilation and, at the same time, facilitated the portrayal of the stereotypical “Jew” as a symbol of modern urban society at large. This chapter shifts the focus to a different genre that was equally popular a

Vo2-Max

青石板

commodity

A Man in ,, a Jew at Home: Identity and Performance in Weimar Domestic Melodramas,tion. This recurring metaphor associated these comedies with the discourse about Jewish assimilation and, at the same time, facilitated the portrayal of the stereotypical “Jew” as a symbol of modern urban society at large. This chapter shifts the focus to a different genre that was equally popular a

alcohol-abuse

,Wandering Jews: A “Jewish” Solution to the German Crisis in Weimar Exotic Adventure and War Films,irations with three key components of the Jewish assimilation discourse—the constitution of authenticity through acting; spatial duality as an emblem of hybrid identity; and emphasis on the perspective of “the stranger,” the outsider-from-within modern urban society. This chapter examines the utiliz

Blood-Clot