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Titlebook: On the Sacred in African Literature; Old Gods and New Wor Mark Mathuray Book 2009 Palgrave Macmillan, a division of Macmillan Publishers Li

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發(fā)表于 2025-3-21 18:38:49 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱On the Sacred in African Literature
副標(biāo)題Old Gods and New Wor
編輯Mark Mathuray
視頻videohttp://file.papertrans.cn/702/701279/701279.mp4
圖書封面Titlebook: On the Sacred in African Literature; Old Gods and New Wor Mark Mathuray Book 2009 Palgrave Macmillan, a division of Macmillan Publishers Li
描述This innovative?book provides an original approach to the analysis of the representation of myth, ritual, and ‘magic‘ in African literature. Emphasizing the ambivalent nature of the sacred, it advances work on the religious dimension of canonical African texts and attends to the persistence of pre-colonial cultures in postcolonial spaces.
出版日期Book 2009
關(guān)鍵詞Africa; drama; nature
版次1
doihttps://doi.org/10.1057/9780230240919
isbn_ebook978-0-230-24091-9
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2009
The information of publication is updating

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Mark Mathurayt-person perspective into the heart of physics.” (C. A. Fuchs, “On participatory Realism”, in I. T. Durham, D. Rickles (eds.), . (Springer 2017)). As a tribute to the “participatory universe” idea put forward in the late 1970’s by John Archibald Wheeler, he proposes to call “participatory realism” t
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ize-winning essays from among more than 150 submissions.Cont.This collection of prize-winning essays addresses the controversial question of how meaning and goals can emerge in a physical world governed by mathematical laws. What are the prerequisites for a system to have goals? What makes a physica
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Mark Mathurayt-person perspective into the heart of physics.” (C. A. Fuchs, “On participatory Realism”, in I. T. Durham, D. Rickles (eds.), . (Springer 2017)). As a tribute to the “participatory universe” idea put forward in the late 1970’s by John Archibald Wheeler, he proposes to call “participatory realism” t
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conflicts in Uganda and the rise to power of the National Resistance Movement/Army (NRM/A). The conflict persisted because of fragmented and divisive national politics, strategies and tactics adopted by the armed protagonists, and regional and international interests. The harrowing war has claimed
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Introductiontance from or subversion of European literary forms, constitutes, it seems, its authentic quality. Thus, the ‘Africanness’ of the African text is elaborated and celebrated through positing its appropriation of the oral tradition – both in terms of form and content – as well as the use of myth and ri
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