Titlebook: War Representation in British Cinema and Television; From Suez to Thatche Kevin M. Flanagan Book 2019 The Editor(s) (if applicable) and The

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978-3-030-30205-4The Editor(s) (if applicable) and The Author(s) 2019

CHOIR

remission

Optimum

Kevin M. Flanagans to mend their bloody ways or because it offers them occasion to display compassion as an . for real change? The latter is suggested in Terry Eagleton’s blunt comment that ‘the case is no different from someone shedding tears over images of the down-and-out while creating mass unemployment in his own company.

異端邪說下

Kevin M. Flanaganolitical or moral ideologies;. by protesters using the ‘otherness’ of the puppet to represent the ludicrous nature of dictatorship; and by people wishing to escape censorship, blaming their actions on the puppet. They have been used not only as instruments in the hands of ideologists, but also as vicious and sharp satirical voices.

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hild. It conveys a heightened sense of loss by insisting that he ‘was a child’ (1. 5) and emphasising that the account offered is his ‘little storie’ (1. 2). Pavy’s status as child is crucial to his identity to the extent that even ‘Death’s selfe’ (1. 4) is sorry at having mistakenly taken him.