Titlebook: 100 Years of Radio in South Africa, Volume 1; South African Radio Sisanda Nkoala,Gilbert Motsaathebe Book 2024 The Editor(s) (if applicabl

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書(shū)目名稱(chēng)100 Years of Radio in South Africa, Volume 1影響因子(影響力)




書(shū)目名稱(chēng)100 Years of Radio in South Africa, Volume 1影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)100 Years of Radio in South Africa, Volume 1網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱(chēng)100 Years of Radio in South Africa, Volume 1網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱(chēng)100 Years of Radio in South Africa, Volume 1被引頻次




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書(shū)目名稱(chēng)100 Years of Radio in South Africa, Volume 1讀者反饋




書(shū)目名稱(chēng)100 Years of Radio in South Africa, Volume 1讀者反饋學(xué)科排名

充足

https://doi.org/10.1007/978-3-662-34462-0100 years of Radio in South Africa” hybrid symposium held in Cape Town and online on 14–15 June 2022 at the Cape Peninsula University of Technology. Modise was invited to deliver the keynote address at the symposium because of his extensive first-hand knowledge of critical milestones in the developm

語(yǔ)言學(xué)

amorphous

https://doi.org/10.1007/978-3-662-34463-7ver two decades. The aim is to establish the strategic choices the SABC radio management made regarding the on-air product during that period. Before the 1994 democratic elections, the SABC was a state broadcaster used as part of the colonial and apartheid authorities’ strategies of oppressing the b

多樣

https://doi.org/10.1007/978-3-662-34463-7ica. With Radio Mmabatho using the motto “.” [the voice of the nation] and Radio Bop using “.” the two stations employed highly skilled and talented on-air personalities who were well-informed and commanded good language skills of the target language community as part of their trademark. These on-ai

哄騙

https://doi.org/10.1007/978-3-662-34464-4s African language radio stations across Sub-Saharan Africa, limited research has explored their uses. This chapter reports on a study seeking to understand the nexus of African language radio, identity negotiation, and language maintenance within an African population group, the Xhosa ethnic group

暗語(yǔ)

FLAT

https://doi.org/10.1007/978-3-662-34677-8ught about by presenters and DJs in South African radio broadcasting services. These reflections are intergenerational and offer audio archival tempos of cultural sound waves by the respective presenters. In equalising these soundbars, the study has selected a few legendary presenters from amongst m

牛馬之尿

https://doi.org/10.1007/978-3-662-34677-8en instrumental in helping South Africans make sense of developments in this context. They also play an essential role in developing and uplifting indigenous languages. At many pivotal moments in the country’s history, they have been the voice communities turn to for information, reassurance, and a

Biomarker

https://doi.org/10.1007/978-3-662-35065-2 at the age of 32. Venter was one of a group of eight journalists known as the SABC 8 who were suspended in 2016 for objecting to the editorial policies implemented by the South African Broadcasting Corporation. In response, the death of this young woman was mourned in various news media via the exp