標(biāo)題: Titlebook: Visual Imagery and Human Rights Practice; Sandra Ristovska,Monroe Price Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 hum [打印本頁] 作者: Coenzyme 時(shí)間: 2025-3-21 19:44
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作者: 支柱 時(shí)間: 2025-3-21 23:20 作者: Gorilla 時(shí)間: 2025-3-22 01:40 作者: 產(chǎn)生 時(shí)間: 2025-3-22 06:53
Visual Imagery and Human Rights Practice978-3-319-75987-6Series ISSN 2634-5978 Series E-ISSN 2634-5986 作者: 開玩笑 時(shí)間: 2025-3-22 10:20 作者: HALO 時(shí)間: 2025-3-22 13:00
Images and Human Rights,capacity to include images—strongly defined, increasingly tested for impact—has been harnessed in ways that might alter discourses, might privilege some players over others, might present different ethical issues, and might make, in general, a more powerful role for human rights and the greater achievement of long-desired objectives.作者: 博識 時(shí)間: 2025-3-22 20:14
Drones, Camera Innovations and Conceptions of Human Rights complement data-gathering and storytelling efforts, but they also strain existing laws and norms about transparency, accountability and surveillance. Drones pierce old arrangements and empower agents in the process.作者: Precursor 時(shí)間: 2025-3-22 22:51 作者: Dissonance 時(shí)間: 2025-3-23 02:52 作者: 同時(shí)發(fā)生 時(shí)間: 2025-3-23 06:34 作者: MAUVE 時(shí)間: 2025-3-23 10:44
Sexual Violence in the Field of Visionitical theory for thinking about how sexual violence functions as a central technology of sovereignty and how we might make this phenomenon more perceptible. The paper explores the ways photographs can become evocative objects—tools that can help spectators digest the ways sovereign forms of power are brokered across and through women’s bodies.作者: gimmick 時(shí)間: 2025-3-23 15:16 作者: CROAK 時(shí)間: 2025-3-23 21:58 作者: 相符 時(shí)間: 2025-3-23 22:23 作者: Factorable 時(shí)間: 2025-3-24 05:07
Communicating Justice in Film: The Limitations of an Unlimited Field of the production of the court’s documentary films. This chapter provides an overview of how the ICTY Outreach tackled these issues to produce a visual legacy for the first modern, international war crimes tribunal.作者: 等級的上升 時(shí)間: 2025-3-24 07:55 作者: 完全 時(shí)間: 2025-3-24 13:22 作者: 清醒 時(shí)間: 2025-3-24 17:45 作者: 陰謀 時(shí)間: 2025-3-24 19:40
A Change of Perspective: Aerial Photography and “the Right to the City” in a Palestinian Refugee Cam Shamali with reference to the rich and complex history of aerial photography, often associated with military surveillance and targeting; the security implications of mapping and the questions about the uses to which maps may be put; and the political, symbolic, and conceptual issues that arise from mapping a refugee camp with DIY technology.作者: Diskectomy 時(shí)間: 2025-3-25 01:01
Contested Visualities: Courage and Fear in the Portrayal of Rio de Janeiro’s Favelascle 19 about the right to communicate. I thus argue that the production of contested visual representations of Rio’s favelas emergent from both mainstream and community sources is a significant contribution to the favela residents’ struggles for human rights.作者: licence 時(shí)間: 2025-3-25 06:37 作者: Fallibility 時(shí)間: 2025-3-25 07:54 作者: 放氣 時(shí)間: 2025-3-25 15:15
Images and Human Rights, contemporary human rights practices. It stems from the recognition that images are no longer merely an illustration on the side or just a vehicle for advocacy; they have become a critical evidentiary tool and a mode of information relay on their own terms as well. The chapter thus looks at how the 作者: 的事物 時(shí)間: 2025-3-25 16:03
50 Years of Documentation: A Brief History of the Audiovisual Documentation of the Israeli Occupatioos about this subject, one might wonder: What has all this documentation achieved? What has been the documentation’s role in this tragic piece of history? What has been the relationship between the audiovisual documentation of the Israeli Occupation and the reality it claims to portray? This chapter作者: 刺激 時(shí)間: 2025-3-25 21:48 作者: AXIOM 時(shí)間: 2025-3-26 01:11
A Convergence of Visuals: Geospatial and Open Source Analysis in Human Rights Documentationle in human rights investigations. The author provides several case studies, showing how human rights groups use satellite images and citizen media to visually communicate a pressing human rights issue to a large audience and key decision-makers. It is the very combination of these two media that de作者: sigmoid-colon 時(shí)間: 2025-3-26 07:22
The Rise of GEOINT: Technology, Intelligence and Human Rightsntal changes in the international community’s response to humanitarian and human rights crises. Part of this development involves a growing reliance upon technology designed for the modern battlefield but adapted for peacekeeping operations, which has resulted in the emerging field of human rights-o作者: 頌揚(yáng)國家 時(shí)間: 2025-3-26 11:24 作者: Malcontent 時(shí)間: 2025-3-26 13:14
Simon Srebnik: Narratives of a Holocaust Survivories of Holocaust survivor Simon Srebnik between 1945 and 1997. He argues that audiovisual transmission communicates the survivors’ body language, voice texture, and moments of silence that are as critical for understanding trauma as the content of the testimony itself. By contrasting and comparing t作者: 織布機(jī) 時(shí)間: 2025-3-26 20:39 作者: collagenase 時(shí)間: 2025-3-26 21:07
Communicating Justice in Film: The Limitations of an Unlimited Field(ICTY) has produced a plethora of visual communication features, which present the Tribunal’s work in a succinct, consumable and understandable manner. Conducting such pioneering and sensitive work, however, meant entering uncharted territory. The imperatives of maintaining the neutrality of the cou作者: Affection 時(shí)間: 2025-3-27 02:17 作者: hazard 時(shí)間: 2025-3-27 06:33
Sexual Violence in the Field of Visionpursues two lines of questions about the visual politics of human rights. One concerns how our ways of seeing—our modes of attending to the vulnerability and integrity of particular persons—can itself be understood as a form of human rights practice. The other aims to widen space in contemporary pol作者: 異教徒 時(shí)間: 2025-3-27 13:18
Art and Human Rights in the Constitutional Court of South Africanment as a significant method of transmitting dramatic changes in its system of justice in a post-apartheid era. Court personnel, judges, defendants, and prosecutors and the society at large continue to engage with the resulting powerful visual cues and embodiments. Sachs documents how the Court has作者: 頭盔 時(shí)間: 2025-3-27 15:21
A Change of Perspective: Aerial Photography and “the Right to the City” in a Palestinian Refugee Cam the city”? This chapter describes recent uses of the cheap DIY technique of balloon-mapping in Bourj Al Shamali, a 66-year-old Palestinian refugee camp in south Lebanon. There, and deployed in close collaboration with the local camp committee, this highly accessible technique permitted the communit作者: Cholesterol 時(shí)間: 2025-3-27 21:14
Contested Visualities: Courage and Fear in the Portrayal of Rio de Janeiro’s Favelas the people living in favelas from the rest of the city. This chapter combines ethnographic fieldwork and text interpretation to explore how mainstream photojournalists and community photographers negotiate courage and fear to obtain a public voice that tells the complexity of life in Rio’s favelas.作者: 凌辱 時(shí)間: 2025-3-28 01:29 作者: 生命層 時(shí)間: 2025-3-28 04:01
Answering the Smartphones: Citizen Witness Activism and Police Public Relations is known colloquially, is one such response in the U.S., where citizens are killed by police more often than in other democratic countries. Based on ethnographic and qualitative text analysis, this project examines the way video evidence has changed the discursive landscape for police officers, who作者: 淘氣 時(shí)間: 2025-3-28 07:01
Book 2018becoming a more central means through which human rights claims receive recognition and restitution. The collection argues that accounting for how images work on their own terms is an ever more important epistemological project for fostering the imaginative scope of human rights and its purchase on 作者: photopsia 時(shí)間: 2025-3-28 14:28
ramed. Several studies showed that already in the past the uncontrolled development of infrastructure for energy production from renewable sources led to significant environmental impacts, in some cases largely motivated by economic speculation. This paper analyzes the emblematic case study of the B作者: Texture 時(shí)間: 2025-3-28 17:13 作者: botany 時(shí)間: 2025-3-28 21:34
al Science and Its Applications, ICCSA 2023, held at Athens, Greece, during July 3–6, 2023..The 350 full papers and 29 short papers and 2 PHD showcase papers included in this volume were carefully reviewed and selected from a total of 876 submissions. These nine-volumes includes the proceedings of t作者: 與野獸博斗者 時(shí)間: 2025-3-29 02:22 作者: 財(cái)產(chǎn) 時(shí)間: 2025-3-29 04:03
Austin Choi-Fitzpatrickivities. Such a sustainable agenda can only be implemented through a strong interaction between the economic actors involved, aware of the transport choices and their consequences. Similarly, a university campus in an urban context requires in-depth studies on the balance between supply and demand f作者: 祖?zhèn)髫?cái)產(chǎn) 時(shí)間: 2025-3-29 09:10 作者: 矛盾心理 時(shí)間: 2025-3-29 13:34 作者: INTER 時(shí)間: 2025-3-29 17:38 作者: 表狀態(tài) 時(shí)間: 2025-3-29 22:31 作者: jarring 時(shí)間: 2025-3-30 03:26 作者: 中止 時(shí)間: 2025-3-30 07:30 作者: neoplasm 時(shí)間: 2025-3-30 10:19
Nenad Gol?evskimospheric transport model (TM2), corresponding derivative codes and a derivative-based optimisation routine. In calibration mode, we use first and second derivatives to estimate model parameters and their uncertainties from atmospheric observations and their uncertainties. In prognostic mode, we use作者: 堅(jiān)毅 時(shí)間: 2025-3-30 14:15 作者: extrovert 時(shí)間: 2025-3-30 19:01 作者: 保全 時(shí)間: 2025-3-30 22:15 作者: Macronutrients 時(shí)間: 2025-3-31 03:51 作者: 蝕刻術(shù) 時(shí)間: 2025-3-31 05:17
Claudia Martinez Manselly than the external line speed, can emulate a first-come first-served (FCFS) output-queued (OQ) packet switch. A new SW packet switching scheme for PPS, which is called SW-PPS, was presented in the authors’ earlier study [1]. The PPS class is characterized by deployment of distributed center-stage s
