標(biāo)題: Titlebook: Valuing Films; Shifting Perceptions Laura Hubner (Senior Lecturer in Film and Media St Book 2011 Palgrave Macmillan, a division of Macmilla [打印本頁(yè)] 作者: 筆記 時(shí)間: 2025-3-21 19:31
書(shū)目名稱(chēng)Valuing Films影響因子(影響力)
作者: anesthesia 時(shí)間: 2025-3-21 21:23 作者: AWRY 時(shí)間: 2025-3-22 02:43
Sense and Sensibilities: The Value of Coherence in the Contemporary Twist Filml concept. My contention here is that, for a number of expressive critics, the notion of coherence has come to represent a practical means of evaluating the nature of a film’s achievements and, in turn, establish the quality of those achievements. Twist films become a point of interest in such debat作者: 盡忠 時(shí)間: 2025-3-22 08:30 作者: cancer 時(shí)間: 2025-3-22 12:03
Getting Animated — Valuing Animefan study, I foreground enthusiasts’ comments, collected via an online questionnaire of open and closed questions. But I intend not to divorce the text from such accounts, arguing, as Annette Kuhn does, that along with what spectators say, we should treat ‘historical and film textual materials … dis作者: HEAVY 時(shí)間: 2025-3-22 12:52
Authenticity, Popular Aesthetics and the Subcultural Politics of an Unwanted Blockbuster: The Case oichael Bay-directed live-action . (2007) movie were both heated and imaginative. Such debate was centred on the premise that a reworking of what was once a favourite childhood cartoon series and toy range challenged the fans’ own authentic appreciation of a franchise to which they had remained loyal作者: surrogate 時(shí)間: 2025-3-22 17:29 作者: 結(jié)果 時(shí)間: 2025-3-22 23:13
Audience Appreciation of Nigerian Films (Nollywood)cts. The need to deconstruct familiar practices is even stronger when they are steeped within cultures, as viewing films is. What does it mean to choose a film and not another? How important is the context of viewing — where and with whom does viewing occur? How are films read (contrary to what text作者: 建筑師 時(shí)間: 2025-3-23 01:36 作者: Charlatan 時(shí)間: 2025-3-23 08:13
‘The Many Ways of Looking at Cinema’: , and the Value of Filmides an historical overview of the profession and makes many apposite observations with regard to the whole notion of valuing, and evaluating, film. Referring to Graham Greene’s perception of the critic in an article from the magazine in 1936, James notes:.There is an implicit challenge there, enoug作者: 尋找 時(shí)間: 2025-3-23 09:44
Delivering the Quality Experience: Franco ZeffirelliVisconti’s neorealist film, .. Rosi has made fewer films than Zeffirelli, but attained the status of . and a grand celebration of his 80th birthday by the Italian President. Zeffirelli became Visconti’s lover and, like him, has been an acclaimed theatre/opera director and designer as well as filmmak作者: gimmick 時(shí)間: 2025-3-23 16:22
A Taste for Flesh and Blood? Shifting Classifications of Contemporary European Cinemaa in newspaper, magazine and online reviews. It analyses classifications of the films in relation to changing perceptions of quality and considers how these perceptions correspond to implicit and explicit value judgements made concerning taste, pleasure and ethical morality. Underlying these conside作者: 空氣傳播 時(shí)間: 2025-3-23 22:06 作者: 委屈 時(shí)間: 2025-3-24 00:21
Sense and Sensibilities: The Value of Coherence in the Contemporary Twist Filmthe defining order of their fictional worlds expressly for the dramatic impact of the storytelling volte-face. Thus, the extent to which coherence is achieved within this narrative structure becomes a potential measure of the twist film’s value, concurrently shaping our sense of its aesthetic achievement.作者: defeatist 時(shí)間: 2025-3-24 03:12
Getting Animated — Valuing Animest Anglia, Warwick and Winchester), a textual study of Hayao Miyazaki’s films, and Susan Napier’s (2007) understanding of how Japanese animation and its fandom correlate to previous cultural exchanges between the West and Japan.作者: GRAIN 時(shí)間: 2025-3-24 09:20 作者: inhibit 時(shí)間: 2025-3-24 11:10
‘The Many Ways of Looking at Cinema’: , and the Value of Film the present volume, we must also consider how our collective scholarship moves the discussion about the value of film forward. But James also explicitly raises the question, most pertinent to him, of what . role is today — the very rationale for his article, and indeed for this chapter.作者: 盡管 時(shí)間: 2025-3-24 15:49
Audience Appreciation of Nigerian Films (Nollywood)se a film and not another? How important is the context of viewing — where and with whom does viewing occur? How are films read (contrary to what texts appear to be saying)? These questions help identify the real value of films.作者: 險(xiǎn)代理人 時(shí)間: 2025-3-24 21:06
Valuing Film Violence: Student Perceptions on the Inclusion of Violent Films and Film Violence withihe academic year 2007–8. While this is a small-scale empirical project conducted in the UK, it is suggested that its findings constitute a starting point for the broader consideration of the value of including potentially challenging texts within Higher Education (HE) curricula.作者: ablate 時(shí)間: 2025-3-25 02:32
erpin social, academic and institutional practices, it examines the diverse forms of worth attributed to a range of international films in relation to taste, passion, morality and aesthetics.978-1-349-31104-0978-0-230-30585-4作者: 愛(ài)管閑事 時(shí)間: 2025-3-25 03:19
Introduction: Valuing Filmsit, from awards, academic practices and box office figures through to critical reviews, canonical lists, fan-sites and audience responses. It also seeks to explore how films relate and contribute to individual life experiences in light of the diverse hierarchical systems that determine the way films are categorized, consumed and studied.作者: ANTE 時(shí)間: 2025-3-25 11:20
A Taste for Flesh and Blood? Shifting Classifications of Contemporary European Cinemarations there is an additional aim, driven by the cultural emergence during the past decade of the term ‘new extremism’, to investigate how recent categorizations have been framed by the growing association of European art-house cinema with extremism.作者: 消散 時(shí)間: 2025-3-25 13:17 作者: 發(fā)炎 時(shí)間: 2025-3-25 18:48
that pertain to teachers‘ professional development and to their knowledge and beliefs regarding the teaching of higher order thinking. ..This book is intended 978-1-4020-1853-4978-1-4020-1854-1Series ISSN 1878-0482 Series E-ISSN 1878-0784 作者: 搏斗 時(shí)間: 2025-3-25 23:29
Laura Hubner (Senior Lecturer in Film and Media St作者: Obsequious 時(shí)間: 2025-3-26 01:40 作者: inchoate 時(shí)間: 2025-3-26 07:01 作者: 性滿足 時(shí)間: 2025-3-26 11:11 作者: 笨拙處理 時(shí)間: 2025-3-26 12:47 作者: –DOX 時(shí)間: 2025-3-26 20:51
Shaun Kimberrs synthesized during a preceding period of photosynthetic carbon dioxide fixation. Similarly, in car-bon-heterotrophic cells the substrate for mitochondrial respiration is provided by an import of photosynthate which has been produced in a photoautotrophic part of the plant. In fact, the direct or 作者: BINGE 時(shí)間: 2025-3-26 22:04 作者: 強(qiáng)壯 時(shí)間: 2025-3-27 04:35 作者: 持久 時(shí)間: 2025-3-27 07:28
ts do not understand the causes of their bronchial reactivity. In trying to discuss the . of asthma, we will focus on what is known about the development and reversal of bronchial hyperreactivity rather than the short-term factors that influence episodes of bronchospasm.作者: 推測(cè) 時(shí)間: 2025-3-27 12:21 作者: Yag-Capsulotomy 時(shí)間: 2025-3-27 15:58
Authenticity, Popular Aesthetics and the Subcultural Politics of an Unwanted Blockbuster: The Case oevious study of those fans who collect the repackaged . DVD box sets and toys I discuss how the original cartoon series ‘has undergone a generic shift between children’s TV and adult TV’. This shift has primarily been brought about by continued fan devotion and a reassertion of the original series o作者: endure 時(shí)間: 2025-3-27 19:03 作者: 瘙癢 時(shí)間: 2025-3-28 01:14 作者: FUME 時(shí)間: 2025-3-28 05:01 作者: Barrister 時(shí)間: 2025-3-28 06:20 作者: hypertension 時(shí)間: 2025-3-28 10:33
Book 2011This volume gets to the heart of what films mean to people on personal, political and commercial levels. Exploring value judgements that underpin social, academic and institutional practices, it examines the diverse forms of worth attributed to a range of international films in relation to taste, passion, morality and aesthetics.作者: arbovirus 時(shí)間: 2025-3-28 17:45
https://doi.org/10.1057/9780230305854cinema; Europe; film; Hollywood; politics; Sound作者: interrogate 時(shí)間: 2025-3-28 19:21
erpin social, academic and institutional practices, it examines the diverse forms of worth attributed to a range of international films in relation to taste, passion, morality and aesthetics.978-1-349-31104-0978-0-230-30585-4作者: pulmonary-edema 時(shí)間: 2025-3-28 23:09
Dubai, Sharjah, Umm al-Quwain, Ajman, Fujairah, and Ras al-Khaimah) and transcended ancient rivalries and disputes to amalgamate the interests of survival and development in a volatile region. Being fortunate to have vast wealth from oil reserves, the UAE subsequently embarked on policies for accel作者: acrobat 時(shí)間: 2025-3-29 03:26 作者: reject 時(shí)間: 2025-3-29 08:30
y 1970s, numerous studies (e.g., .; Allen and Brinkman, 1984; Brinkman and Leslie, 1987; .; .; .; St. John, 1994; Olson, 1996) have provided extensive reviews of the literature on the subject. Studies examining institutional costs to analyze internal efficiency have used various frameworks and metho作者: 供過(guò)于求 時(shí)間: 2025-3-29 14:45 作者: 縱火 時(shí)間: 2025-3-29 18:51 作者: lobster 時(shí)間: 2025-3-29 22:21
estion by a unique combination of theory, field experience and elaborate educational research. Its basic idea is to look at science instruction with regard to two sets of explicit goals: one set refers to teaching science concepts and the second set refers to teaching higher order thinking...This bo作者: itinerary 時(shí)間: 2025-3-30 02:25 作者: 嬰兒 時(shí)間: 2025-3-30 07:30 作者: Anticoagulants 時(shí)間: 2025-3-30 08:31
