標(biāo)題: Titlebook: Visual Power and Fame in René d‘Anjou, Geoffrey Chaucer, and the Black Prince; SunHee Kim Gertz Book 2010 Palgrave Macmillan, a division o [打印本頁(yè)] 作者: Clinical-Trial 時(shí)間: 2025-3-21 17:16
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書目名稱Visual Power and Fame in René d‘Anjou, Geoffrey Chaucer, and the Black Prince網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱Visual Power and Fame in René d‘Anjou, Geoffrey Chaucer, and the Black Prince讀者反饋學(xué)科排名
作者: ALOFT 時(shí)間: 2025-3-21 22:47 作者: 柔美流暢 時(shí)間: 2025-3-22 01:47 作者: reject 時(shí)間: 2025-3-22 07:16
Visual Power and Fame in René d‘Anjou, Geoffrey Chaucer, and the Black Prince978-0-230-10653-6Series ISSN 2945-5936 Series E-ISSN 2945-5944 作者: AER 時(shí)間: 2025-3-22 09:00
Fame and ,poetic accomplishment does not emphasize the effort or creativity put into his poetry, in spite of the fact that it is the poet’s work that is being celebrated. Instead, the .’ last lines highlight his reward:作者: 輕浮女 時(shí)間: 2025-3-22 15:34 作者: neutralize 時(shí)間: 2025-3-22 20:20 作者: Slit-Lamp 時(shí)間: 2025-3-22 22:41 作者: 不可接觸 時(shí)間: 2025-3-23 03:21 作者: conception 時(shí)間: 2025-3-23 06:26 作者: Pastry 時(shí)間: 2025-3-23 10:50 作者: 送秋波 時(shí)間: 2025-3-23 14:52
SunHee Kim Gertzth European interest in preservation and restoration, did, however, lay the foundation for protecting heritage as a value in itself. Thus, even though restricted to national monuments, the preservation movements of the nineteenth century initiated the discussion that would lead to making national ar作者: 沙漠 時(shí)間: 2025-3-23 21:38
SunHee Kim Gertznti-illusionist style of modern theatre, with stripped-down staging, direct address to the audience and occasionally the actor stepping out of role.. Nevertheless, biodrama’s convention of making the dead speak to a modern audience offers a ‘double vision’ where the interaction between actor and rol作者: 未完成 時(shí)間: 2025-3-24 00:20
SunHee Kim Gertzammenfassung existierender Befunde von Langfristprojektionen bis 2090 werden auch neue Projektionen mit kürzeren Zeithorizonten durchgeführt. Die Befunde, die die volkswirtschaftlichen Ertr?ge wirksamer Bildungsreformen zur Reduktion der Zahl der Risikoschüler nach Bundesl?ndern in Zehnjahresschritt作者: 暫停,間歇 時(shí)間: 2025-3-24 05:32
SunHee Kim Gertzliterature into a genus and species type of c1assification. It is customary to say that in the eighties and nineties, Nat- uralism won a decisive victory over Romanticism and drove the partisans of the older movement from the field. At first glance this does, indeed, appear to be true. Hugo yields to Zola, Pu978-94-011-8441-0978-94-011-9155-5作者: 纖細(xì) 時(shí)間: 2025-3-24 09:43
enigen, der seiner Person nahe verbunden war, eine abschlie?ende Würdigung. Aber auch für den Fernstehenden ist ein als endgültig anzusehendes kritisches Urteil heute noch unm?glich; erst ein gr??erer zeitlicher Abstand wird es m?glich machen, Bedeutung und Wirken des vielseitig Gelehrten zu übersch作者: Carminative 時(shí)間: 2025-3-24 14:00
2945-5936 leadership, it is necessary to communicate effectively with audiences in order to secure fame. This sweeping study sheds light on fame s intoxicating but deceptively simple promise of elite glory.978-0-230-10653-6Series ISSN 2945-5936 Series E-ISSN 2945-5944 作者: ALT 時(shí)間: 2025-3-24 17:03
,René D’Anjou’s Negotiations with Fame: Creating for a Future Past,el and in the epic characterization of an ideal leader with traits familiar from ., complete with Ciceronian and Christian approbation framed in intimations of Arthurian ideals, thereby also crystallizing some traits that René himself seems to have deemed important.作者: insert 時(shí)間: 2025-3-24 21:19
Conclusion,out crowds of people coming together to listen to a ruler that in and of itself creates the best conditions for consensus. Consensus must still be won, but the stage is set for persuasion, and the audience generally is knowledgeable enough to realize that this is what their coming together is all about.作者: PAD416 時(shí)間: 2025-3-25 00:32 作者: 引導(dǎo) 時(shí)間: 2025-3-25 07:03
Introduction,lity than what classical depictions of the diva impart. While, for example, lines 39–63 of Ovid’s . 12 describe Fame’s dwelling at a location similar to that of Chaucer’s—in the classical depiction, the point at which the earth, sea, and heavens meet—the final lines of the . record the narrator’s jo作者: 莎草 時(shí)間: 2025-3-25 08:06 作者: archetype 時(shí)間: 2025-3-25 12:29 作者: 倒轉(zhuǎn) 時(shí)間: 2025-3-25 17:57 作者: Ige326 時(shí)間: 2025-3-25 22:57 作者: GIST 時(shí)間: 2025-3-26 03:11 作者: fiscal 時(shí)間: 2025-3-26 08:03
Book 20101409-1480), Geoffrey Chaucer s House of Fame (ca. 1375-1380), and Edward the Black Prince (1330-1376) explore fame s visual power. While very different in approach, all three individuals reject the classical suggestion that fame is bestowed and understand that particularly in positions of leadership作者: 大方不好 時(shí)間: 2025-3-26 08:45 作者: 不易燃 時(shí)間: 2025-3-26 13:26 作者: 航海太平洋 時(shí)間: 2025-3-26 17:02
SunHee Kim Gertzcross a transect of headstones found in urban parish churchyards situated in inland and coastal cities in Britain (England and Scotland). Various methods were deployed to ascertain headstone characteristics. Upright headstones had their front panels photographed for the amassment of a digital record作者: CORE 時(shí)間: 2025-3-26 21:14 作者: 豐滿有漂亮 時(shí)間: 2025-3-27 02:26
SunHee Kim Gertzhapter ‘Doing It with Mirrors’, discussing it alongside Neil Burger’s . and a clutch of neo-Victorian novels.. Their use of the three-part trick, highlighted in the film, as a framework for a neo-Victorian return is one to which I am indebted in this chapter. However, as the process I will be descri作者: 消耗 時(shí)間: 2025-3-27 09:20
SunHee Kim Gertzbst heraus, im Sinne einer mangelnden Bef?higung zur selbstverantwortlichen gesellschaftlichen Teilhabe. Sie haben darüber hinaus erhebliche Auswirkungen auf die Volkswirtschaft. Dieser Beitrag projiziert die volkswirtschaftlichen Ertr?ge, die von hypothetischen Bildungsreformen zu erwarten w?ren, d作者: CHOIR 時(shí)間: 2025-3-27 09:43
SunHee Kim Gertz VondeI, suddenly awoke to vigorous life. Not only did gifted dramatists appear, but talented directors, actors, and actresses brought new splendor to the theatre. Yet this brilliant flame did not burst forth in a vacuum, and to appre- ciate the quality of its light, it must be viewed against the ba作者: fastness 時(shí)間: 2025-3-27 17:29
lergeneration und die Studierenden des musikhistorischen Seminars seiner, des spiritus rector historiae musicae germaniae. Der ehemalige Schüler, Doktorand und schlie?lich Assistent und Freund von Hermann Abert, Friedrich Blume, hielt bei der Trauerfeier des musikhistorischen Seminars im H?rsaal des作者: 混合,攙雜 時(shí)間: 2025-3-27 20:58 作者: 忍受 時(shí)間: 2025-3-27 22:42
,Prozessdimension Kooperation – Beteiligte und überbrückung von Systemgrenzen, die nicht hierarchisch und ?top down‘, sondern über Netzwerke partizipativ orientierte Kooperationen staatlicher und nichtstaatlicher Akteur/innen erm?glicht und zul?sst“ (Berr et al. 2019, S.?19 mit Verweis auf Benz und Dose 2010; Br?chler und Blumenthal 2006; Kühne und Meyer 2015; Meyer 2006; Rho作者: DEAWL 時(shí)間: 2025-3-28 02:52
100 Years of World Wars and Post-War Regional CollaborationHow to Create ‘New W作者: 觀點(diǎn) 時(shí)間: 2025-3-28 08:24
Nevanlinna Theory of One Variable (1),The classical Nevanlinna theory is reviewed, after preparation of necessary terminologies in differential geometry and integral formulas.作者: exostosis 時(shí)間: 2025-3-28 12:29
Introduction,le” elder brother.. Indeed, from 1914 until 1953 when it became a part of the joint state-private Yongli-Jiuda Chemical Industries, Jiuda Salt Refinery Co., Ltd. was synonymous with modern China’s refined salt industry. Building this private enterprise from scratch to national prominence, Fan and hi
