標(biāo)題: Titlebook: Sound, Music, and Motion; 10th International S Mitsuko Aramaki,Olivier Derrien,S?lvi Ystad Conference proceedings 2014 Springer Internation [打印本頁(yè)] 作者: Interpolate 時(shí)間: 2025-3-21 17:56
書(shū)目名稱Sound, Music, and Motion影響因子(影響力)
書(shū)目名稱Sound, Music, and Motion影響因子(影響力)學(xué)科排名
書(shū)目名稱Sound, Music, and Motion網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Sound, Music, and Motion網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Sound, Music, and Motion被引頻次
書(shū)目名稱Sound, Music, and Motion被引頻次學(xué)科排名
書(shū)目名稱Sound, Music, and Motion年度引用
書(shū)目名稱Sound, Music, and Motion年度引用學(xué)科排名
書(shū)目名稱Sound, Music, and Motion讀者反饋
書(shū)目名稱Sound, Music, and Motion讀者反饋學(xué)科排名
作者: 心胸開(kāi)闊 時(shí)間: 2025-3-21 20:30
https://doi.org/10.1007/978-3-319-12976-1Audio signal processing; auditory feedback; auditory perception and cognition; computational musicology作者: Limited 時(shí)間: 2025-3-22 03:55
978-3-319-12975-4Springer International Publishing Switzerland 2014作者: itinerary 時(shí)間: 2025-3-22 08:34 作者: 推測(cè) 時(shí)間: 2025-3-22 12:40 作者: 擋泥板 時(shí)間: 2025-3-22 14:15 作者: Magnitude 時(shí)間: 2025-3-22 19:22
Audio-Motor Synchronization: The Effect of Mapping Between Kinematics and Acoustic Cues on Geometricynchronize their gestures with synthetic friction sounds. Some geometrical and dynamical parameters of the motor productions are analyzed according to the different mappings. This experiment provides a formal framework for a wider study which aims to evaluate the relation between audition, vision and gestures.作者: 煩人 時(shí)間: 2025-3-23 00:46 作者: 表被動(dòng) 時(shí)間: 2025-3-23 01:24
Investigation of the Harpist/Harp Interactioneters that govern the harp plucking action as well as the gestural strategies set up by harpists to control a musical performance. Two specific experimental procedures have been designed to accurately describe the harpist motion in realistic playing contexts. They consist in filming the plucking act作者: 膽小鬼 時(shí)間: 2025-3-23 06:24
Sonically Augmented Artifacts: Design Methodology Through Participatory Workshopshops addressed both theoretical issues and experimentation with prototypes. The first goal was to stimulate new ideas related to the control of everyday objects using sound feedback, and then, to create and experiment with new sonic augmented objects. The second aim was educational. We investigated 作者: Gyrate 時(shí)間: 2025-3-23 11:07
Vibrotactile Feedback for an Open Air Music Controllerd motion. The hand motion was captured with infrared marker based motion capture technology. The marker position data was mapped to the control parameters of both sound and vibrotactile signal synthesis. Vibrotactile feedback was provided to the fingertips of the performer by sending the synthesized作者: 追蹤 時(shí)間: 2025-3-23 14:04
Automatic Classification of Guitar Playing Modeses such as octave playing, mixed chords and bass, chord comping, solo melodies, walking bass, etc. Robust musical interactive systems call for a precise detection of these playing modes in real-time. In this context, the accuracy of mode classification is critical because it underlies the design of 作者: 評(píng)論性 時(shí)間: 2025-3-23 19:28
Extracting Commands from Gestures: Gesture Spotting and Recognition for Real-Time Music Performanceal control over sound and the flexibility to make distinct changes during the performance by interpreting gestures as discrete commands. We combine a gesture threshold model with a Dynamic Time Warping (DTW) algorithm for gesture spotting and classification. The following problems are addressed: i) 作者: Radiation 時(shí)間: 2025-3-24 00:11
On the Perception of Affect in the Singing Voice: A Study of Acoustic Cuesroad affect terms describing the two-dimensional model of emotion. A cross-tabulation between the singing expressions and affect scores revealed their relationship with affect dimensions. Prosodic as well as spectral acoustic cues were extracted and statistical analysis performed on 22 features reve作者: 疏遠(yuǎn)天際 時(shí)間: 2025-3-24 04:57
Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Frameworknteraction between artists and audiences in live improvised music performances. By opening a direct communication channel from audience members to performers, the Mood Conductor system provides an experimental framework to study this phenomenon. Mood Conductor facilitates interactive performances an作者: 雜色 時(shí)間: 2025-3-24 10:02 作者: attenuate 時(shí)間: 2025-3-24 14:38
Seismic Sound Lab: Sights, Sounds and Perception of the Earth as an Acoustic Spacestic waves that propagate through the planet after an earthquake, emanating from the rupture on the fault. The sounds are made by time compression (i.e. speeding up) of seismic data with minimal additional processing. The animated images are renderings of numerical simulations of seismic wave propag作者: NOTCH 時(shí)間: 2025-3-24 18:24
Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesisntional computation may provide new pathways for music and music technologies. In this paper we present the development of a system for harnessing the biological computing substrate . for sonification. . is a large single cell with a myriad of diploid nuclei, which moves like a giant amoeba in its p作者: SIT 時(shí)間: 2025-3-24 22:30
Intensity Shaping in Sustained Notes Encodes Metrical Cues for Synchronization in Ensemble Performanined notes, where little rhythmic information can be obtained from the sparse note onsets. Using cluster analysis of the amplitude power curves of long notes in recordings of a violin-cello duo, we examine the use of varying intensity to communicate timing information over the duration of these sust作者: 小步走路 時(shí)間: 2025-3-25 00:51 作者: 壓倒 時(shí)間: 2025-3-25 04:40
Learning Movement Kinematics with a Targeted Soundning task, namely to reproduce a targeted sound. The motion of a small handheld object was used to control a sound synthesizer. The object angular velocity was measured by a gyroscope and transmitted in real time wirelessly to the sound system. The targeted sound was reached when the motion matched 作者: BUCK 時(shí)間: 2025-3-25 07:42 作者: savage 時(shí)間: 2025-3-25 13:15
Vibrotactile Feedback for an Open Air Music Controller ways of controlling musical sound. Results of an informal evaluation indicate that the synthesized vibrotactile stimuli can provide useful feedback on how the performer is playing the instrument, as well as enhancing the experience of playing the given DMIs.作者: Oratory 時(shí)間: 2025-3-25 18:23
Seismic Sound Lab: Sights, Sounds and Perception of the Earth as an Acoustic Spaceresent phenomena occurring far from the time and length scales normally accessible to us, creating a profound experience for the observer. The multi-sensory perception of these complex phenomena may also bring new insights to researchers.作者: concise 時(shí)間: 2025-3-25 22:13 作者: 消瘦 時(shí)間: 2025-3-26 04:00 作者: integrated 時(shí)間: 2025-3-26 07:39 作者: Reverie 時(shí)間: 2025-3-26 11:48
Extracting Commands from Gestures: Gesture Spotting and Recognition for Real-Time Music Performancehow to recognize discrete commands embedded within continuous gestures, and ii) an automatic threshold and feature selection method based on F-measure to find good system parameters according to training data.作者: insightful 時(shí)間: 2025-3-26 14:40
Conference proceedings 2014rformance, music and sound data mining, interactive sound synthesis, non-stationarity, dynamics and mathematical modeling, image-sound interaction, auditory perception and cognitive inspiration, and modeling of sound and music computational musicology.作者: 辯論 時(shí)間: 2025-3-26 17:41 作者: gregarious 時(shí)間: 2025-3-26 21:19
Sonically Augmented Artifacts: Design Methodology Through Participatory Workshopssecond workshop focused on sound metaphor, questioning the relationship between sound and gesture. The last one was a workshop organized during a summer school for students. During these workshops, we experimented a cycle of design process: analysis, creation and testing.作者: 編輯才信任 時(shí)間: 2025-3-27 03:20
On the Perception of Affect in the Singing Voice: A Study of Acoustic Cues and glottal features: 2 components explained 78.1?% and 73.5?% of the original variance of prosodic cues, and 2 components explained 86.3?% and 86.7?% of the original variance of prosodic and spectral cues.作者: debacle 時(shí)間: 2025-3-27 08:44
Moving with Beats and Loops: The Structure of Auditory Events and Sensorimotor Timing sound invite or support different patterns of sensorimotor timing. Hence, the temporal information in looped auditory signals is more than just the interval durations between onsets: .. The potential implications for auditory guides in motor performance enhancement are also described.作者: 安心地散步 時(shí)間: 2025-3-27 10:32 作者: 喚醒 時(shí)間: 2025-3-27 17:34 作者: Offensive 時(shí)間: 2025-3-27 18:58
ung. Die Zahlenmengen führen uns kurz zu den Grundstrukturen der Algebra: Gruppen, Ringe und K?rper. Wir lernen den Begriff der Abz?hlbarkeit von Mengen kennen und das damit verbundene Beweisverfahren der Vollst?ndigen Induktion, das nicht nur zum Beweis mathematischer S?tze, sondern z. B. auch zum 作者: Badger 時(shí)間: 2025-3-27 22:23 作者: 祖?zhèn)?nbsp; 時(shí)間: 2025-3-28 05:29
Olivier Houix,Nicolas Misdariis,Patrick Susini,Frédéric Bevilacqua,Florestan Gutierrezzeichnet werden k?nnen. Es ist auch die Voraussetzung, um sinnvoll mit einzelnen abgetasteten Funktionswerten wie in der Digitaltechnik rechnen zu k?nnen. In diesem Kapitel übertragen wir Grenzwerte von Folgen auf Funktionen. Dann definieren wir die Stetigkeit und sehen uns Eigenschaften stetiger Fu作者: 粗魯?shù)娜?nbsp; 時(shí)間: 2025-3-28 09:30 作者: 鋸齒狀 時(shí)間: 2025-3-28 10:27 作者: 不透氣 時(shí)間: 2025-3-28 18:33
Jiuqiang Tang,Roger B. Dannenbergnüpfungspunkte für ein Masterstudium. Daneben erleichtern sie auch den Einstieg in Spezialvorlesungen der Mathematik wie beispielsweise die Numerik, die Funktionalanalysis und insbesondere die Fourier-Analysis...In der vierten Auflage wurden viele Anwendungsbeispiele erg?nzt und der Text grundlegend作者: 敬禮 時(shí)間: 2025-3-28 21:10 作者: 玉米 時(shí)間: 2025-3-29 02:03
Bob L. Sturm?Gruppen, Ringe, K?rper“ definiert; ihr Ziel ist der Satz über die Nichtaufl?sbarkeit der allgemeinen Gleichung fünften oder h?heren Grades. So bedeutend dieser Satz ist, so viele Nachteile handelt man sich ein, wenn man dieses so verfolgt, dass der Satz am Ende des Semesters wirklich bewiesen werde作者: Infantry 時(shí)間: 2025-3-29 04:18
Pauline Mouawad,Myriam Desainte-Catherine,Anne Gégout-Petit,Catherine Semaltrischen Ungleichung in der Differentialgeometrie führt. Dabei zeigt sich, dass die stufenweise Erh?hung des Abstraktionsgrads und die Weiterentwicklung der verfügbaren mathematischen Werkzeuge die Reichweite und Tiefe der Untersuchung ver?ndert, w?hrend sich in den Arbeitsweisen über die Stufen hin作者: 宣稱 時(shí)間: 2025-3-29 07:24
Gy?rgy Fazekas,Mathieu Barthet,Mark B. Sandler?Gruppen, Ringe, K?rper“ definiert; ihr Ziel ist der Satz über die Nichtaufl?sbarkeit der allgemeinen Gleichung fünften oder h?heren Grades. So bedeutend dieser Satz ist, so viele Nachteile handelt man sich ein, wenn man dieses so verfolgt, dass der Satz am Ende des Semesters wirklich bewiesen werde作者: vitreous-humor 時(shí)間: 2025-3-29 12:08
ch ein solches Befragen der Mathematik und ihrer Beziehung zum Menschen verstehensorientierte Lehr- und Lernprozesse entfaltet werden k?nnen. Die einzelnen Beitr?ge zum Schulunterricht und der Lehrerbildung enthalten Anregungen für einen verstehensorientierten Unterricht in Schule und Lehrerbildung. .978-3-658-00991-5978-3-658-00992-2作者: CHIP 時(shí)間: 2025-3-29 15:52
Automatic Classification of Guitar Playing Modese detail our method and experimental results over various data sets. We show in particular that the performance of our classifier is comparable to that of a MIDI-based classifier. We describe the application of the classifier to live interactive musical systems and discuss the limitations and possib作者: 聯(lián)合 時(shí)間: 2025-3-29 23:11
Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework and tested within our framework so far. These systems were trialled in several public performances with different ensembles. Qualitative and quantitative evaluations demonstrated that musicians and audiences were highly engaged with the system, and raised new insights enabling future improvements o作者: Gourmet 時(shí)間: 2025-3-30 00:39 作者: Indicative 時(shí)間: 2025-3-30 07:27 作者: 卷發(fā) 時(shí)間: 2025-3-30 08:15 作者: Frequency-Range 時(shí)間: 2025-3-30 13:20
Edward Braund,Eduardo MirandaBilder im Bewusstsein formen und die Ideen hinter den Sachverhalten verstehen m?chten. Das Buch ist gr??tenteils auch für interessierte Laien, die sich der ?sthetik mathematischer Bilder und Ideen widmen m?chten, gut lesbar und verst?ndlich..978-3-658-30244-3978-3-658-30245-0作者: Nomogram 時(shí)間: 2025-3-30 18:53 作者: SPECT 時(shí)間: 2025-3-31 00:02 作者: Favorable 時(shí)間: 2025-3-31 04:43
