標(biāo)題: Titlebook: Virginia Woolf’s Ethics of the Short Story; Christine Reynier Book 2009 Christine Reynier 2009 emotion.ethics.resistance.space.Virginia Wo [打印本頁] 作者: 惡夢 時(shí)間: 2025-3-21 16:37
書目名稱Virginia Woolf’s Ethics of the Short Story影響因子(影響力)
書目名稱Virginia Woolf’s Ethics of the Short Story影響因子(影響力)學(xué)科排名
書目名稱Virginia Woolf’s Ethics of the Short Story網(wǎng)絡(luò)公開度
書目名稱Virginia Woolf’s Ethics of the Short Story網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Virginia Woolf’s Ethics of the Short Story被引頻次
書目名稱Virginia Woolf’s Ethics of the Short Story被引頻次學(xué)科排名
書目名稱Virginia Woolf’s Ethics of the Short Story年度引用
書目名稱Virginia Woolf’s Ethics of the Short Story年度引用學(xué)科排名
書目名稱Virginia Woolf’s Ethics of the Short Story讀者反饋
書目名稱Virginia Woolf’s Ethics of the Short Story讀者反饋學(xué)科排名
作者: 豐滿中國 時(shí)間: 2025-3-21 23:05 作者: temperate 時(shí)間: 2025-3-22 00:31 作者: gerontocracy 時(shí)間: 2025-3-22 06:54 作者: 仔細(xì)檢查 時(shí)間: 2025-3-22 12:39
Book 2009Virginia Woolf‘s Ethics of the Short Story ?aims at a synthetic appraisal of Woolf‘s short stories as a space of encounter and a site of resistance. It throws a new light on Woolf‘s short stories as foregrounding the ethical as well as the political and the aesthetic and shows how they participate fully in her creative process.作者: 不妥協(xié) 時(shí)間: 2025-3-22 13:21
https://doi.org/10.1057/9780230244726emotion; ethics; resistance; space; Virginia Woolf; writing; British and Irish Literature作者: artless 時(shí)間: 2025-3-22 17:43 作者: 騷動(dòng) 時(shí)間: 2025-3-23 00:21 作者: CHURL 時(shí)間: 2025-3-23 03:49 作者: Biomarker 時(shí)間: 2025-3-23 07:50
Christine Reynierll 0 < . < 1 + ., and all . > 0, with the best possible value for the constant being equal:.where . = ./(.-. + l), and .* is the zero point of the (unique) maximal solution . ?,.* (.) of the differential equation:.satisfying 0 < .*(.) < . for all . > .*, where α = . — 1, β = 1/. and . = ./2. This so作者: Ptsd429 時(shí)間: 2025-3-23 12:11
Christine Reynier related areas: limit theorems for sums of independent Banach space valued random vectors and general Gaussian processes. An important feature in these past research studies has been the fact that they highlighted the es- sential probabilistic nature of the problems considered. In part, this was bec作者: Androgen 時(shí)間: 2025-3-23 15:31 作者: 消瘦 時(shí)間: 2025-3-23 18:03
ally up to 1:100) and luminance range (typically 1-100 cd/m.) have a profound impact on image and video formats, which have been specifically tailored for these capabilities. In such display-referred LDR formats information for every pixel is encoded directly in a ready-to-use format with the goal t作者: Halfhearted 時(shí)間: 2025-3-23 22:17
,Woolf’s Short Story as a Site of Resistance,a finer and more adequate appraisal of Woolf’s short stories.. We saw that within the short story as conversation, the interplay between emotion, impersonality and proportion creates both tension and circulation, dissent and debate at a structural, thematic and metafictional level. Such a dynamic sp作者: 可卡 時(shí)間: 2025-3-24 03:09 作者: 無禮回復(fù) 時(shí)間: 2025-3-24 07:52 作者: Gingivitis 時(shí)間: 2025-3-24 12:23
Christine Reynierles of spectroscopy are also described. Chapter IV focuses on the mechanism of action of potentized drugs in the living system, discussing the structure of the cell, the plasma membrane, the integral proteins on the membrane, the interaction between these proteins and high dilutions and the manifestations of 978-90-481-6601-5978-1-4020-2156-5作者: 慢慢沖刷 時(shí)間: 2025-3-24 16:31
Christine Reynierion, and the equality is attained only in the limit through the stopping times τ* = τ* (.) when . tends to the best value . from above. The method of proof relies upon the principle of smooth fit of Kolmogorov and the maximality principle. The results obtained extend to the case when . starts at any作者: ETHER 時(shí)間: 2025-3-24 19:50 作者: 有斑點(diǎn) 時(shí)間: 2025-3-25 00:02
Christine Reynierhe basic principles behind HDRI and focus on one of the currently most important problems, both theoretically and practically. That is, the reconstruction of high dynamic range images from regular low dynamic range pictures. Table of Contents: Introduction / Digital Image / Imaging Devices and Calib作者: 江湖騙子 時(shí)間: 2025-3-25 03:37 作者: invulnerable 時(shí)間: 2025-3-25 10:03 作者: WAG 時(shí)間: 2025-3-25 12:23
Conversation, Emotion and Ethics or the Short Story as Conversation, Attridge remarks, “is a somewhat overworked phrase in current academic discourse” (Attridge 2004: 28) and although not as general as “otherness” or “alterity”, it is certainly imprecise. Attridge then proceeds to make a list of the different meanings of the term.:作者: Foment 時(shí)間: 2025-3-25 16:42 作者: ingenue 時(shí)間: 2025-3-25 21:34
,Woolf’s Ethics of Reading and Writing,s short stories will be examined at length; how it opens onto a specific experience of alterity and a specific form of conversation involving writer and reader caught up in a collaborative process will then be analysed as well as the eminently ethical moment of encounter it creates.作者: 最有利 時(shí)間: 2025-3-26 01:27 作者: 舊石器 時(shí)間: 2025-3-26 07:39
,Virginia Woolf’s Definition of the Short Story,ied scientific style most literary critics and theoreticians adopt today.. Yet such a style should not blind us to Woolf’s aim and competence. In some of these essays, such as “Is Fiction an Art?”, she laments the lack of all theory of fiction:作者: Processes 時(shí)間: 2025-3-26 11:22
,Woolf’s Short Stories as a Paradoxical and Dynamic Space,Proportion suggests symmetry, balance, some form of rational organisation at odds with emotion, which is generally connected with excess, passion and intensity, the very opposites of rationality. Similarly, impersonality suggests an absence of personal involvement, an “extinction of personality” in 作者: MUTE 時(shí)間: 2025-3-26 15:42
Conversation, Emotion and Ethics or the Short Story as Conversation,n and wholeness, like the literary fragment it has been compared with. It appears to be a space of tension where, in a more general way, opposites come together without merging into one another. It is a third space, a space of encounter between two different elements—structurally speaking, between f作者: MAIZE 時(shí)間: 2025-3-26 18:49
,Woolf’s Ethics of Reading and Writing,extended so as to embrace the encounter between the self as creator and the other as reader. Indeed, in most short stories, a silent conversation takes place between them through the staging of the story-telling process, the story-teller and the reader. This metafictional mechanism at work in Woolf’作者: infringe 時(shí)間: 2025-3-26 22:34 作者: JUST 時(shí)間: 2025-3-27 03:38
,Woolf’s Short Stories as a Paradoxical and Dynamic Space,intensity, the very opposites of rationality. Similarly, impersonality suggests an absence of personal involvement, an “extinction of personality” in T. S. Eliot’s words,. and therefore a lack of emotion or at least, an attempt at depersonalisation and at erasing emotion or keeping emotion under control.作者: 無目標(biāo) 時(shí)間: 2025-3-27 07:01 作者: MUT 時(shí)間: 2025-3-27 10:15
The Evolutionary Aspects of Legume Nitrogen–Fixing Nodule Symbiosistion evolved once at the common ancestor of the NFC, and challenge the hypothesis of parallel evolution. In this chapter, we will cover the current understandings on actinorhizal-type and legume nodule development, and discuss the evolution of the legume nodule type.作者: palpitate 時(shí)間: 2025-3-27 14:40 作者: 我還要背著他 時(shí)間: 2025-3-27 20:08
The Cerebellum,e cerebellum must receive and process a great deal of information on the position and contractile state of muscles, tension within tendons, and the equilibrium of the body. Moreover, it must continuously integrate all of this data with information sent to the muscles from the motor cortex. It should作者: Sciatica 時(shí)間: 2025-3-28 00:43 作者: 主動(dòng) 時(shí)間: 2025-3-28 05:30