Titlebook: Watching Shakespeare; A Playgoers‘ Guide Anthony B. Dawson Book 1988 Palgrave Macmillan, a division of Macmillan Publishers Limited 1988 Ha

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Fatten

Introduction,tion. Paradoxically, its very transitory quality accounts often for its power, the almost revolutionary force that it sometimes exhibits, when it focuses the aspirations or aggressions of particular groups at particular times. In his own era, Shakespeare himself came face to face with this fact when

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Headstrong

Introduction,tion. Paradoxically, its very transitory quality accounts often for its power, the almost revolutionary force that it sometimes exhibits, when it focuses the aspirations or aggressions of particular groups at particular times. In his own era, Shakespeare himself came face to face with this fact when

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As You Like It, ended. If the production is at all exciting, the audience has been caught up in the athletic dazzle of this event, as well as in the success of the hero, Orlando, in foiling the plot against him by beating both the odds and Charles, the Duke’s wrestler. The wrestling-match is one example among many

禁止,切斷

,A Midsummer Night’s Dream,he convention that it may never recover.’. So wrote Charles Marowitz, a one-time associate of Peter Brook, apropos of the 1977 RSC production of .. Not all critics agreed with this point of view, but there is no doubt that Brook’s bold, striking and utterly original version has changed for ever our

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Measure for Measure,frank handling of sexual encounters and its complex questioning of sexual morality kept it for the most part off the stage. Now, however, it is frequently produced. And, because of its perceived modernity, it is also one of the plays that continues to receive thoughtful treatment. Directors do not h

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