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標題: Titlebook: Visual Synergies in Fiction and Documentary Film from Latin America; Miriam Haddu (Lecturer in Latin American Studies), Book 2009 Miriam H [打印本頁]

作者: Flexible    時間: 2025-3-21 19:58
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書目名稱Visual Synergies in Fiction and Documentary Film from Latin America讀者反饋學科排名





作者: AGGER    時間: 2025-3-22 00:11
: Images of Violence and the Position of the Spectator in Contemporary Brazilian Cinemaerations are taken from the book ., which was written by sociologist Luiz Eduardo Soares and two former captains of the special force.. As the story unfolds, the film takes the point of view of captain Nascimento, revealing in explicit detail the cruelty with which this military body operates in hea
作者: Pessary    時間: 2025-3-22 00:39
Mockumentary as Post-nationalism: National Identity in , by Sergio Arau the region to a standstill and the consequences are explored in the mockumentary. Set within the context of a growing Chicano population in the United States and the high level of migration from Mexico across the border, the stated aim of . is to advance a social agenda, arguing the case for immigr
作者: 慌張    時間: 2025-3-22 07:20
Filming Psychoanalysis: The Documentation of Paranoia and the “Paranoid Gaze” in Luis Bu?uel’s the film from this negative commercial and critical reception, ., one of France’s most prestigious film magazines, dedicated a special dossier to Bu?uel’s films from his Mexican period in 1954. In an auteurist fashion, some critics, such as Claude Baylie, reinterpreted . as one of Bu?uel’s masterpi
作者: recede    時間: 2025-3-22 11:09
Digital Mimicry and Visual Tropes: Some Images from Argentina adapting his theorizations to embrace film, a medium to which Ricoeur rarely refers in his work. This development is a natural one, given cinema’s emergence at the turn of the century—to borrow Mary Ann Doane’s description—as “a privileged machine for the representation of temporality,” as a result
作者: Deference    時間: 2025-3-22 15:40

作者: chandel    時間: 2025-3-22 20:55

作者: maudtin    時間: 2025-3-23 00:22

作者: 搖曳的微光    時間: 2025-3-23 05:18

作者: 蓋他為秘密    時間: 2025-3-23 08:43

作者: 地殼    時間: 2025-3-23 10:08

作者: 秘傳    時間: 2025-3-23 14:29
Dylon Robbinserling’s assessment. For Keesing, the demise of South Seas misconceptions was attributable not to the activities of Christian missionaries but rather to the Pacific War. “Doubtless some treasured but illusory ideas relating to the South Seas have been exploded,” wrote Keesing, and “a realistic view
作者: syncope    時間: 2025-3-23 18:43
Alexandra Anderson often appears to require an active, illicit bond between a male (often in the role of a father or father surrogate) and a younger, formerly innocent individual (often in the role of biological or surrogate progeny) who is initiated into sin. And this is a pattern that is repeated in work as diverse
作者: 使困惑    時間: 2025-3-24 01:29

作者: SPASM    時間: 2025-3-24 02:37
Maximiliano Maza Pérezoe’s . map out the territory of second-generation experience on an axis that ranges from the author having an acute and sensitive awareness of her parents’ Holocaust experiences on the one hand, to being totally unaware and indeed deliberately misled about the subject on the other.
作者: 錯誤    時間: 2025-3-24 09:44

作者: panorama    時間: 2025-3-24 12:59
Mariana A. C. da Cunhand complex calculation with which officials treated its requests. The government was committed to a long-term strategy for winning the war whatever the unavoidable human cost; the organisations, by contrast, took the view that immediate rescue must take precedence. The official documents of this per
作者: 鉆孔    時間: 2025-3-24 16:28
Cristina Cervantes oversee inmates as they are being evacuated westward near the end of the war. One night, while the prisoners are confined in a local church, an Allied bomb ignites the steeple, gradually setting the entire building ablaze. As the prosecutors in Hanna’s war crimes trial argue, “Die schweren Türen hi
作者: 捐助    時間: 2025-3-24 20:30
menhang nicht genannt wird — explizit gegen dessen These der paranoiden ?German culture“ abzugrenzen, wenn er schreibt: ?I do not believe that the . Germans should be regarded as suffering from a national form of mental disease, and therefore requiring mass psychiatric care. I do not imply that Germ
作者: Picks-Disease    時間: 2025-3-24 23:14

作者: Ferritin    時間: 2025-3-25 06:52

作者: 宮殿般    時間: 2025-3-25 09:22
Visual Synergies in Fiction and Documentary Film from Latin America
作者: ANTIC    時間: 2025-3-25 14:00

作者: grandiose    時間: 2025-3-25 15:50

作者: acrophobia    時間: 2025-3-25 20:13
ollywood came under politically motivated investigation. Although the political doings of the Senate’s House Committee on Un-American Activities (HUAC) have no direct place in this study, its massively publicised investigations of alleged left-wing activity in Hollywood had an economic impact in tha
作者: Stress-Fracture    時間: 2025-3-26 01:39

作者: immunity    時間: 2025-3-26 07:09
Joanna Page2), the number of hard-boiled films in this period that actually have a detective, in the conventional form of the private eye, is much less than most people suppose.. The intersections of private eye format with the wider phenomenon of ., the iconic status of the hard-boiled detective, and the cano
作者: EXUDE    時間: 2025-3-26 09:15
Michael Chananm D. W. Griffith’s bizarre representation of the supposed heroism of the Ku Klux Klan in . (1915) to the more recent brazen exercises in Eurocentrism such as Gary Synder’s . (2007). This is a mindset that envisions the world from a single, privileged point, which has been naturalized as “common sens
作者: 使顯得不重要    時間: 2025-3-26 16:32
Dylon Robbinsthe South Seas. “The missionaries,” he declared optimistically, “have done a great deal for us in clearing up our notions about savage nations. What an immense deal of harm Captain Cook’s ‘Voyages’ did in that way!”. Sterling’s optimism, however, was misplaced, and during the ensuing decades the Sou
作者: PANT    時間: 2025-3-26 17:27

作者: 慢慢流出    時間: 2025-3-26 22:34
Alejandra Rodríguez-Remedi and claiming they would make one classic album then split up, the Welsh band Manic Street Preachers were originally dismissed by many music writers as a kind of punk parody, with a 1980s stadium rock sound heavily influenced by Guns N’ Roses doing little to add to their credibility. By the time the
作者: AVOID    時間: 2025-3-27 02:31

作者: Phonophobia    時間: 2025-3-27 09:07
Armida De la Garzashed with a classmate to the nearby Union Buildings to catch a glimpse of the British Prime Minister. One sensed that dramatic things were in the offing and indeed they were: a few days later, Macmillan delivered his famous ‘Wind of Change’ speech to South African parliamentarians. African emancipat
作者: 噴油井    時間: 2025-3-27 13:09

作者: 青少年    時間: 2025-3-27 16:01

作者: 興奮過度    時間: 2025-3-27 18:50
Cristina Cervantes of the twentieth century, particularly during the early tumultuous, inflation-ridden years of the Weimar Republic. This time around she will marry for money, not love. The white spotlight starkly illuminates this solitary figure on the dark stage, and with a haunting refrain that does not lack a to
作者: occult    時間: 2025-3-28 01:51
n, der sein Interesse am Problem des deutschen Nationalcharakters ursprünglich angeregt h?tte.. Es ist also wohl Brickners direktem Einflu? zuzuschreiben, da? es auch Schaffner in seiner Arbeit vor allem um die Andersartigkeit des deutschen Charakters geht. Wie Brickner glaubt Schaffner, ?that the p
作者: Observe    時間: 2025-3-28 02:38

作者: Nebulous    時間: 2025-3-28 08:29

作者: Crumple    時間: 2025-3-28 12:55

作者: 控訴    時間: 2025-3-28 15:48

作者: degradation    時間: 2025-3-28 20:51
On the Margins of Reality: Fiction, Documentary, and Marginal Subjectivity in Three Early Cuban Revoincidence of this formal tension with concrete historical tensions borne of the transformations that shape early Revolutionary cultural production. Of particular concern, here, are those moments when this formal tension corresponds to the emergence of marginal subjectivities that often contradicted
作者: 倫理學    時間: 2025-3-29 01:34

作者: 修正案    時間: 2025-3-29 04:27
: Images of Violence and the Position of the Spectator in Contemporary Brazilian Cinemashowing a recent film by José Padilha, . (2007), winner of the Golden Bear at the Berlin Film Festival in 2008. This film, a work of fiction, narrates in the first person the daily vicissitudes of Captain Nascimento, a member of BOPE, the special squad of Rio’s military police with responsibility fo
作者: spondylosis    時間: 2025-3-29 08:09
: A Formative Space for Chilean Identitycher, and educator in the generation of a profoundly poetic (trans)formative space for Chilean identity. In order to address this multifaceted work, which was awarded the Glauber Rocha Award for Best Latin American Film and the International Press Award (FIPRESCI) at the 2002 Montreal World Film Fes
作者: Bureaucracy    時間: 2025-3-29 13:04

作者: tolerance    時間: 2025-3-29 17:50

作者: 巨大沒有    時間: 2025-3-29 22:04
Between Image and Word: Minority Discourses and Community Construction in Eduardo Coutinho’s Documeng but also in the broader panorama of Brazilian cinema. This chapter analyzes two of Coutinho’s documentaries: . (., 1992) and . (., 2001). It aims to investigate how the marginalized communities captured in both films are represented and to observe the processes involved in the construction of an i
作者: 健談的人    時間: 2025-3-30 00:09





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