標題: Titlebook: Visible and Invisible Whiteness; American White Supre Alice Mikal Craven Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Bir [打印本頁] 作者: 無力向前 時間: 2025-3-21 16:40
書目名稱Visible and Invisible Whiteness影響因子(影響力)
書目名稱Visible and Invisible Whiteness影響因子(影響力)學科排名
書目名稱Visible and Invisible Whiteness網絡公開度
書目名稱Visible and Invisible Whiteness網絡公開度學科排名
書目名稱Visible and Invisible Whiteness被引頻次
書目名稱Visible and Invisible Whiteness被引頻次學科排名
書目名稱Visible and Invisible Whiteness年度引用
書目名稱Visible and Invisible Whiteness年度引用學科排名
書目名稱Visible and Invisible Whiteness讀者反饋
書目名稱Visible and Invisible Whiteness讀者反饋學科排名
作者: TRUST 時間: 2025-3-21 20:36 作者: tangle 時間: 2025-3-22 01:58
Alice Mikal Cravenne. These advances have come with a dramatic increase of input data in the form of faster frame rates, larger fields of view or higher resolution, so high performance solutions are currently widely used for analysis. Tomographic instruments can vary significantly from one to another, including the h作者: 賭博 時間: 2025-3-22 07:21 作者: 無情 時間: 2025-3-22 09:57
Alice Mikal Cravenputational Science, ICCS 2021, held in Krakow, Poland, in June 2021.*.The total of 260 full papers and 57 short papers presented in this book set were carefully reviewed and selected from 635 submissions. 48 full and 14 short papers were accepted to the main track from 156 submissions; 212 full and 作者: 拖網 時間: 2025-3-22 13:19 作者: placebo-effect 時間: 2025-3-22 19:59 作者: 內閣 時間: 2025-3-23 00:18
Alice Mikal Cravene entity. This observation has led to the introduction of invariant machine learning methods, for example techniques that ignore shifts, rotations, or light and pose changes in images. These approaches typically utilize pre-defined invariant features or invariant kernels, and require the designer to作者: MORT 時間: 2025-3-23 03:03 作者: AWL 時間: 2025-3-23 06:25
Alice Mikal Cravenion. Our model mainly depends on converting the digital data to a virtual environment with paths classified based on the allocation of the data in the original image. Then, we introduce virtual tigers to the environment to begin the encoding process. Tiger agents are separated from each other, and t作者: 闖入 時間: 2025-3-23 10:41 作者: ALB 時間: 2025-3-23 15:09
tion, therapy, and outcome. Tuberculosis continues to be one of the 10 leading causes of death globally. The aim of the study is to present the exploration of classic data mining techniques to find relationships between the outcome of TB cases (cure or death) and the comorbidities presented by the p作者: characteristic 時間: 2025-3-23 19:20
978-3-030-08285-7The Editor(s) (if applicable) and The Author(s) 2018作者: plasma 時間: 2025-3-23 22:35
http://image.papertrans.cn/v/image/983590.jpg作者: 吼叫 時間: 2025-3-24 04:47 作者: malign 時間: 2025-3-24 08:05
,Looking at American White Supremacy “Through a Glass Darkly”: James Baldwin on ,o considers how Baldwin contextualizes Griffith’s film through his comparative reading of the film with Norman Jewison’s . and Fritz Lang’s .. Baldwin’s contextualizing of . underscores the importance of his critique of American supremacist mythologies and American history in this and others of his works.作者: Modicum 時間: 2025-3-24 11:11
Alice Mikal CravenOffers the first comparative analysis of the film criticism of James Agee and James Baldwin.Relates films at the center of debates about the history of American white supremacy on screen with analyses作者: GORGE 時間: 2025-3-24 16:10 作者: Bother 時間: 2025-3-24 19:31 作者: 乏味 時間: 2025-3-24 23:54
,“The Colored Angle”: Contending Visions of ,g the guiding genre of the film from melodrama to romantic comedy halfway through the film. The chapter equally argues that Sirk’s focus on “the colored angle” allows for a different perspective on cinematic representations of white supremacy.作者: Certainty 時間: 2025-3-25 05:48
,Having Forsaken Hollywood: Samuel Fuller’s “Art House” , house audiences and critics is used in this chapter to look more closely at the marked differences between Hollywood studio filmmaking techniques and art house cinema techniques. The chapter argues that representations of white supremacy and racial themes in American filmmaking are affected by these differences.作者: 積云 時間: 2025-3-25 10:36
,Rainer Werner Fassbinder’s “Western,” ,econstruction of those genres. It provides a comparative analysis of . and Raoul Walsh’s ., which served as a principal model for Fassbinder in his approach to .. The chapter argues that Fassbinder intuits mythologies of American white supremacy through his spectatorship of Hollywood films, in particular, ..作者: CRUE 時間: 2025-3-25 12:00
,Cream Rises to the Top: Jean Renoir’s ,?for what he refers to as its unconscious patronage. This chapter?gives?perspective on the role of this film in Renoir’s overall corpus and also on how European methods of filmmaking reshape the myths of whiteness at the base of American film.作者: 搬運工 時間: 2025-3-25 16:42
Invisible Whiteness mise en abyme: ,s how Gast’s adaptation of the novel, by adhering to American cinematic tropes, inadvertently reveals those tropes as reinforcing invisible whiteness. His inability to use cinematic language to re-create the layered voices of the novel creates an even starker picture of white supremacy.作者: Admire 時間: 2025-3-25 23:24 作者: debble 時間: 2025-3-26 02:44
Visible and Invisible Whiteness: An Introduction,ast Richard Dyer establishes between visible and invisible whiteness. The chapter defines Bordwell’s and Dyer’s terms and argues that deeper consideration of this intersectionality can help reveal how Hollywood narratives and generic structures are often grounded in American mythologies of white sup作者: GUILE 時間: 2025-3-26 04:39 作者: 郊外 時間: 2025-3-26 09:24
,“A Monstrous Wrong”: James Agee and the Miraculous ,iation of D. W. Griffith’s life and work written shortly after Griffith’s death. It takes into consideration Agee’s role as a Southern intellectual as well what James A. Crank refers to as Agee’s “anatomy of guilt” concerning racial segregation and violence in America. The chapter also places Agee’s作者: 集中營 時間: 2025-3-26 16:15
,“The Colored Angle”: Contending Visions of ,sible and invisible whiteness can be defined and represented in the cinema. The chapter argues that by looking at Stahl’s decisions concerning the generic structures he uses throughout the film, the visibility of whiteness that dominates in the first half of the film is rendered invisible by changin作者: avulsion 時間: 2025-3-26 18:03
,Having Forsaken Hollywood: Samuel Fuller’s “Art House” ,east an incitement to racial violence. The chapter argues that this was primarily due to Fuller’s “art house” approach to the material. Through the combined efforts of Paramount and the NAACP, the film was shelved before it was ever distributed. Its afterlife as a popular film among European and art作者: Increment 時間: 2025-3-26 22:27 作者: infinite 時間: 2025-3-27 04:59 作者: allude 時間: 2025-3-27 06:39
Invisible Whiteness mise en abyme: ,ons of cultural translation and racial essentialism often focused on by critics of the novel but is more concerned with looking at its American-style cinematic. Drawing on James Baldwin’s assessment of the film as well as Douglas?Field’s discussion of the film’s film noir style, this chapter explore作者: 催眠 時間: 2025-3-27 09:41
,Rachid Bouchareb’s , and His American Trilogy: Cultural Transpositions,xpressly uses the American thriller genre in order to deconstruct the codes and myths of that genre. It suggests that the film illustrates a transposition of racial issues endemic to Bouchareb’s cultural contexts onto American Hollywood-style landscapes and cinematic tropes. With recourse to Baudry’作者: Inordinate 時間: 2025-3-27 16:47 作者: RADE 時間: 2025-3-27 20:34
Book 2018he cinema. Close readings of D.W. Griffith’s .The Birth of a Nation. by James Agee and James Baldwin explore these authors’ perspectives on the American mythologies which ground Griffith’s film. The intersectionality of Bordwell’s theories on Classical Hollywood Narrative .versus. Art Cinema and Ric作者: 為敵 時間: 2025-3-27 22:34
,“A Monstrous Wrong”: James Agee and the Miraculous , well what James A. Crank refers to as Agee’s “anatomy of guilt” concerning racial segregation and violence in America. The chapter also places Agee’s reviews of Griffith in the context of his commentaries on other films that broach issues or themes of American white supremacy.作者: 絕種 時間: 2025-3-28 03:17
Conclusion: Cinema, Our Dark Mirror,ble realities are in many cases propped up by easily glossed over ideologies such as the myth of American white supremacy, a claim explored throughout the chapters of this book. Mythological metanarratives often come back to haunt us when we pause to study the deeper fabric or cinematic excess of those films’ compositions.作者: 虛弱 時間: 2025-3-28 09:39
ce. So prepared data is used in stage two to create models on the basis of autoregressive neural network describing variability of the analysed LED Sign Communications Network parameters. Next, relations between the expected network traffic and its real variability are examined in order to detect ab作者: 無關緊要 時間: 2025-3-28 13:50
Alice Mikal Craven samples are used to construct the metamodel, which is further refined with 20 infill points using expected improvement. The metamodel is validated with the normalized root mean square error based on 20 test data samples. The refined metamodel is used to search for the optimal design using a multi-s作者: 獨裁政府 時間: 2025-3-28 15:49 作者: Altitude 時間: 2025-3-28 21:33
Alice Mikal Cravenssisted procedures; however, rendering reliable metamodels is problematic at higher-dimensional parameter spaces. This paper proposes a simple yet efficient methodology for multi-objective design of antenna structures, which is based on sequential identification of the Pareto-optimal points using in作者: 厚顏 時間: 2025-3-29 00:41 作者: ULCER 時間: 2025-3-29 04:45
Alice Mikal Craveny out a in-depth analysis using real data of a station of the North West of Italy, that shows the effectiveness of our approach and the contribution that domain-specific techniques may have in efficiently solving the various instances of the problem. Finally, we also present a visualisation tool for作者: MILL 時間: 2025-3-29 09:34
