| 書目名稱 | War and Theatrical Innovation |
| 編輯 | Victor Emeljanow |
| 視頻video | http://file.papertrans.cn/1021/1020482/1020482.mp4 |
| 概述 | Addresses the interpenetration of theatrical practices and wartime strategies.Offers a broad view of the intersection between conflict and theatre, both temporally and geographically.Identifies key ar |
| 叢書名稱 | Palgrave Studies in Theatre and Performance History |
| 圖書封面 |  |
| 描述 | This book examines the relationship between wartime conflict and theatre practices. Bringing together a diverse collection of essays in one volume, it offers both a geographically and historically wide view of the subject, taking examples from?Britain, Australia and America to the Middle East, Korea and China, and spanning the fifth century BCE to the present day.?It explores?the ways in which theatre practices have been manipulated for use in political and military propaganda, such as the employment of scenographers to work on camouflage and the application of acting methods in espionage training. It also maps the change in relationships between performers and audiences as a result of conflict, and the emergence of new forms of patronage during wartime theatre-going,?boosting morale at periods when social structures and identity were being destabilized.. |
| 出版日期 | Book 2017 |
| 關(guān)鍵詞 | Political propaganda; Military propaganda; Wartime theatre; Scenography as camouflage; Espionage trainin |
| 版次 | 1 |
| doi | https://doi.org/10.1057/978-1-137-60225-1 |
| isbn_softcover | 978-1-349-95635-7 |
| isbn_ebook | 978-1-137-60225-1Series ISSN 2947-5767 Series E-ISSN 2947-5775 |
| issn_series | 2947-5767 |
| copyright | The Editor(s) (if applicable) and The Author(s) 2017 |
|Archiver|手機(jī)版|小黑屋|
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