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Titlebook: War as Performance; Conflicts in Iraq an Lindsey Mantoan Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Persian Gulf War.Ir

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發(fā)表于 2025-3-21 17:47:48 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱War as Performance
副標(biāo)題Conflicts in Iraq an
編輯Lindsey Mantoan
視頻videohttp://file.papertrans.cn/1021/1020488/1020488.mp4
概述Offers a unique, interdisciplinary approach to the study of culture and warfare.Puts forth new scholarship by approaching performance broadly and understanding twenty-first century warfare and perform
圖書封面Titlebook: War as Performance; Conflicts in Iraq an Lindsey Mantoan Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Persian Gulf War.Ir
描述This book examines performance in the context of the 2003 Iraq War and subsequent conflicts with Daesh, or the so-called Islamic State. Working within a theater and performance studies lens, it analyzes adaptations of Greek tragedy, documentary theater, political performances by the Bush administration, protest performances, satiric news television programs, and post-apocalyptic narratives in popular culture. By considering performance across genre and media, .War as Performance. offers an interdisciplinary approach to the study of culture, warfare, and militarization, and argues that spectacular and banal aesthetics of contemporary war positions performance as a practice struggling to distance itself from appropriation by the military for violent ends. Contemporary warfare has infiltrated our narratives to such an extent that it holds performance hostage. As lines between the military and performance weaken, this book analyzes how performance responds to and potentially shapes war and conflict in the new century.
出版日期Book 2018
關(guān)鍵詞Persian Gulf War; Iraq War; Islamic State; Daesh; Cindy Sheehan; Ajax in Iraq; Documentary theatre; Ajax in
版次1
doihttps://doi.org/10.1007/978-3-319-94367-1
isbn_softcover978-3-030-06839-4
isbn_ebook978-3-319-94367-1
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 22:09:28 | 只看該作者
Lindsey Mantoanation videos to announce?an Islamic state in its conquered?territory. In the midst of the . the group initially expands and veils its triumphalist propaganda in a TV newscast aesthetic in order to win over the local population. Then,?by 2008, the group encounters enormous military setbacks, and the
板凳
發(fā)表于 2025-3-22 01:57:12 | 只看該作者
Lindsey Mantoanonstruction and revision. These bodies form problematic unions with those whose entry into the Mexican imaginary is prohibited. As the history of death in Mexico has been thoroughly studied, I instead chart the history of blood in Mexico through an analysis of contemporary cultural artifacts in whic
地板
發(fā)表于 2025-3-22 05:58:38 | 只看該作者
Lindsey Mantoandion song that accompanies this dance is both upbeat and melancholy. It sings of endings, of children growing up, of harvests, flowers, and wine. It sings of life as a journey and bids the travelers good adventures. As the film credits roll and the song repeats its refrain, we see the face of Isabel
5#
發(fā)表于 2025-3-22 09:49:49 | 只看該作者
Lindsey Mantoaned distribution and its textual infelicities, this is maybe unsurprising. The film’s failure has in addition been attributed to it being historically ‘out of step’. As much discussed, the sixties saw the dominant American ideology shaken by manifold social and political challenge: civil rights mobil
6#
發(fā)表于 2025-3-22 15:02:44 | 只看該作者
Lindsey Mantoanls the importance of its construction to interpretation. For this is simply the story of a love affair that follows its course from first meeting to terrible parting. The history of the relationship is unfolded as the lovers’minds turn back upon their recent past, and the police investigate the even
7#
發(fā)表于 2025-3-22 17:02:55 | 只看該作者
boys venture out of the stagnant town of Castle Rock, Oregon, to view the dead body of an adolescent boy who has been struck and killed by a train and discover that he has been knocked out of his Keds. In what may be considered the most obscene moment in a film that features an epic barf-o-rama, ch
8#
發(fā)表于 2025-3-22 23:06:26 | 只看該作者
9#
發(fā)表于 2025-3-23 02:40:53 | 只看該作者
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發(fā)表于 2025-3-23 08:11:42 | 只看該作者
Lindsey Mantoanhat its response to loading was shared between a membrane action and a bending action. The simple displacement type finite elements could not model the inextensional cases of such structural behaviour in a realistic manner. It tended to introduce spurious membrane constraints which acted as a spurio
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