標(biāo)題: Titlebook: Varieties of Victorianism; The Uses of a Past Gary Day (Senior Lecturer) Book 1998 Palgrave Macmillan, a division of Macmillan Publishers L [打印本頁(yè)] 作者: 補(bǔ)給線 時(shí)間: 2025-3-21 17:54
書目名稱Varieties of Victorianism影響因子(影響力)
書目名稱Varieties of Victorianism影響因子(影響力)學(xué)科排名
書目名稱Varieties of Victorianism網(wǎng)絡(luò)公開度
書目名稱Varieties of Victorianism網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Varieties of Victorianism被引頻次
書目名稱Varieties of Victorianism被引頻次學(xué)科排名
書目名稱Varieties of Victorianism年度引用
書目名稱Varieties of Victorianism年度引用學(xué)科排名
書目名稱Varieties of Victorianism讀者反饋
書目名稱Varieties of Victorianism讀者反饋學(xué)科排名
作者: 相一致 時(shí)間: 2025-3-22 00:11
Gary Dayerechtigt, wenn man sich von vorneherein auf ein Koordinatensystem festgelegt hat. Aber in den R?umen der Geometer gibt es keinen ausgezeichneten Ursprung und keine von Anbeginn eingebauten Koordinatenachsen. Zun?chst sind alle Punkte gleichberechtigt; Ursprung und Achsen werden — wenn sie überhaupt作者: 使害羞 時(shí)間: 2025-3-22 04:21 作者: Myocarditis 時(shí)間: 2025-3-22 06:39 作者: 厚顏無(wú)恥 時(shí)間: 2025-3-22 12:20 作者: Agronomy 時(shí)間: 2025-3-22 13:55 作者: 散開 時(shí)間: 2025-3-22 17:06
K. M. Newtonn sie die . oder X-Achse, die andere hei?e . oder. Y-Achse ; beide Achsen zusammen werden die . genannt. Sie schneiden sich im . oder Koordinatenanfangspunkt oder Ursprung .. Auf jeder Achse unterscheiden wir zwei . ; die positive Richtung in der .-Achse geht von links na chh rechts, in der Y-Achse 作者: 行乞 時(shí)間: 2025-3-22 21:50 作者: 土產(chǎn) 時(shí)間: 2025-3-23 05:02
Steven Earnshawle . und . zu . und ., wodurch ein Parallelogramm . entsteht. Wir fragen nun : auf welcher Kurve mu?mud sich der Punkt . in diesem Winkelraume oder in dem seines Scheitelwinkels bewegen, damit er mit den beiden Geraden . und . und den dazu Parallelen, die durch ihn gezogen werden, . Die zu bestimmen作者: 使激動(dòng) 時(shí)間: 2025-3-23 09:16 作者: 胖人手藝好 時(shí)間: 2025-3-23 10:23
Alistair Walkeran, die Papierebene sei die Projektionsebene, die Spitze Sund die beiden ?u?ersten Mantellinien rechts und links liegen in der Projektionsebene, so da? eine H?lfte des Kegels vor, die andere hinter der Papierebene zu denken ist. Diesen Kegel schneiden wir mit einer Ebene ., die zur Papierebene senkr作者: 繼承人 時(shí)間: 2025-3-23 16:54
Nadine Holdswortherschienen sind. Der Verlag stellt mit diesem Archiv Quellen für die historische wie auch die disziplingeschichtliche Forschung zur Verfügung, die jeweils im historischen Kontext betrachtet werden müssen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ide作者: 自制 時(shí)間: 2025-3-23 21:27
Nick Rancew. Matrix Analytic Method). Diese Methode stellt eine der bedeutendsten methodischen Neuentwicklungen zur Modellanalyse dar. Die Theorie geht auf Arbeiten von M. Neuts zurück. Eingehende Behandlungen der Methode finden sich in Neuts [6.2, 6.3], Lucantoni [6.7].作者: 擦掉 時(shí)間: 2025-3-24 01:18 作者: 催眠藥 時(shí)間: 2025-3-24 03:24 作者: ELUC 時(shí)間: 2025-3-24 07:11
,Black Silk and Red Paisley: the Toxic Woman in Wilkie Collins’s ,to the law, society has other, more diffuse ways of expressing disapproval, through exclusion and rejection. The lie goes against the public good in what Georg Simmel calls the modern ‘credit-economy’ and the ‘enlightenment which aims at elimination of the element of deception from social life is al作者: adduction 時(shí)間: 2025-3-24 14:10
,Racism in the Mid-Victorian Novel: Thackeray’s , joke’ (p. 643); one searches in vain for a trace of irony. Indeed, Thackeray seems to share Philip’s delight in getting the better of Woolcomb in this way. Such a scene creates a problem for the reader: it is easy to take a superior critical line with a novel like . (using it, for example, to illus作者: 結(jié)構(gòu) 時(shí)間: 2025-3-24 17:09
,‘To Whom Does He Address Himself?’: Reading Wordsworth in Browning’s ,the ‘I’ of Browning’s text enters into poetic dialogue with Shelley, his poem’s language is simultaneously drawn, for reasons to be discussed, toward Wordsworth and, in particular, ‘Tintern Abbey’. Yet while the persona’s blindness toward Wordsworth’s complicating presence in . is invariably shared 作者: opprobrious 時(shí)間: 2025-3-24 19:57
,Haven’t I Seen You Somewhere Before? Melodrama, Postmodernism and Victorian Culture,rom the past that can usefully be re-examined in relation to postmodern discourse. According to Umberto Eco ‘we could say every period has its own postmodernism’,. or in other words, postmodern concerns are not necessarily new ones.作者: 有特色 時(shí)間: 2025-3-25 02:18 作者: hazard 時(shí)間: 2025-3-25 03:46 作者: OMIT 時(shí)間: 2025-3-25 09:24 作者: 牛馬之尿 時(shí)間: 2025-3-25 15:06
Of Elephants and Men: the Freak as Victorian and Contemporary Spectacle,computers and information technology where knowledge is (industrial) power.. Sociologically, British society now no longer reflects the working/leisured class divisions which the Marxist historian E.P. Thompson once chronicled,. for all members of the public can now work towards becoming politicians作者: FUME 時(shí)間: 2025-3-25 18:33 作者: 過(guò)份 時(shí)間: 2025-3-25 20:46 作者: CAPE 時(shí)間: 2025-3-26 03:32 作者: BAN 時(shí)間: 2025-3-26 04:19
Victorian Modernity? Writing the Great Exhibition,d into a modern age. Account after account among the enormous quantity of writing inspired by the Exhibition represented it as an unprecedented experience, a landmark of the extent of human self-transformation, and a starting point for yet further development. Prince Albert’s characterisation of the作者: BRINK 時(shí)間: 2025-3-26 12:15 作者: Immunotherapy 時(shí)間: 2025-3-26 14:43
A Postmodern Victorian? Lewis Carroll and the Critique of Totalising Reason,ry and cultural ‘isms’, such as modernism, Victorianism and Romanticism, whose founding ideas and political dogmas it throws into question with its innovative and advanced critical apparatus. And if the criticism is new, then so is the art. Postmodern art, we are told, makes a profound break from wh作者: Asparagus 時(shí)間: 2025-3-26 20:16
Politics as Antagonism and Diversity: Mill and Lyotard,ndividual liberty in this text, although flawed, can serve to reveal something relevant to our understanding of the political implications of the conventionalist account of language offered by the philosopher Jean-Fran?ois Lyotard in his book ... Lyotard’s position in this text differs in some measu作者: Esalate 時(shí)間: 2025-3-27 00:33 作者: Irritate 時(shí)間: 2025-3-27 01:34
,Racism in the Mid-Victorian Novel: Thackeray’s , to contend with have been resolved: he will not have to honour the debt his father has incurred, and his reconciliation with his employer has restored his financial security. But then, in the closing pages, Philip visits his family seat, inherits a fortune when a lost will is discovered, and gets t作者: 燦爛 時(shí)間: 2025-3-27 08:24
,The Reason for Drinking in Hardy’s ,of trade for the sake of . economic philosophy, it was in part a measure to control the consumption of alcohol through encouraging people to switch from spirits to weaker alcoholic beverages. If beer were sold separately, people wouldn’t get so drunk, or so the thinking went. It would also, accordin作者: Abrupt 時(shí)間: 2025-3-27 11:24 作者: 酷熱 時(shí)間: 2025-3-27 16:30
A Rose is a Rose is a Rover,Alma-Tadema’s celebrated painting . (see the jacket of this book). In this painting, the Emperor Heliogabalus with a few of his friends loll over a banquet in a very Victorian-Roman way, idly watching some of the other guests, on a lower level, being showered by clouds of rose petals. At the top of 作者: 即席 時(shí)間: 2025-3-27 21:01 作者: hyperuricemia 時(shí)間: 2025-3-28 01:33 作者: Assault 時(shí)間: 2025-3-28 04:55 作者: 倫理學(xué) 時(shí)間: 2025-3-28 07:42
Vampires and Victorians: Count Dracula and the Return of the Repressive Hypothesis,this text, and the way it represents its central figure, the undead Transylvanian count. It proposes to historicise that which often forgets that it has a history: the ‘sexuality’ which Count Dracula supposedly embodies. It is a commonplace in contemporary critical and cinematic discourse that vampi作者: Myelin 時(shí)間: 2025-3-28 13:48 作者: 催眠 時(shí)間: 2025-3-28 16:36
Book 1998n anxieties and celebrations concerning truth, certainty and identity informed Victorian culture at all levels. Covering everything from attitudes to drink to the poetry of Browning, from the Great Exhibition to the Elephant Man, this volume shows not only how the Victorians coped with these challen作者: 殘忍 時(shí)間: 2025-3-28 20:31 作者: 胰臟 時(shí)間: 2025-3-29 02:16
Politics as Antagonism and Diversity: Mill and Lyotard,s upon the elucidation of an economy of meaning which resists strategies of totalisation is common to both . and .. It is in this sense that . situates itself within a postmodern context. Before discussing Lyotard’s views, however, I will turn to the text of ..作者: 四溢 時(shí)間: 2025-3-29 06:54 作者: attenuate 時(shí)間: 2025-3-29 07:51
A Rose is a Rose is a Rover, on...’. Alongside this statement was a small Rover badge with ‘Relax, it’s a Rover’ beneath it. Under the picture, just below the cascading roses, were the words, ‘Few places are as comfortable as a Rover 400.’作者: macular-edema 時(shí)間: 2025-3-29 15:09
Steven Earnshawde Kurve nennen wir .. Um ihre Gleichung zu erhalten, w?hlen wir . als Nullpunkt und die Halbierungslinie des Winkels 2 . als .-Achse. Der Punkt . habe in irgendeiner Stellung die Koordinaten . = . und . = .. Wir verl?ngern . bis zum Punkte . auf .; dann ist das Dreieck . gleichschenklig und es ist ..作者: 過(guò)份好問(wèn) 時(shí)間: 2025-3-29 16:38 作者: Flavouring 時(shí)間: 2025-3-29 21:17 作者: Ventricle 時(shí)間: 2025-3-30 02:27 作者: Yourself 時(shí)間: 2025-3-30 04:26
Alistair Walker einem horizontalen Parallelkreis .; er liegt in einer Horizontalebene ., welche die Schnittebene . in einer Geraden . schneidet, die zur Papierebene ebenfalls senkrecht steht und ihre Projektion in dem Punkte . hat. α ist der Neigungswinkel aller Mantellinien, β der Neigungswinkel der Schnittebene . gegen eine Horizontalebene.作者: foreign 時(shí)間: 2025-3-30 12:06 作者: badinage 時(shí)間: 2025-3-30 12:54
Victorian Modernity? Writing the Great Exhibition,at ‘for the first time in the world’s history, the men of Arts, Science, and Commerce were permitted by their respective governments to meet together to discuss and promote those objects for which civilised nations exist’.作者: Glycogen 時(shí)間: 2025-3-30 19:04
,The Reason for Drinking in Hardy’s ,the tax on beer then seen as an indirect tax on the poor, as Thomas Paine had once complained.. Before the Act came into force the licensing system gave magistrates sole control over the renewal of licences each year, a power that was seen as an outdated preserve of the upper classes which some thought should be overturned..作者: Celiac-Plexus 時(shí)間: 2025-3-30 21:11
