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Titlebook: WALCOM: Algorithms and Computation; 17th International C Chun-Cheng Lin,Bertrand M. T. Lin,Giuseppe Liotta Conference proceedings 2023 The

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發(fā)表于 2025-3-23 13:07:15 | 只看該作者
12#
發(fā)表于 2025-3-23 16:27:49 | 只看該作者
Prashant Gokhale,J. Mark Keil,Debajyoti Mondalpossibility that the imagination may soon ‘die’ and that there will be no more characters with which to while away the time. In . Malone voices a related fear: ‘perhaps as hitherto I shall find myself abandoned, in the dark, without anything to play with’.. In ., the predicted circumstance seems to
13#
發(fā)表于 2025-3-23 18:27:28 | 只看該作者
Guilherme D. da Fonseca,Yan Gerard,Bastien Riviernism and the avant-garde with the material and discursive production of always-bordered or ever-transgressive practices.. I claimed that the territory of visual practice in the quarter century on either side of 1900 is structured around the opposition between boundary-seeking modernist theories of e
14#
發(fā)表于 2025-3-24 00:53:05 | 只看該作者
15#
發(fā)表于 2025-3-24 03:55:06 | 只看該作者
Guilherme D. da Fonseca,Yan Gerard,Bastien Rivierof it, make it disappear, dispatch it to oblivion.”. So begins David Lurie’s journey toward his exploration of responsibility toward the dead dogs of J. M. Coetzee’s novel . Lurie, working at a veterinary clinic, is disgusted with the workers’ treatment of the euthanized dogs who need to be incinera
16#
發(fā)表于 2025-3-24 07:23:25 | 只看該作者
nal identity historicized through the native food production of “acorns” (68). The poem is neither a narrative nor a dialogue, but a sentient treatise; it is built up on opaque, minimalist objects placed within a somber ambience of layered temporal frames that extend back in time to foreground a pow
17#
發(fā)表于 2025-3-24 13:13:17 | 只看該作者
Koshiro Kumagai,Diptarama Hendrian,Ryo Yoshinaka,Ayumi Shinoharastematic oppression on a daily basis, it has remained in a marginal status since its inception. As Gary D. Keller suggests, financial neglect and exploitation have limited the number of Chicana/o films and the shape of the final product: “Indeed, as an oppressed cinema as well as a cinema about oppr
18#
發(fā)表于 2025-3-24 16:17:06 | 只看該作者
19#
發(fā)表于 2025-3-24 20:33:17 | 只看該作者
20#
發(fā)表于 2025-3-25 02:21:25 | 只看該作者
Kazuki Mitani,Takuya Mieno,Kazuhisa Seto,Takashi Horiyamaciously’ known or ‘unconsciously’ known) is . entailed by concept-acquisition and concept-use. Having attempted to establish this point, I shall then try to specify some important properties of ‘rules’ as these . enter into domains of human conduct. Some of these properties stand in contrast to thos
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