標(biāo)題: Titlebook: Russian Theatre In The Age Of Modernism; Robert Russell (Senior Lecturer in Russian),Andrew Book 1990 Palgrave Macmillan, a division of Ma [打印本頁(yè)] 作者: Opiate 時(shí)間: 2025-3-21 18:01
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作者: Serenity 時(shí)間: 2025-3-21 22:01
Nick Worrallg to represent the database. The resulting functions are generated as source code and compiled in a shared library, taking advantage of automatic compiler optimization. Since the shared library is also memory managed by the operating system, the flatkernel approach leads to reduced memory and comput作者: Postmenopause 時(shí)間: 2025-3-22 04:27 作者: Insufficient 時(shí)間: 2025-3-22 06:04 作者: antiquated 時(shí)間: 2025-3-22 12:12 作者: conformity 時(shí)間: 2025-3-22 15:18 作者: 忘恩負(fù)義的人 時(shí)間: 2025-3-22 19:46 作者: obeisance 時(shí)間: 2025-3-22 21:35 作者: 衰老 時(shí)間: 2025-3-23 01:54
Lars Klebergtions between these parameters, and how the problem characteristics impact optimization results. In the experimental study, we use the popular Black-Box Optimization Benchmarking (BBOB) testbed. Interestingly, the analysis finds no evidence for significant interactions between model and optimizer pa作者: Bother 時(shí)間: 2025-3-23 07:34
Harold B. Segelproaches can be used to design new, high-performing multi-objective evolutionary algorithms. The second aspect is the research on multi-objective configuration, that is, the possibility of using multiple performance metrics for the evaluation of algorithm configurations. We highlight some few exampl作者: jaundiced 時(shí)間: 2025-3-23 11:34
,Stanislavsky’s Production of Chekhov’s ,sisters who, between them, possessed the price of a ticket, could well have been resolved by a trip to the nearest railway station. The predicament of Chekhov’s heroines could no longer be sustained within those existentialist terms which can now be seen, in retrospect, to have anticipated specific 作者: Modicum 時(shí)間: 2025-3-23 14:51 作者: Folklore 時(shí)間: 2025-3-23 21:14 作者: deficiency 時(shí)間: 2025-3-23 23:20 作者: aquatic 時(shí)間: 2025-3-24 04:10
The Nature of the Soviet Audience: Theatrical Ideology and Audience Research in the 1920s,etween performer and spectator, came to the fore. Of course, these three aspects — semantics, syntactics and pragmatics — can be singled out in any theatrical system, or indeed any sign system whatsoever. But the shift in dominance that took place in the extremely intense evolution of Russian theatr作者: Ruptured-Disk 時(shí)間: 2025-3-24 07:01
Robert Russell (Senior Lecturer in Russian),Andrew作者: Cosmopolitan 時(shí)間: 2025-3-24 11:48 作者: 懶鬼才會(huì)衰弱 時(shí)間: 2025-3-24 17:53 作者: carotenoids 時(shí)間: 2025-3-24 20:03
to combinatorial approach, HPTLC-MS, HPTLC-FTIR and HPTLC-Scanning Diode Laser.The chapters in the book havebeen designed in such away that the reader follows each step of the HPTLC in logical order.978-3-642-42249-2978-3-642-14025-9作者: Hemiparesis 時(shí)間: 2025-3-25 00:26
Palgrave Macmillan, a division of Macmillan Publishers Limited 1990作者: Silent-Ischemia 時(shí)間: 2025-3-25 03:47
Overview: 978-1-349-20749-7作者: 南極 時(shí)間: 2025-3-25 09:35
The First Soviet Plays,It is an interesting and, perhaps, unexpected feature of the Russian Civil War that the Bolsheviks appear to have placed considerably more value than their opponents on art, using the term in its widest sense. In March 1919 at the 8th Party Congress the following resolution was adopted:作者: 催眠 時(shí)間: 2025-3-25 13:43
http://image.papertrans.cn/r/image/832315.jpg作者: 深陷 時(shí)間: 2025-3-25 19:10
https://doi.org/10.1007/978-1-349-20749-7Modernism; Russia; Russian; theatre作者: hysterectomy 時(shí)間: 2025-3-25 21:53
Boris Geyer and Cabaretic Playwriting,ime is, of all modes of existence, most obsequious to the imagination.’. Not only are we, the spectators, capable of imagining a prolonged passage of time taking place in a few moments, but the actual temporal length of the performance fluctuates in our perception, depending on the intensity of our interest or boredom.作者: 偽善 時(shí)間: 2025-3-26 01:32
German Expressionism and Early Soviet Drama,action. That is the period approximately from 1910 to 1925, coinciding with the emergence and development of literary Expressionism. It is to the Russian aspect of that interaction that the present essay is devoted.作者: 值得尊敬 時(shí)間: 2025-3-26 06:07 作者: 比目魚 時(shí)間: 2025-3-26 10:16
Down with the Foxtrot! Concepts of Satire in the Soviet Theatre of the 1920s, Economic Policy (NEP), not least because of the financial and organisational difficulties these productions presented. Instead, smaller-scale events — such as Mayakovsky himself would also contribute to — became the real focus for satirical work during most of the 1920s.作者: Irrigate 時(shí)間: 2025-3-26 12:46
,Stanislavsky’s Production of Chekhov’s ,productions (staged between 1898 and 1904) and Vladimir Nemirovich-Danchenko’s production of . (‘Tri sestry’ staged in 1940 — at a time when the Moscow Art Theatre was being officially promulgated as a model of ‘socialist—realist’ and ‘a(chǎn)nti-formalist’ theatrical practice. Why was it that, during rou作者: 歌劇等 時(shí)間: 2025-3-26 17:15 作者: 緩和 時(shí)間: 2025-3-26 22:33 作者: MILK 時(shí)間: 2025-3-27 03:10 作者: 起波瀾 時(shí)間: 2025-3-27 07:04 作者: 旅行路線 時(shí)間: 2025-3-27 13:00
,Mortal Masks: Yevreinov’s Drama in Two Acts,diosyncratic as Nikolay Yevreinov. While not a Symbolist, Yevreinov combined the movement’s pre-revolu-tionary tendencies toward Godseeking and life-building into a fully performative ‘theatre-in-life’ philosophy. In the years of ‘derealised reality’ (.. 1905–17), Yevreinov the extreme subjectivist 作者: 壓倒 時(shí)間: 2025-3-27 16:43 作者: INERT 時(shí)間: 2025-3-27 18:51
German Expressionism and Early Soviet Drama,action. That is the period approximately from 1910 to 1925, coinciding with the emergence and development of literary Expressionism. It is to the Russian aspect of that interaction that the present essay is devoted.作者: sterilization 時(shí)間: 2025-3-28 01:43 作者: neurologist 時(shí)間: 2025-3-28 04:57
Mikhail Bulgakov: the Status of the Dramatist and the Status of the Text,he dramatist’s lifetime and spread, geographically and historically. This creates the cultural context in which each subsequent major production utters its own ‘new word’ for its own place and time. History has robbed Mikhail Bulgakov’s plays of this theatrical authority.作者: 薄荷醇 時(shí)間: 2025-3-28 08:36 作者: 假裝是我 時(shí)間: 2025-3-28 12:26
lations on one hand and deep hierarchies in large-scale computing platforms on the other make it exceedingly harder to map the former onto the latter and fully exploit the available computational power. The complexity of the software and hardware components involved calls for in-depth expertise that作者: gangrene 時(shí)間: 2025-3-28 18:13
Nick Worrallical reactions. Due to scale separation and the availability of suitable coupling procedures, tabulated chemistry approaches have emerged as an effective method for describing turbulence-chemistry interaction (TCI). However, different flame configurations, complex fuels and multiphase flows, among o作者: commodity 時(shí)間: 2025-3-28 21:04 作者: Isolate 時(shí)間: 2025-3-29 01:13 作者: 漂亮才會(huì)豪華 時(shí)間: 2025-3-29 06:45 作者: AGOG 時(shí)間: 2025-3-29 10:35 作者: 同步左右 時(shí)間: 2025-3-29 12:33 作者: 繁榮中國(guó) 時(shí)間: 2025-3-29 18:01
Robert Russell performance of traditional processors. On the other hand, Branch-and-Bound (B&B) algorithms are tree-based exact methods for solving to optimality combinatorial optimization problems (COPs). Solving large COPs results in the generation of a very large pool of subproblems and the evaluation of their作者: COMA 時(shí)間: 2025-3-29 23:00 作者: 割讓 時(shí)間: 2025-3-30 03:16 作者: cloture 時(shí)間: 2025-3-30 05:44
J. A. E. Curtisary material: The present edited book is the presentation of 18 in-depth national and international contributions from eminent professors, scientists and instrumental chemists from educational institutes, research organizations and industries providing their views on their experience, handling, obse
