派博傳思國際中心

標題: Titlebook: Rockets and Ray Guns: The Sci-Fi Science of the Cold War; Andrew May Book 2018 Springer International Publishing AG, part of Springer Natu [打印本頁]

作者: CLAST    時間: 2025-3-21 19:28
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作者: 灌輸    時間: 2025-3-21 21:55

作者: concentrate    時間: 2025-3-22 02:02

作者: 令人作嘔    時間: 2025-3-22 08:16
Andrew Mayer und macht Fernsehinhalte zu ?transnationalen Markenartikeln“: Konzepte, die verschiedenen Fernsehsendungen zugrunde liegen, werden zu gefragten Handelsobjekten, die Fernsehinhalte über nationale Grenzen hinweg vermitteln (vgl. Hallenberger 2005: 171).
作者: 巧辦法    時間: 2025-3-22 09:54
Andrew Mayinhalte an sich zu binden. Wobei Produzenten die Inhalte heute oft gleichzeitig für das Fernsehen, das Radio und das Internet herstellen und die Prozesse unterschiedlich koordinieren: Einiges fertigen sie intern, anderes beziehen sie über den Markt und wiederum anderes produzieren sie in Netzwerken
作者: 舔食    時間: 2025-3-22 16:37

作者: 吸氣    時間: 2025-3-22 17:36
Andrew May01: 96). Sender setzen heute überwiegend auf bereits mehrfach erprobtes, einfacher kalkulierbares Programm ohne gro?es Risiko (vgl. Zeiler, zit. in Scheidt 2005: 14). So entstand in den letzten Jahren immer mehr der Trend zu ?More of the same“ (vgl. Scheidt 2005: 13).
作者: 癡呆    時間: 2025-3-23 00:33

作者: intolerance    時間: 2025-3-23 03:43
Rockets and Ray Guns: The Sci-Fi Science of the Cold War
作者: Dri727    時間: 2025-3-23 05:39

作者: 劇本    時間: 2025-3-23 10:29
2197-1188 cts, shows how the real-world science of the Cold War followed in the footsteps of SF – and how the two together changed our perception of both science and scientists, and paved the way to the world we live in today...978-3-319-89829-2978-3-319-89830-8Series ISSN 2197-1188 Series E-ISSN 2197-1196
作者: FUSE    時間: 2025-3-23 14:22
Mind Games,ines and mind-control drugs—the success or failure of which is largely a matter of opinion. The same period also saw science fiction itself exploited for propaganda purposes, while popular SF tropes like antigravity provided suitably opposition-confusing material for the Cold War disinformation specialists.
作者: 莊嚴    時間: 2025-3-23 20:09
Future Shock,In which the Cold War comes to an end, somewhat sooner and less dramatically than most science fiction writers had expected. Nevertheless, SF got many things right, and by the end of the Cold War the world took the genre—with its vision of a future defined by scientific and technological progress—far more seriously than it had at the start.
作者: chlorosis    時間: 2025-3-23 22:15
Andrew MayVividly portrays how Science Fiction anticipated many of the key scientific developments of the Cold War.Offers a plethora of little known facts and insights from previously classified military projec
作者: facilitate    時間: 2025-3-24 04:09
978-3-319-89829-2Springer International Publishing AG, part of Springer Nature 2018
作者: Offbeat    時間: 2025-3-24 08:45
Rockets and Ray Guns: The Sci-Fi Science of the Cold War978-3-319-89830-8Series ISSN 2197-1188 Series E-ISSN 2197-1196
作者: contradict    時間: 2025-3-24 10:44
Science and Fictionhttp://image.papertrans.cn/r/image/831460.jpg
作者: Alienated    時間: 2025-3-24 18:42
https://doi.org/10.1007/978-3-319-89830-8Nuclear weapons; Rocket science; 20th century science fiction; strategic defence initiative; nuclear par
作者: 對手    時間: 2025-3-24 19:52
The Super-Bomb,fiction authors, on the other hand, became fascinated with the idea of atomic power and its potential to create awesome new super-weapons. Eventually the rest of the world caught up, and science fiction became science fact when the atom bombs fell on Hiroshima and Nagasaki. But instead of ushering i
作者: 鉗子    時間: 2025-3-25 02:03
Journey into Space, rockets make it a practical possibility. Coming of age at the very outset of the Cold War, such rockets were snapped up by both sides for use as military weapons—but only one side took the space angle seriously. With the launch of Sputnik 1, the Soviets won a race the Americans barely knew existed.
作者: 減弱不好    時間: 2025-3-25 04:36
Electronic Brains,e 20th century: the advent of miniaturized solid-state electronics. Instead, its predictions of sentient humanoid robots and giant, building-sized computers—often bent on world conquest—failed to materialize (in the Cold War timeframe, anyway). In more general terms, however, the science-fictional v
作者: 燈絲    時間: 2025-3-25 10:44

作者: 連接    時間: 2025-3-25 12:12
Mind Games,ines and mind-control drugs—the success or failure of which is largely a matter of opinion. The same period also saw science fiction itself exploited for propaganda purposes, while popular SF tropes like antigravity provided suitably opposition-confusing material for the Cold War disinformation spec
作者: 變形    時間: 2025-3-25 16:56
Weird Science,old War coincides with a sudden upsurge in sightings of unidentified flying objects. Were they extraterrestrial spacecraft, top-secret spyplanes, an exercise in disinformation or just another symptom of Cold War paranoia? Whatever the case, UFOs weren’t the only “weird science” development that look
作者: 山頂可休息    時間: 2025-3-25 22:43
Book 2018was taken by surprise. From super-powerful atomic weapons to rockets and space travel, readers of science fiction (SF) had seen it all before.. . Sometimes reality lived up to the SF vision, at other times it didn’t. The hydrogen bomb was as terrifyingly destructive as anything in fiction, while rea
作者: Keratin    時間: 2025-3-26 03:09
Electronic Brains,puters—often bent on world conquest—failed to materialize (in the Cold War timeframe, anyway). In more general terms, however, the science-fictional vision of automated warfare was borne out in the guided missiles and defence computers of the Vietnam era.
作者: Facilities    時間: 2025-3-26 05:13
Star Wars,ers creating an impenetrable shield against nuclear missiles. The culmination of these ideas was a project the news media referred to as “Star Wars”, after the popular sci-fi movie franchise. Nothing came of it, however, and space-based warfare remained just as science-fictional at the end of the Cold War as it had been at the start.
作者: DEI    時間: 2025-3-26 11:16
Weird Science,xercise in disinformation or just another symptom of Cold War paranoia? Whatever the case, UFOs weren’t the only “weird science” development that looked like it had been plucked straight from the pages of SF. The Cold War also saw serious attempts being made to exploit extra-sensory perception and other superhuman powers to military ends.
作者: 金盤是高原    時間: 2025-3-26 14:17
2197-1188 acts and insights from previously classified military projec.The Cold War saw scientists in East and West racing to create amazing new technologies, the like of which the world had never seen. Yet not everyone was taken by surprise. From super-powerful atomic weapons to rockets and space travel, rea
作者: concert    時間: 2025-3-26 18:00

作者: indemnify    時間: 2025-3-26 23:53

作者: 使迷惑    時間: 2025-3-27 01:12
rühe Dominanz sozial- und verhaltenspsychologischer Ans?tze zu Einstellungen, Handlungsabsichten und tats?chlichem Handeln im Hinblick auf (nicht)nachhaltigen Konsum wurde ab den 2000ern besonders durch praxistheoretische Alternativen herausgefordert bzw. zumindest teilweise abgel?st. Letztere haben
作者: NATTY    時間: 2025-3-27 06:24

作者: 確定的事    時間: 2025-3-27 11:06

作者: RAG    時間: 2025-3-27 14:56
Andrew May“ im Jahr 2000 hat der Handel mit internationalen Fernsehformaten, die als wichtiger Teil des globalisierten Fernsehens verstanden werden, einen enormen Zuwachs erfahren. Die gr??te Bedeutung hat das Formatfernsehen im Bereich der non-fiktionalen Unterhaltung, überwiegend bei Quiz- und Game Shows so
作者: 羅盤    時間: 2025-3-27 20:54

作者: 沉積物    時間: 2025-3-27 23:55
Andrew May“ im Jahr 2000 hat der Handel mit internationalen Fernsehformaten, die als wichtiger Teil des globalisierten Fernsehens verstanden werden, einen enormen Zuwachs erfahren. Die gr??te Bedeutung hat das Formatfernsehen im Bereich der non-fiktionalen Unterhaltung, überwiegend bei Quiz- und Game Shows so
作者: ADJ    時間: 2025-3-28 04:14
Andrew Mayoder ?Die Quiz Show“ (Sat.1) sind Erfolgsformate der vergangenen Jahre, die einen deutlichen Trend auf dem TV-Markt aufzeigen, der oftmals als ?Kopiermentalit?t“(vgl. Kievet, zitiert nach Butzek 2005: 21) bezeichnet wird. Vor allem erfolgreiche non-fiktionale Unterhaltungsformate werden immer wieder




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