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Titlebook: Ways of Seeing in the Neoliberal State; A Controversial Play Asbj?rn Skarsv?g Gr?nstad Book 2021 The Author(s), under exclusive license to

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發(fā)表于 2025-3-21 18:08:40 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Ways of Seeing in the Neoliberal State
副標(biāo)題A Controversial Play
編輯Asbj?rn Skarsv?g Gr?nstad
視頻videohttp://file.papertrans.cn/1022/1021338/1021338.mp4
概述Offers an introduction to the aesthetics of sousveillance in the field of theatre and performance.Engages with discussions about artistic freedom and censorship by a paradigmatic and interdisciplinary
圖書封面Titlebook: Ways of Seeing in the Neoliberal State; A Controversial Play Asbj?rn Skarsv?g Gr?nstad Book 2021 The Author(s), under exclusive license to
描述.This book focuses on the theme of counter-surveillance in art through a multi-faceted engagement with the highly controversial Norwegian play?.Ways of Seeing.. Denounced by the prime minister and subject to a police investigation, the play gained notoriety when it featured footage showing the homes of the country’s financial and political elite as part of its scenography. The book provides a thorough consideration of the work’s reception context before elucidating its relation to the politics of neoliberalism. What is foregrounded in this analysis are, first, the use of an aesthetics of?.sousveillance?.to visualize?the material infrastructure of racism and right-wing populism, second, the tangled interrelations of art and law, third, questions of censorship and artistic freedom, and fourth, the promotion of an alternative mode of political governance – grounded in feminism and ecological awareness – through the example of the Rojava experiment..
出版日期Book 2021
關(guān)鍵詞Ways of Seeing; surveillance; sousveillance; neoliberalism; censorship; freedom of expression; postcolonia
版次1
doihttps://doi.org/10.1007/978-3-030-85984-8
isbn_ebook978-3-030-85984-8
copyrightThe Author(s), under exclusive license to Springer Nature Switzerland AG 2021
The information of publication is updating

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發(fā)表于 2025-3-21 21:32:34 | 只看該作者
Introduction: The Public Confronts Other Ways of Seeing,he massively controversial public reception of ., one significant argument being that key social institutions such as the media, the government, and the judicial system were unable to recognize the fictional-aesthetic character of the play. The chapter furthermore contextualizes the play with refere
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發(fā)表于 2025-3-22 02:39:15 | 只看該作者
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發(fā)表于 2025-3-22 10:11:06 | 只看該作者
Censorship and Free Speech: The Aesthetic,cts becomes urgent in this context, as do the question of who obtains access to the agoras of political deliberation, and whose voices get to be heard. . is a paradigmatic case of an artwork inserting itself into the fabric of political culture, readjusting ever so slightly the existing design of th
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發(fā)表于 2025-3-22 18:50:31 | 只看該作者
Neoliberalism and Rojava: The Political,the play brings to the fore. The play’s critique of power plays out as a choreography of different ways of seeing; that of neoliberalism, that of islamophobia, that of the immigrant outsider, that of John Berger, and that of Rojava’s visionary political system known as .. Questions that this chapter
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發(fā)表于 2025-3-23 00:09:52 | 只看該作者
Neoliberalism and Rojava: The Political,the play brings to the fore. The play’s critique of power plays out as a choreography of different ways of seeing; that of neoliberalism, that of islamophobia, that of the immigrant outsider, that of John Berger, and that of Rojava’s visionary political system known as .. Questions that this chapter
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發(fā)表于 2025-3-23 03:25:20 | 只看該作者
ond, the tangled interrelations of art and law, third, questions of censorship and artistic freedom, and fourth, the promotion of an alternative mode of political governance – grounded in feminism and ecological awareness – through the example of the Rojava experiment..978-3-030-85984-8
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發(fā)表于 2025-3-23 05:37:42 | 只看該作者
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