Titlebook: 1950s “Rocketman” TV Series and Their Fans; Cadets, Rangers, and Cynthia J. Miller,A. Bowdoin Riper Book 2012 Cynthia J. Miller and A. Bowd

FAULT

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冰雹

https://doi.org/10.1007/978-3-031-20325-1he tail fins of Dad’s family car rivaled the spaceship designs of the movies . and .. Best of all, though, were the “l(fā)ive” telecasts of space adventures that were flying into our living rooms via the eight-by-ten-inch Motorola television sets.

Observe

故意

親愛

Ramón Miralbés,David Ranz,Saul Higueradium of television in ways that would pave the way for science fiction entertainment for decades to come. While long ago replaced by new heroes, their names still resonate in American cultural history: Captain Video, Tom Corbett, Rocky Jones, Commando Cody, and of course, the interstellar hero whose adventures started it all, Flash Gordon.

盡忠

https://doi.org/10.1007/978-3-031-51623-8iction movie serials such as . (1936, 1938, 1940) and . (1939) were springing up and growing in popularity, boys served as the primary audience for juvenile science fiction. But what about young American .?

Feature

Springer Series in Design and Innovation with the series’ tales of interplanetary heroism, Rocky Jones presented his young fans with a consistently hopeful message about the world in which they were growing up, and the value—at home and abroad—of harmony, stability, and the postwar moral order.

五行打油詩

Luciane Maria Fadel,Jim Bizzocchitriotic theme with a correspondingly slow, inward zoom revealing a domed, high-tech laboratory. This powerful opening sequence was emblematic of the American Century, and it held sway over the imagination of millions of domestic and international television viewers throughout the 1950s and 1960s.

NAVEN

ay lives of their fans through topics such as mentoring, promotion of the real-world space program, merchandising, gender issues, and ranger clubs - all the while promoting the fledgling medium of television.978-1-349-35091-9978-0-230-37732-5

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