標題: Titlebook: Script Development; Critical Approaches, Craig Batty,Stayci Taylor Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusi [打印本頁] 作者: Jejunum 時間: 2025-3-21 17:03
書目名稱Script Development影響因子(影響力)
書目名稱Script Development影響因子(影響力)學科排名
書目名稱Script Development網(wǎng)絡公開度
書目名稱Script Development網(wǎng)絡公開度學科排名
書目名稱Script Development被引頻次
書目名稱Script Development被引頻次學科排名
書目名稱Script Development年度引用
書目名稱Script Development年度引用學科排名
書目名稱Script Development讀者反饋
書目名稱Script Development讀者反饋學科排名
作者: Adenoma 時間: 2025-3-21 23:02 作者: 柏樹 時間: 2025-3-22 02:52 作者: 生命層 時間: 2025-3-22 05:15
Cath Moore,Radha O’Mearasmus ausgesetzt. Dabei ist die militante und gewaltbereite Str?mung des Rechtsradikalismus besonders ausgepr?gt, w?hrend die ., die sich gem??igt-parlamentarisch gebende Partei dieser Bewegung, erst seit kurzem einige spektakul?re Wahlerfolge erringen konnte. Anders die Situation in Frankreich. Dort作者: 手榴彈 時間: 2025-3-22 12:46 作者: Project 時間: 2025-3-22 14:12 作者: Ambulatory 時間: 2025-3-22 19:15 作者: Insensate 時間: 2025-3-22 22:16 作者: 表臉 時間: 2025-3-23 01:59 作者: MEN 時間: 2025-3-23 09:00 作者: 恫嚇 時間: 2025-3-23 13:30 作者: 遺傳學 時間: 2025-3-23 16:37
Mark Ebyja zun?chst von der Verfassung nicht gedeckt, vom Gesetz nicht gedeckt und deshalb wird diskutiert, dass man das nie, nie wieder machen darf, aber grunds?tzlich, denk ich, dass es tendenziell zu weit geht. Und warum? Muss man fragen. Ja, weil hier der Innenminister, sozusagen, den Hut auf hat und de作者: 偽造 時間: 2025-3-23 20:55 作者: opalescence 時間: 2025-3-23 23:55 作者: 極小 時間: 2025-3-24 05:21 作者: Debark 時間: 2025-3-24 09:30
Complicating Cops and Criminals: Racial Politics in the Classic Network Crime Dramaby Sy Salkowitz, a prolific television writer from this era whose archived papers illuminate how a story idea moved from an initial inspiration to a completed episode. Like other writers of the time, Salkowitz strove to engage and surprise the viewer, even as he relied on formulas of network television.作者: chisel 時間: 2025-3-24 13:08 作者: 壓倒性勝利 時間: 2025-3-24 17:08
The Promiscuous Screenplay: A Tale of Wanton Development and Loose Authorshipth alternative technologies (mechanical and organic) and unconventional content generation strategies. I affectionately describe this method of working as ‘promiscuous collaboration’—collaborative practice that is wide ranging in its artistic liaisons and often indiscriminate when it comes to authorship.作者: GREG 時間: 2025-3-24 21:44 作者: NEEDY 時間: 2025-3-25 00:27
Originality and Authorship in the Development of the Screen Ideathat is observably a group activity. We usually default to the idea of a single author, working within (and sometimes against) the rules of the game. We admire a writer’s ‘voice’, vision and talent, and think of group work as feedback designed to perfect that, to polish it up in ways suitable for pr作者: cunning 時間: 2025-3-25 05:00 作者: Hangar 時間: 2025-3-25 11:23 作者: fatty-streak 時間: 2025-3-25 14:56
Cultural Difference in Script Development: The Australian Examplethe script development culture of Screen Australia, the federal funding agency. The study is based on a survey of agency documents as well as interviews with key agency executives and 22 of Australia’s most successful feature screenwriters. The criterion for judging the writers’ “success” is based o作者: 廚房里面 時間: 2025-3-25 17:13
Complicating Cops and Criminals: Racial Politics in the Classic Network Crime Dramaneeds of advertisers, and navigate a storytelling act structure necessitated by commercial interruptions. Television storytelling has traditionally used clearly defined genres to ensure that programming will appeal to viewers, and so the codes and conventions associated with each story type provide 作者: 發(fā)起 時間: 2025-3-25 22:50 作者: 帽子 時間: 2025-3-26 02:04 作者: 生氣地 時間: 2025-3-26 06:09 作者: 最高峰 時間: 2025-3-26 08:48 作者: 小口啜飲 時間: 2025-3-26 15:32
Storytelling for Our Own People: A Reflection on Script Developing with the Māori Filmmaker Barry Baary and drama, he was also a skilled screenwriter. At a time when very few features were written or directed by indigenous filmmakers, he was arguing strenuously that control of indigenous image-making should be in the hands of indigenous people themselves. Barclay sought to centralize ., or the Māo作者: 難理解 時間: 2025-3-26 19:02 作者: Customary 時間: 2025-3-27 00:10
Defining the Beats in the TV Sitcomurns to the original stasis. In my book, ., I analyse character behaviour to argue that the protagonist, in their attempt to dispel or deny the incident that has triggered the story, shapes the narrative in a way that reflects the ‘entrapment’ of the show’s characters. While I argue that the sitcom 作者: 有危險 時間: 2025-3-27 04:04
Subjects of the Gaze: Script Development as Performanceches to script development in relation to our respective projects, arguing for expanded notions of screenwriting and the screenplay. The first project, ., is at once a translation, a writing through, a critique, and a reimagining of French writer and director Louis Delluc’s post-production scenario 作者: Coronary-Spasm 時間: 2025-3-27 07:58 作者: Malaise 時間: 2025-3-27 12:20
Room for Improvement: Discourses of Quality and Betterment in Script Developmentr further conceptualisation and theorisation, we draw on two distinct datasets: script development guidelines from Federal and State/Territory screen agencies in Australia, and interviews with script development professionals. Screen agency documents were collated and analysed in 2018 for their expl作者: MODE 時間: 2025-3-27 15:01 作者: 有惡臭 時間: 2025-3-27 18:53
How Government Institutions Shape Script Development: Comparative Case Studies of Screen Australia aeflect and legitimise. By offering a comparative analysis of the discourse presented by Screen Australia and the Danish Film Institute (Det Danske Filminstitut; DFI), this analysis explores the differences and similarities in how script development processes are discursively imagined, justified and practiced.作者: CHOKE 時間: 2025-3-28 02:01
Defining the Beats in the TV Sitcomto events that threaten their sense of self, and this is articulated at an early stage of script development—through the creation of a beat sheet. In the chapter, I critically examine a beat sheet from one of my own sitcom pilots, ., to explore how story beats inform the shape of the narrative in this comedy genre.作者: 與野獸博斗者 時間: 2025-3-28 02:54 作者: 預感 時間: 2025-3-28 06:31
978-3-030-48715-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: pulmonary-edema 時間: 2025-3-28 10:43
Craig Batty,Stayci TaylorThe first book to comprehensively map and theorise script development.Provides a rich array of topics, case studies and unique insights into film and television writing.Integrates a strong combination作者: 柱廊 時間: 2025-3-28 14:40
http://image.papertrans.cn/s/image/862917.jpg作者: 革新 時間: 2025-3-28 19:27
https://doi.org/10.1007/978-3-030-48713-3Screenwriting; Script Development; Creative Practice; Practitioners; Production Studies; Screen Studies作者: 不怕任性 時間: 2025-3-28 23:21 作者: 取之不竭 時間: 2025-3-29 03:25 作者: 全國性 時間: 2025-3-29 11:03
Telling Stories About Yesterday’s Hero for Today’s World: The Script Development of the Chilean TV S Manual Rodríguez. This includes the challenge of delving into the psychology of characters who were by present-day standards prejudiced misogynists who mistreated women, ordered murders and fathered illegitimate children whom they ignored, and presenting them as heroes, particularly when the target作者: 偶然 時間: 2025-3-29 14:16 作者: Charitable 時間: 2025-3-29 19:14 作者: 使長胖 時間: 2025-3-29 23:16 作者: Urgency 時間: 2025-3-30 01:41
So Much Drama, So Little Time: Writers’ Rooms in Australian Television Drama Productiont script development processes in Australian television serial drama operate in several distinct, and often contradictory, ways. Through this case study of creative agency in script development, we contribute to knowledge of the screenwriter’s place in this significant segment of Australian televisi作者: 生銹 時間: 2025-3-30 04:17
Subjects of the Gaze: Script Development as Performancels two stories: a fiction, featuring the scenes for a proposed feminist musical, and process, where the author’s reflections and creative history are presented. This ‘fictocritical screenplay’ shows how the creative and the critical, the practice and the process, the author and her characters can sp作者: 含鐵 時間: 2025-3-30 09:56
Room for Improvement: Discourses of Quality and Betterment in Script Developmentter, script consultant, script editor, story editor and storyline writer. This rich and diverse dataset is useful for comparing lived experiences—of both . and .—with the discourses espoused by screen agencies.
