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Titlebook: W.H. Auden; Towards A Postmodern Rainer Emig Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Limited 2000 Modernism.poetic

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發(fā)表于 2025-3-21 19:20:37 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱W.H. Auden
副標(biāo)題Towards A Postmodern
編輯Rainer Emig
視頻videohttp://file.papertrans.cn/1021/1020019/1020019.mp4
圖書封面Titlebook: W.H. Auden; Towards A Postmodern Rainer Emig Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Limited 2000 Modernism.poetic
描述This study reads Auden‘s poetry and plays through the shifts from modernism to postmodernism. It analyses the experiments in Auden‘s writings for their engagement with crucial contemporary problems: that of the individual in relation to others, loved ones, community, society, but also transcendental truths. It shows that rather than providing firm answers, Auden‘s poetry emphasises the absence of certainties. Yet far from becoming nihilistic, it generates hope, affection, and most importantly an ethical challenge of responsibility out of its discoveries.
出版日期Book 2000
關(guān)鍵詞Modernism; poetics; poetry; postmodernism
版次1
doihttps://doi.org/10.1057/9780230286979
isbn_ebook978-0-230-28697-9
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2000
The information of publication is updating

書目名稱W.H. Auden影響因子(影響力)




書目名稱W.H. Auden影響因子(影響力)學(xué)科排名




書目名稱W.H. Auden網(wǎng)絡(luò)公開度




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沙發(fā)
發(fā)表于 2025-3-21 22:53:54 | 只看該作者
板凳
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地板
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5#
發(fā)表于 2025-3-22 10:15:03 | 只看該作者
The Challenge of History,cannot be deflected by ‘magic countersigns’ enters Auden’s poetry gradually, at first almost unnoticeably, until it becomes a dominant topic which eventually determines the title of the largest of the . poems, ‘It was Easter as I walked in the public gardens’, which becomes ‘1929’ in later collections (. 50-3).
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發(fā)表于 2025-3-22 16:09:47 | 只看該作者
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發(fā)表于 2025-3-22 20:52:56 | 只看該作者
s for their engagement with crucial contemporary problems: that of the individual in relation to others, loved ones, community, society, but also transcendental truths. It shows that rather than providing firm answers, Auden‘s poetry emphasises the absence of certainties. Yet far from becoming nihil
8#
發(fā)表于 2025-3-22 21:12:36 | 只看該作者
Taming the Monster,son, the dominant feature of Auden’s poems is their refusal (or inability) to integrate themselves into established literary patterns: . Auden’s poetry denies reverence to contemporary standards, such as free verse, and refuses to accept the great models of its time, Yeats and Eliot. Instead it pref
9#
發(fā)表于 2025-3-23 03:38:00 | 只看該作者
Taming the Monster,son, the dominant feature of Auden’s poems is their refusal (or inability) to integrate themselves into established literary patterns: . Auden’s poetry denies reverence to contemporary standards, such as free verse, and refuses to accept the great models of its time, Yeats and Eliot. Instead it pref
10#
發(fā)表于 2025-3-23 06:41:02 | 只看該作者
Early Auden: Farewell to the Signified,ing. The beginning of Justin Replogle’s .’. is a typical example of the confusion they tend to create:.The passage displays a puzzling array of terms for ‘meaning’: there are underlying structures, there are ideas, and there is a pattern created out of them. Replogle also mentions a discrepancy in l
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