標(biāo)題: Titlebook: Virginia Woolf, Literary Materiality, and Feminist Aesthetics; From Pen to Print Amber Jenkins Book 2023 The Editor(s) (if applicable) and [打印本頁(yè)] 作者: T-Lymphocyte 時(shí)間: 2025-3-21 19:54
書(shū)目名稱(chēng)Virginia Woolf, Literary Materiality, and Feminist Aesthetics影響因子(影響力)
書(shū)目名稱(chēng)Virginia Woolf, Literary Materiality, and Feminist Aesthetics影響因子(影響力)學(xué)科排名
書(shū)目名稱(chēng)Virginia Woolf, Literary Materiality, and Feminist Aesthetics網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱(chēng)Virginia Woolf, Literary Materiality, and Feminist Aesthetics網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱(chēng)Virginia Woolf, Literary Materiality, and Feminist Aesthetics被引頻次
書(shū)目名稱(chēng)Virginia Woolf, Literary Materiality, and Feminist Aesthetics被引頻次學(xué)科排名
書(shū)目名稱(chēng)Virginia Woolf, Literary Materiality, and Feminist Aesthetics年度引用
書(shū)目名稱(chēng)Virginia Woolf, Literary Materiality, and Feminist Aesthetics年度引用學(xué)科排名
書(shū)目名稱(chēng)Virginia Woolf, Literary Materiality, and Feminist Aesthetics讀者反饋
書(shū)目名稱(chēng)Virginia Woolf, Literary Materiality, and Feminist Aesthetics讀者反饋學(xué)科排名
作者: 同步信息 時(shí)間: 2025-3-21 23:31 作者: MAIM 時(shí)間: 2025-3-22 01:06
Virginia Woolf, Literary Materiality, and Feminist Aesthetics978-3-031-32491-8Series ISSN 2661-8273 Series E-ISSN 2661-8281 作者: 污點(diǎn) 時(shí)間: 2025-3-22 06:27 作者: Aesthete 時(shí)間: 2025-3-22 09:48 作者: 心痛 時(shí)間: 2025-3-22 13:28 作者: intrude 時(shí)間: 2025-3-22 17:20
chen Fabrik zu Salzgitter bezogenen Zinkcarbonats veranla?t, das nach dem Glühen regelm??ig ein gelbgef?rbtes Oxyd hinterlie?, ohne da? sich Eisen oder Blei h?tten nachweisen lassen. Es gelang ihm die Gelbf?rbung auf die Beimischung eines bisher unbekannten Metalloxyds zurückzuführen, das sich auch 作者: Root494 時(shí)間: 2025-3-22 23:07 作者: 聰明 時(shí)間: 2025-3-23 03:08
Amber Jenkinsas to be disposed of safely and economically. Utilisation of sludge as a fertilizer of agricultural land is the most economic disposal route for inland sewage-treatment works and also benefits farmers by providing a cheap manure. Much of the cadmium in wastewater is concentrated into sludge which co作者: Incorporate 時(shí)間: 2025-3-23 09:19 作者: Extort 時(shí)間: 2025-3-23 13:39 作者: 腐蝕 時(shí)間: 2025-3-23 15:36 作者: insolence 時(shí)間: 2025-3-23 19:38 作者: ANIM 時(shí)間: 2025-3-23 23:28
Amber Jenkinscentury, during the Italian Wars, different regions were involved in various phases of the conflict. The Kingdom of Naples, for example, the main objective in the first two French campaigns (1494–95 and 1499–1504) was almost completely spared in the following decades. The famines in the decades at t作者: 會(huì)議 時(shí)間: 2025-3-24 04:49
also probably cyanobacterial. . is possibly a cyanobacterium. No calcified red algae are known during the period. The earliest calcified dasycladaleans may be represented by the very rare fossils . (Middle Cambrian) and . (Upper Cambrian). The sudden appearance of heavily calcified cyanobacteria nea作者: FRAX-tool 時(shí)間: 2025-3-24 07:00 作者: 溝通 時(shí)間: 2025-3-24 12:46
Amber Jenkinsfic data in the literature and highlight gaps in our current knowledge of the subject. This series of review papers are presented here and deal with the chemistry of cadmium in soils, the potential for transfer through the food chain and management to minimise this problem. We hope this information 作者: 猜忌 時(shí)間: 2025-3-24 16:04 作者: 步兵 時(shí)間: 2025-3-24 20:41 作者: 細(xì)微差別 時(shí)間: 2025-3-25 02:15
Amber Jenkins(himmelblau) den Namen Caesium und das Symbol Cs vor. Bemerkungen zur Schreibweise des Wortes ?Caesium“ s. bei . (.. .. . [1906] 1318). Erst nach der Entdeckung des Cs war es m?glich geworden, das im Jahr 1846 entdeckte Mineral Pollux, dessen Analyse C. F. . (.. .. . [1846] 446) in Unkenntnis des we作者: 有害 時(shí)間: 2025-3-25 04:47 作者: ligature 時(shí)間: 2025-3-25 08:30
Amber Jenkinsaces as social. Rather, the subtleness of . may challenge the familiar notion of community, both in everyday language and in the social sciences. With this chapter, I apply this challenge from café studies to explore community as situational and place-based, but often subtle.作者: Exploit 時(shí)間: 2025-3-25 12:08 作者: Innocence 時(shí)間: 2025-3-25 16:31 作者: 沙發(fā) 時(shí)間: 2025-3-25 20:03
Virginia Woolf, Literary Materiality, and Feminist AestheticsFrom Pen to Print作者: Ischemia 時(shí)間: 2025-3-26 02:09
nal interlaboratory surveys on cadmium analysis in body fluids. Two studies have been performed for cadmium in human and lyophilized bovine blood (1979 to 1980 978-3-642-70555-7978-3-642-70553-3Series ISSN 0935-0209 作者: 得罪人 時(shí)間: 2025-3-26 06:09 作者: exquisite 時(shí)間: 2025-3-26 10:38 作者: 平 時(shí)間: 2025-3-26 12:41 作者: 小歌劇 時(shí)間: 2025-3-26 17:12
Drafting Mrs Ramsay and Lily Briscoe: Feminist Aesthetics in the Manuscript of with the arts and visual culture; yet she also develops a feminist response to the formalist theories of Roger Fry and Clive Bell. Woolf’s feminist-formalist, which is inclusive of human and social concerns, resonates with the aesthetics of Vanessa Bell. In particular, . shares the formal and representational aesthetics of Bell’s ..作者: 加花粗鄙人 時(shí)間: 2025-3-26 21:22
‘Getting the past to shadow this broken surface’: Time, Materiality, and Aestheticsl for lost stories to be re-established within dominant cultural narratives. In these works, particularly in her memoir ‘Sketch of the Past’, Woolf outlines an interconnected theory of aesthetics that draws upon common and shared experiences, which can generate new forms of art that work to disrupt conventional or prescribed modes of being.作者: 專(zhuān)橫 時(shí)間: 2025-3-27 03:25
2661-8273 erial context of production and the literary text.Argues tha.This book interrogates the?relationship between the material conditions of Woolf‘s writing practices and her work as a printer and publisher at the Hogarth Press. In bringing to light her embodied literary processes, from drafting and comp作者: 舉止粗野的人 時(shí)間: 2025-3-27 09:10
‘The cold raw edge of one’s relinquished pages’: Reading , as a Palimpsestwhich reinforces Woolf’s theory of textuality as mutable and borderless. Turning to the published editions of the novel, I highlight echoes of former textual states and how this relates to the aesthetic concerns of the novel, such as the intersection of the past within the present, and the trauma of the First World War.作者: DAMP 時(shí)間: 2025-3-27 13:17 作者: 放大 時(shí)間: 2025-3-27 16:27 作者: 啜泣 時(shí)間: 2025-3-27 21:17
Conversations in Colour and Ink: Feminist Aesthetics in ‘The Mark on the Wall’ and perimentation in the art of book-design as an adolescent, to her hand-printing and binding during the early years of the Hogarth Press. It foregrounds the continuity between Hogarth books and Virginia Stephen’s adolescent binding practices. In doing so, the chapter works to centralise Woolf as instr作者: Working-Memory 時(shí)間: 2025-3-27 23:11 作者: 能量守恒 時(shí)間: 2025-3-28 05:11
‘The cold raw edge of one’s relinquished pages’: Reading , as a Palimpsestrary commitments during the composition of the novel. This chapter examines this unusual approach and how the resultant manuscript and subsequent published texts can be read as palimpsests in which different textual states reverberate. The manuscript also defies textual and intertextual boundaries, 作者: Suggestions 時(shí)間: 2025-3-28 09:15
