派博傳思國際中心

標(biāo)題: Titlebook: Rock and Romanticism; Post-Punk, Goth, and James Rovira Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 The Rolling Stones.S [打印本頁]

作者: mobility    時間: 2025-3-21 16:16
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作者: Expand    時間: 2025-3-21 21:29

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Len von Morzéend aus bildungspraktischer Sicht soziale Medien in diesem Zusammenhang h?ufig als St?rfaktor gesehen werden, lassen sich soziale Medien aus bildungstheoretischer Perspektive als R?ume zur medialen Artikulation und Partizipation beschreiben, welche neue Reflexions- und Bildungspotenziale er?ffnen.
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作者: 掙扎    時間: 2025-3-23 10:44
2946-5133 Dying Bride, and Norwegian black metal to explore the ways that Romanticism continues into the present in all of its varying forms and expressions..978-3-030-10253-1978-3-319-72688-5Series ISSN 2946-5133 Series E-ISSN 2946-5141
作者: Gnrh670    時間: 2025-3-23 16:49
Book 2018tal and American and European Romanticisms traditionally understood. It argues that these contemporary forms of music are not only influenced by but are an expression of Romanticism continuous with their eighteenth- and nineteenth-century influences. Figures such as Blake, Wordsworth, Coleridge, Byr
作者: MUTED    時間: 2025-3-23 21:02
Introduction: Theorizing Rock/Historicizing Romanticism,ment,” and “Marxism” and then suggests that the historical conditions following World War II are meaningfully similar to those of eighteenth-century Europe. It then explains this volume’s focus on the Gothic and its relationship to Romanticism and discusses the tradition of the Female Gothic as it summarizes each chapter.
作者: Inertia    時間: 2025-3-23 23:47

作者: OVERT    時間: 2025-3-24 06:06
,“Bliss was it in that shirt to be alive”: Connecting Romanticism and New Romanticism through Dress,ated nature of the self, a sense that they were struggling with and against repressive hegemonies, and a renewed focus on the place of the individual, themes examined here through similarities of dress. Taking a historicist and cultural studies approach, this chapter explores the ways in which the New Romantics connected to the Romantic movement.
作者: Contort    時間: 2025-3-24 09:19

作者: 向宇宙    時間: 2025-3-24 12:21

作者: 煩人    時間: 2025-3-24 15:30
Manner, Mood, and Message: Bowie, Morrissey, and the Complex Legacy of ,Mope,” with mood and Bowie, the stylistic chameleon, with manner, each draws on both of these experiential and representational modes to articulate a complex philosophy that returns, time and again, to the ideas Shelley explores: love and loss, hope and despair, beginnings and endings, and the power of language to create and to destroy.
作者: 礦石    時間: 2025-3-24 20:21
,Tales of the Female Lover: The Poetics of Romantic Desire in P. J. Harvey’s , and ,een the modalities of love as agony on Harvey’s two albums and in English Romantic poetry. The aim of this chapter is to probe Harvey’s independent rock idiolect for a Romantic scope by examining its structural and aesthetic intersections with Romanticism.
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作者: 言行自由    時間: 2025-3-25 07:38

作者: 一條卷發(fā)    時間: 2025-3-25 15:17
,Empathy for the Devil: The Origins of Mick Jagger’s Devil in John Milton’s London,revious centuries in England. The context of the English Civil Wars and John Milton’s poetry transformed Satan into a figure with a recognizable psychology. A new readership, the Romantics, then re-evaluated, responded to, and empathized with Milton’s Satan. This chapter attempts to identify the spe
作者: dialect    時間: 2025-3-25 19:26

作者: enterprise    時間: 2025-3-25 23:56
,“Crying like a woman ‘cause I’m mad like a man”: Chrissie Hynde, Gender, and Romantic Irony,ogetically reveling in her contradictions on the . album, Chrissie Hynde’s songwriting employs a range of distancing tactics and is riddled with multiple forms of irony, including Romantic irony as characterized by Friedrich Schlegel and Anne Mellor. This chapter explores the Romanticism that emerge
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作者: 你不公正    時間: 2025-3-26 10:16
,Postcards from Waterloo: Tom Verlaine’s Historical Constellations,rawing on those Romantics who, like Keats, do not write with immediate reference to their historical context, Verlaine constructs songs that constellate past eras in relation to the present. In particular, his song “Postcards from Waterloo” draws a parallel between the creation of punk as a cultural
作者: judicial    時間: 2025-3-26 16:12
Manner, Mood, and Message: Bowie, Morrissey, and the Complex Legacy of ,elped to define and upon which much of its popular legacy depends. David Bowie and Steven Patrick Morrissey have effectively captured the mood, manner, and message of Shelley’s novel in their music, videos, and album-promoting campaigns. While one might too readily associate Morrissey, the “Pope of
作者: 我悲傷    時間: 2025-3-26 18:55
,Tales of the Female Lover: The Poetics of Romantic Desire in P. J. Harvey’s , and ,antic dimension of her music has remained unchartered, leaving a critical gap that seems all the more startling as the love motif features high in Harvey’s repertoire, notably on the albums . (1995) and . (1998), her two odysseys of desire and self-damnation. This chapter analyzes the interplay betw
作者: 填料    時間: 2025-3-27 00:49
,: Mind-Forg’d Realities in Emo(tional) Rock Music,ighly emotional music genres. Among those, “emo” is notorious for its direct expression of the . felt by its singers. This chapter on the tradition of Romantic poetry in “Emo(tional) Rock Music” traces the influence of British Romantic poetry on its modern descendants who carried the Romantic poet’s
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,“I possess your soul, your mind, your heart, and your body”: External and Internal Gothic Hauntingsand Michael L?wy and uses tropes found in traditional and modern gothic Romantic art to criticize and to parody a culture addicted to consuming art and artists, as well as to expose his own haunting failures as an individual and the destruction of his own identity within a capitalist system.
作者: 衰老    時間: 2025-3-27 19:40

作者: 思鄉(xiāng)病    時間: 2025-3-28 01:39
Book 2018the New Romantics, the Pretenders, Joy Division, Nick Cave, Tom Verlaine, emo, Eminem, My Dying Bride, and Norwegian black metal to explore the ways that Romanticism continues into the present in all of its varying forms and expressions..
作者: 陳腐的人    時間: 2025-3-28 03:05

作者: Conflict    時間: 2025-3-28 09:09
2946-5133 1960s to the twenty-first century.Examines musical influenc.Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms.?explores the relationships among the musical genres of post-punk, goth, and metal and American and European Romanticisms traditionally understood. It argues that these
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作者: Daily-Value    時間: 2025-3-28 22:50
https://doi.org/10.1007/978-3-319-72688-5The Rolling Stones; Sympathy for the Devil; The Romantics; New Romantics; Chrissie Hynde; Nick Cave; Tom V
作者: 索賠    時間: 2025-3-29 01:04
James RoviraExpands the understanding of the boundaries of Romanticism and the Gothic.Brings together a broad range of scholarship on music spanning the 1960s to the twenty-first century.Examines musical influenc
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itr?gen wird anhand einer Reihe von Theorie-, Forschungs- und Handlungszug?ngen ein breites und komplexes Spektrum an multidimensionalen Ungleichheits- und Ausschlie?ungsverh?ltnissen mit ihren strukturellen Ursachen und gesellschaftlichen wie individuellen Folgen und Bearbeitungsweisen herausgearbe
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Sherry R. Truffinriegesellschaft in einer ?terti?ren Zivilisation“ (Fourastie 1949) überwunden werden k?nnten, bildet die Theorie sektoralen Wandels (vgl. H?ussermann/Siebel in diesem Band; Fourastie 1949; Bell 1973; Gershuny 1981). Fourastie sieht die Diensleistungst?tigkeiten zum dominanten Besch?ftigungssektor au
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Len von Morzéonslinien und Perspektiven unterschieden. Anknüpfend an eine mediendidaktische Perspektive werden soziale Medien als . des Lehrens und Lernens betrachtet. Es werden spezifische Potenziale zur Gestaltung von Lehr- und Lernarrangements aufgezeigt und zentrale Spannungsfelder markiert. Die Betrachtung




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