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標題: Titlebook: Violent Women in Contemporary Theatres; Staging Resistance Nancy Taylor Porter Book 2017 The Editor(s) (if applicable) and The Author(s) 20 [打印本頁]

作者: AMUSE    時間: 2025-3-21 19:49
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作者: 專心    時間: 2025-3-21 23:43
Epilogue,t within a Dungeons and Dragons module, revealing the fantasies of a lesbian bullied in high school. Taylor Porter argues that this kind of theatre, which challenges our vision of culturally defined gender roles in a multiplicity of ways, has the power to help transform our world.
作者: tinnitus    時間: 2025-3-22 01:39
boxers and soldiers.Explores a broad array of contemporary This book brings together the fields of theatre, gender studies, and psychology/sociology in order to explore the relationships between what happens when women engage in violence, how the events and their reception intercept with cultural u
作者: 樸素    時間: 2025-3-22 08:17
Violent Women in Cultural and Artistic Theatres, only male dominance but also our survival, they are typically stereotyped, demonized, or sexualized into monsters, psychotics, or babes. But a psychological and sociological examination of women’s violence reveals its incidence is much more widespread than is publicly acknowledged and its occurrenc
作者: neuron    時間: 2025-3-22 11:49

作者: 多山    時間: 2025-3-22 13:00
From Alpha to Omega Women: Ancient Greek Origins and Contemporary Re-visions,hese works. Beginning with the wellspring of Western literature, Greek myth and theatre, she appraises ., including an analysis of Deborah Warner’s production (2002); the myth of Philomele through Timberlake Wertenbaker’s . (1990); .; and Caryl Churchill and David Lan’s . (1986) (based on .). In dif
作者: tenuous    時間: 2025-3-22 20:47
From Monstrous to Miraculous: Violent Mothers and Daughters at Home on Stage,mestic spaces suffer from some level of psychosis, but especially when their victims are children, so they are violating their most fundamental cultural norm of nurturance, judgment against them is often exceptionally harsh. Examination of these types of characters include Carson Kreitzer’s . (2007)
作者: 推崇    時間: 2025-3-22 22:14
What Happened to the Angel in the House?: The Violent Female Lover,ays depicting female characters who fight with past and present intimate partners. She discovered that a significant proportion of women engage in not only low-level, mutual violence with their partners, but some also reverse the traditional model and become “intimate terrorists.” The plays discusse
作者: 草率男    時間: 2025-3-23 02:19

作者: 厚顏無恥    時間: 2025-3-23 08:57
From State-Sanctioned Power to Sexual Power: The Soldier and the Dominatrix,ultural resistance to women using state-sanctioned force in the military is especially prevalent in this hypermasculinized arena. Three war plays show how women are punished for their invasion into the military’s bastion of manhood: Shirley Lauro’s . (1991), based on female medics in the Vietnam War
作者: 表狀態(tài)    時間: 2025-3-23 09:58

作者: EVADE    時間: 2025-3-23 17:44
Epilogue,thfully represented, in the ep?ilogue Taylor Porter gives two final and divergent examples of plays depicting violent women. One is Keri Healey’s . (.), which is partially autobiographical and portrays violence as genderless and homeless. At its heart, the protagonist, Daphne, finally takes vengeanc
作者: Metastasis    時間: 2025-3-23 21:14

作者: hidebound    時間: 2025-3-24 01:17
From Monstrous to Miraculous: Violent Mothers and Daughters at Home on Stage,violence, from a woman who engages in relatively harmless physical confrontation when highly stressed, to a woman who uses force to protect another, to a teenager inexplicably bent on controlling her mother through emotional and physical violence.
作者: Laconic    時間: 2025-3-24 06:12
What Happened to the Angel in the House?: The Violent Female Lover,esponses to intimate partner abuse, doing an admirable job of presenting women’s various and complex relationships to physical force. They recognize the cultural stereotypes but move audiences beyond them. Less successful is Cleage’s melodramatic play.
作者: 看法等    時間: 2025-3-24 09:40

作者: CYT    時間: 2025-3-24 11:43

作者: 能夠支付    時間: 2025-3-24 17:54
Nancy Taylor Porterus system (Fischbach and Nelson, 1977), little progress has been made using invertebrate cell cultures, which remain in a relatively primitive state (Beadle and Hicks, 1985). However, during the last few years a small number of invertebrate culture systems have been developed in an attempt to solve
作者: 悲觀    時間: 2025-3-24 21:04

作者: 脫離    時間: 2025-3-25 02:33

作者: Incisor    時間: 2025-3-25 04:11

作者: 狂怒    時間: 2025-3-25 09:33
Nancy Taylor Porteruch of the information derived from physiological and biochemical studies on insect GABA receptors relates to GABA-gated chloride channels that show some similarities with vertebrate GABA. receptors. Like, their vertebrate central nervous system (CNS) counterparts, agonist activation of such insect
作者: 軟弱    時間: 2025-3-25 13:15

作者: LEERY    時間: 2025-3-25 17:27

作者: oxidant    時間: 2025-3-25 23:22
978-3-319-86054-1The Editor(s) (if applicable) and The Author(s) 2017
作者: nonsensical    時間: 2025-3-26 00:17

作者: Musket    時間: 2025-3-26 07:24
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作者: Innovative    時間: 2025-3-26 11:45

作者: Outshine    時間: 2025-3-26 12:49
Violent Women in Cultural and Artistic Theatres, and theatrical style as she develops a feminist aesthetic for plays about violent women. After discussing issues surrounding audience reception and outlining her rubric for evaluating the plays and productions in the rest of the study, Taylor Porter analyzes the practice of stage combat.
作者: 凹室    時間: 2025-3-26 17:22
The Sex and Gender of Violence,scripts for players’ consumption and imitation. The unrealistic and efficacious use of violence in these formats make it attractive to young women, and while traditional expectations for their gender forbid such action, models for not only assertive but also physically violent women are proliferatin
作者: Aggregate    時間: 2025-3-26 23:41

作者: oncologist    時間: 2025-3-27 05:08

作者: Eulogy    時間: 2025-3-27 07:36
,Babes With Blades: “Theatre That Leaves a Mark”,inst intolerance. Babes With Blades shows women in a great variety of relationships to violence, depicting both destructive and prosocial enactments. The company is dedicated to embodying not only the woman warrior trope but also to providing role models of women “fighters” in all arenas of life.
作者: indubitable    時間: 2025-3-27 10:29
resistance and challenge normative expectations for women. This fascinating and balanced study will appeal to anyone interested in gender/feminism issues and theatre.978-3-319-86054-1978-3-319-57006-8
作者: AWE    時間: 2025-3-27 14:37
Book 2017natrixes. Who they are and why they choose to use violence varies dramatically. They stage resistance and challenge normative expectations for women. This fascinating and balanced study will appeal to anyone interested in gender/feminism issues and theatre.
作者: 治愈    時間: 2025-3-27 18:48

作者: 遭受    時間: 2025-3-27 22:29

作者: 冒煙    時間: 2025-3-28 05:59
Nancy Taylor Portereen developed to facilitate pharmacological studies of neurotransmitters and their receptors (Usherwood .., 1980; Lees .., 1983) and to permit a genetic analysis of neuronal function (Wu .., 1983a). All of these culture preparations have been developed specifically to circumvent many of the difficul
作者: PLAYS    時間: 2025-3-28 09:34
Nancy Taylor Porterounts of local authorities is the study carried out by the UK researchers Jones and . (1982) on reporting practices of UK and European local authorities. This study concentrated primarily on the analysis of the form and content of UK local authority published accounts although some reference is made
作者: 漸變    時間: 2025-3-28 13:22

作者: obligation    時間: 2025-3-28 18:13

作者: maroon    時間: 2025-3-28 22:34

作者: 廣口瓶    時間: 2025-3-28 23:33
Nancy Taylor Porterne task for comparative vertebrate neuroanatomy is to identify and describe which neuronal aggregates and neural circuits are or are not present in various vertebrates. This approach, which will document similarities as well as differences, requires comparison of similar findings not only in other m
作者: Interim    時間: 2025-3-29 06:38





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