Titlebook: Watching Sympathetic Perpetrators on Italian Television; Gomorrah and Beyond Dana Renga Book 2019 The Editor(s) (if applicable) and The Aut

羊欄

,Sky’s Offer You Can’t Refuse and ,’s Criminal Payoffs,model, Sky shows are, for the most part, in line with series dubbed as “quality television.” This chapter lays out the features of the Sky model which are familiar to American series such as ., ., ., or .. However, Sky series depart from the American model in their focus on actual crime networks tha

哪有黃油

,Rai: “Educate While Entertaining—Entertain While Educating” in ,, “Niente di personale,” and ,gical and homogenizing entertainment mission. Of all of the Italian networks, Rai is considered the most traditional in its production of mainstream, identifiable fiction. Rai series and miniseries that focus on the mafia also focus on the hero who combats the mafia, and tend to depict criminals as

財(cái)產(chǎn)

期滿

,Mediaset’s Middlebrow Model: ,, ,, ,, and , The chapter outlines the perpetrator template common to Mediaset programming: Sympathetic perpetrators are conventionally attractive, and women easily fall under their spell, Mediaset men are crafty and are pitted against someone on the “right” side of the law, and this homosocial rivalry drives th

聯(lián)邦

外來(lái)

憤慨一下

RAGE

,#ciaonetflix: , as “International Patrimony”, strategy, personalized platforms, and transnational drawing power. It puts forward that, to hook and retain Italian clients, Netflix turned toward a local-content model that has worked well for Sky, i.e., producing a factually based criminal sagas told principally from the perspective of attractive

rectum

Herbivorous