標題: Titlebook: Ruskin, the Theatre and Victorian Visual Culture; Anselm Heinrich (Lecturer in Theatre Studies),Kath Book 2009 Palgrave Macmillan, a divis [打印本頁] 作者: 離開浮于空中 時間: 2025-3-21 16:39
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作者: Breach 時間: 2025-3-21 21:46
Supernumeraries: Decorating the Late-Victorian Stage with Lots (& Lots & Lots) of Live Bodieso circumstances to draw attention to him or herself - was, for a variety of reasons, disturbingly conspicuous. Supers or extras or walk-ons or ‘guests’ or spear-carriers (as they were variously known) were frequently and disastrously recognisable to theatre audiences. àBeckett began,作者: Deadpan 時間: 2025-3-22 03:24
John Ruskin, The Olympian Painters and the Amateur Stagehe thoughts of all the greatest and wisest men hitherto, since the world was made, have been expressed through mythology’.. His works began to carry mythological titles — . (about Athena) — as he proceeded to explore a mythical symbolism which he believed encoded timeless moral teachings, explained 作者: invert 時間: 2025-3-22 06:14 作者: Dissonance 時間: 2025-3-22 10:05
Ruskinian Moral Authority and Theatre’s Ideal Womanels, which he referred to as ‘Kisty Mins’; comique operas such as Edmond Audran’s ., which he referred to by its French title, ‘.’, and described as a ‘naughty opera’; romantic comedies such as Edward Bulwer Lytton’s .; and pantomimes such as ... He publicly expressed his preference for such lighter作者: 掙扎 時間: 2025-3-22 13:46
Re-interpreting Ruskin and Browning’s Dramatic ‘Art-poems’ inconsistency, pride, hypocrisy, ignorance of itself, love of art, of luxury and of good Latin. It is nearly all that I said of the central Renaissance in 30 pages of the . put into as many lines, Browning’s being also the antecedent work. The worst of it is that this kind of concentrated writing n作者: ARBOR 時間: 2025-3-22 18:20
Ruskin and the National Theatreonal playhouse concerned with popularising ‘good drama’ (particularly Shakespeare) and educating the public through ‘the standardization of the best’.. Wilson, like John Ruskin, believed in popular education and the moral function of theatre. Alfred Lyttelton, the great campaigner for a National The作者: Biomarker 時間: 2025-3-22 22:47
The First Theatrical Pre-Raphaelite? Ruskin’s Molièrees a personal canon that includes, unsurprisingly, the works of Dante Alighieri, specific poems by Lord Byron and the fiction of Sir Walter Scott. The list is idiosyncratic, chiefly for those books and writers that it omits: neither William Wordsworth nor Thomas Carlyle, such potent literary forefat作者: 食料 時間: 2025-3-23 05:04
The Britannia Theatre: Visual Culture and the Repertoire of a Popular Theatreof Henry Irving and Herbert Beerbohm Tree in particular.. The interaction between the minor, or non-West End, popular theatres and other forms of visual culture has received less attention. The Britannia Theatre in Hoxton makes a useful case study to explore the dynamics of this relationship. The Br作者: 安裝 時間: 2025-3-23 06:12
Supernumeraries: Decorating the Late-Victorian Stage with Lots (& Lots & Lots) of Live Bodiesr that this theatrically necessary character - who was expected to be present in sufficient numbers when required, but to remain anonymous and under no circumstances to draw attention to him or herself - was, for a variety of reasons, disturbingly conspicuous. Supers or extras or walk-ons or ‘guests作者: 駕駛 時間: 2025-3-23 13:30
‘A truer peep at , Venice’ : , on the Victorian Stageanner gave me letters to his brother Lord Kinnaird at Naples, and to Lord Byron, then at Pisa’.. The actor was William Charles Macready, later known as ‘The Eminent Tragedian’, who during the ensuing three decades transformed the practices of the London stage virtually single-handed. Macready’s purp作者: Cupping 時間: 2025-3-23 16:50
The Photographic Portraiture of Henry Irving and Ellen Terryegularly exhibited at the Royal Academy in London, and the late twentieth century, when celebrity head shots became a symptom of the global obsession with famous people. Nearly 200 years separate Reynolds’s portrait of . (1789) from Andy Warhol’s silk screen depictions of Marilyn Monroe of the 1960s作者: 受辱 時間: 2025-3-23 21:55
‘Auntie, can , do that?’ or ‘Ibsen in Brixton’: Representing the Victorian Stage through Cartoon andtrical events in their own right, but also depicted the world itself as theatre. With the development of the cartoon, in our modern sense of the word, and of book illustration in the nineteenth century, together with the widening circulation of illustrated journals and newspapers, new outlets emerge作者: PRO 時間: 2025-3-24 00:38 作者: Infuriate 時間: 2025-3-24 03:47
Re-interpreting Ruskin and Browning’s Dramatic ‘Art-poems’eeds so much solution before the reader can fairly get the good of it, that people’s patience fails them, and they give up the thing as insoluble; though, truly, it ought to be the current of common thought like Saladin’s talisman, dipped in clear water, not soluble altogether, but making the element medicinal.作者: BUDGE 時間: 2025-3-24 07:48
Ruskinian Moral Authority and Theatre’s Ideal Woman parallel between the Church and the Theatre as spaces of particular influence on the morality of society. This connection is one facet of Ruskin’s broader project to teach his readers to re-learn what he believed infants naturally know: how to see, to judge and to act along useful, morally sound paths.作者: MITE 時間: 2025-3-24 13:54 作者: UNT 時間: 2025-3-24 17:45
g the accumulated transverse strain, i.e. the opening displacement, in the solid-liquid region. This approach is based on the so-called strip expansion technique, cf. [6]. For the objective function investigated in this paper it is sufficient to take into account a stationary temperature field in a 作者: 平 時間: 2025-3-24 21:39
Katherine Neweyixed and a large number of iterations must be executed, so the MD simulation suites have to scale to hundreds or thousands CPUs to get detailed view inside biomolecular systems. The used programs AMBER and GROMACS scale well up to 64 or 32 CPUs, respectively. A?typical run for about 100?ns simulatio作者: 能得到 時間: 2025-3-25 01:50 作者: ineptitude 時間: 2025-3-25 03:32 作者: Congruous 時間: 2025-3-25 08:03 作者: 移植 時間: 2025-3-25 13:58
Rachel Dickinsonbations of adjacent blade rows is approximated. Within the present study an unsteady Navier-Stokes-simulation is compared to a NLH computation in order to explain differences of the approaches. Therefore, an unsteady full-annulus simulation with about 40 million gridpoints as well a NLHs simulation 作者: mastoid-bone 時間: 2025-3-25 16:19
Andrew Leng Cartesian grid. Boundaries of arbitrary shape are represented by a second-order accurate Conservative Immersed Interface Method (CIIM). In this report we point out the computational aspects of CIIM in the framework of ILES on the example of the flow over a circular cylinder at Re = 3,900. As benchm作者: faction 時間: 2025-3-25 21:20 作者: ZEST 時間: 2025-3-26 02:28
f the flow around the flat plate were found to be very similar to the airfoil case, because both flows separate at comparable positions and are dominantly controlled by the shedding motion of the trailing-edge vortex. The DES predictions of the flat plate lead to reasonable agreement with the LES re作者: EXPEL 時間: 2025-3-26 04:39 作者: Cleave 時間: 2025-3-26 10:17 作者: 文件夾 時間: 2025-3-26 12:58
Richard Foulkes of the HLRB is organized in combination with the - Leibniz-Rechenzentrum (LRZ) of the Bavarian Academy of Sciences as the operating authority of the HLRB - Steering Committee of the HLRB - Competence Network for Technical/Scientific High-Performance Comp- ing in Bavaria (KONWIHR). In 2000 a Hitachi作者: Mingle 時間: 2025-3-26 20:00 作者: CODA 時間: 2025-3-26 23:55 作者: 失眠癥 時間: 2025-3-27 01:14 作者: Hyperlipidemia 時間: 2025-3-27 05:53
Anselm Heinrich (Lecturer in Theatre Studies),Kath作者: 溫和女孩 時間: 2025-3-27 09:34 作者: Ondines-curse 時間: 2025-3-27 16:04 作者: Generalize 時間: 2025-3-27 21:51
The Britannia Theatre: Visual Culture and the Repertoire of a Popular Theatrecentury. It also attracted favourable attention, especially during the run of its pantomimes, from prominent visitors from outside the vicinity, such as Charles Dickens and George Bernard Shaw. This essay reveals how visual culture influenced the form of the theatre’s mid-century productions and con作者: 大洪水 時間: 2025-3-28 01:56 作者: EVADE 時間: 2025-3-28 04:36 作者: 老巫婆 時間: 2025-3-28 08:03 作者: 滋養(yǎng) 時間: 2025-3-28 11:56
Ruskin at the ,: The Gilbert and Sullivan Operas as Indications of the Victorian Popular Reception oized English institutions, contemporary social and intellectual movements, and public figures. Their work often reflected Ruskin’s impact as art critic and social reformer on the public.. Ruskin knew at least one of the Gilbert and Sullivan operas. In . he described a scene in . as:作者: Synthesize 時間: 2025-3-28 15:15 作者: 黑豹 時間: 2025-3-28 20:16 作者: Conjuction 時間: 2025-3-29 01:55
http://image.papertrans.cn/r/image/832227.jpg作者: freight 時間: 2025-3-29 06:27
Book 2009This collection of essays sets out to challenge the dominant narrative about Victorian theatre by placing the practices and products of the Victorian theatre in relation to Victorian visual culture, through the lens of the concept of ‘Ruskinian theatre‘, an approach to theatre which values its educative purpose as well as its aesthetic expression.作者: synovium 時間: 2025-3-29 07:17
https://doi.org/10.1057/9780230236790Henrik Ibsen; poem; theatre; Victorian era; British and Irish Literature作者: 烤架 時間: 2025-3-29 14:49 作者: rheumatology 時間: 2025-3-29 16:15 作者: BUDGE 時間: 2025-3-29 22:18 作者: Armada 時間: 2025-3-30 03:57 作者: 闖入 時間: 2025-3-30 06:10 作者: Mechanics 時間: 2025-3-30 09:49
J. A. Hiltonles of computational modeling of surface species and chemical processes at the atomic scale. A plane-wave density functional approach as implemented in the parallel program package VASP was applied on supercell models of these surface systems to determine electronic and geometric structures as well 作者: 滋養(yǎng) 時間: 2025-3-30 15:45
Rachel Dickinsonarts requires an appropriate interface to transfer the flow quantities of the domains. Traditionally a so called domain scaling is used in combination with a sliding mesh approach. This method requires the pitch of the simulated blades to be equal in order to allow the use of periodic boundary condi
