Titlebook: Wax Impressions, Figures, and Forms in Early Modern Literature; Wax Works Lynn M. Maxwell Book 2019 The Editor(s) (if applicable) and The A

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Book 2019 the use of wax in early modern cultural spaces such as the stage and the artist’s studio and in literary and philosophical texts, including those by William Shakespeare, John Donne, René Descartes, Margaret Cavendish, and Edmund Spenser, this book shows that wax is a flexible material employed to d

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Wax Patterning: Cavendish and the Physics of Wax,ions. While this philosophy figures only briefly in . this chapter argues that the Cavendish’s exploration of selfhood, friendship, and intimate relations in that text, owe much to her philosophy of patterning.

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2634-5897 lexible material employed to define, explore, and problematize a wide variety of early modern relations including the relationship of man and God, man and woman, mind and the world, and man and machine.?.978-3-030-16934-3978-3-030-16932-9Series ISSN 2634-5897 Series E-ISSN 2634-5900

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Introduction: Wax Concepts,losophy, art, and other domains to show the multiplicity of ways that wax works in the period and suggest that wax was a valuable material in the period for thinking through the nature of the human. Additionally, this chapter devotes attention to the theoretical underpinnings of the book.

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Wax Minds: Writing Subjectivity and Agency in , and ,stemology, virtue, and character formation. It then turns to . and . to explore how those plays use wax to explore problems of subjectivity and agency and what wax metaphorics might have to do with the revenge tragedy genre more broadly.

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