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Titlebook: War Trauma and English Modernism; T. S. Eliot and D. H Carl Krockel Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limite

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樓主: 要求
11#
發(fā)表于 2025-3-23 11:53:34 | 只看該作者
Working Through: Lawrence in the Twenties,n to the dead, and to envisage a future beyond the war. Yet the incongruity of the second line with the rest of the passage indicates that he had formulated the problem facing Europe in 1918, without realising a solution.
12#
發(fā)表于 2025-3-23 15:46:36 | 只看該作者
13#
發(fā)表于 2025-3-23 18:19:02 | 只看該作者
14#
發(fā)表于 2025-3-24 01:43:10 | 只看該作者
,Trauma Transfigured: “The Hollow Men” to ,eans and with different consequences. Lawrence’s novels did not shy from mentioning the war as the evil from which they turned, and while he repeated its violence in a series of abreactive discharges, he progressively distinguished this violence from his projected state of recovery. . shared Lawrenc
15#
發(fā)表于 2025-3-24 06:20:43 | 只看該作者
Conclusion: The Legacy of War upon the Legacy of Modernism,tinue to in the present. As a cultural era Modernism has been judged by Eliot’s achievements and failings, rather than by Lawrence’s — whose failings are considered more strictly his own. I want to examine this issue by laying stress on the legacy of these wars in the formation of what has been ofte
16#
發(fā)表于 2025-3-24 08:20:14 | 只看該作者
17#
發(fā)表于 2025-3-24 11:37:28 | 只看該作者
18#
發(fā)表于 2025-3-24 15:01:39 | 只看該作者
Modernism in Crisis: ,h individuals. James later pondered on this:.James set the writer an intimidating task: he must deal directly with the war, analyse how civilisation had led to it; otherwise his art was trivial. Resigned to the situation as “too tragic for any words”,. he could only declare his affiliation to the British cause by naturalising in 1915.
19#
發(fā)表于 2025-3-24 22:47:31 | 只看該作者
Testimony as History: ,ing this appeal to Lawrence’s powers of prophecy John Worthen concludes that the chapter, and by implication the novel, is “more concerned with myth than with history”; Graham Holderness chooses the expression “ideology” instead of myth.
20#
發(fā)表于 2025-3-25 02:11:01 | 只看該作者
Testimony as History: ,ing this appeal to Lawrence’s powers of prophecy John Worthen concludes that the chapter, and by implication the novel, is “more concerned with myth than with history”; Graham Holderness chooses the expression “ideology” instead of myth.
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