標(biāo)題: Titlebook: Robert De Niro at Work; From Screenplay to S Adam Ganz,Steven Price Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Robert D [打印本頁] 作者: SPARK 時間: 2025-3-21 20:03
書目名稱Robert De Niro at Work影響因子(影響力)
書目名稱Robert De Niro at Work影響因子(影響力)學(xué)科排名
書目名稱Robert De Niro at Work網(wǎng)絡(luò)公開度
書目名稱Robert De Niro at Work網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Robert De Niro at Work被引頻次
書目名稱Robert De Niro at Work被引頻次學(xué)科排名
書目名稱Robert De Niro at Work年度引用
書目名稱Robert De Niro at Work年度引用學(xué)科排名
書目名稱Robert De Niro at Work讀者反饋
書目名稱Robert De Niro at Work讀者反饋學(xué)科排名
作者: 一再困擾 時間: 2025-3-21 22:41 作者: 地名詞典 時間: 2025-3-22 00:53 作者: 仔細(xì)閱讀 時間: 2025-3-22 08:00 作者: 錯事 時間: 2025-3-22 12:07
Adam Ganz,Steven Priceity.Contributions by the world‘s leading authorities on high.Since the 1980s, a general theme in the study of high-temperature superconductors has been to test the BCS theory and its predictions against new data. At the same time, this process has engendered new physics, new materials, and new theor作者: Fracture 時間: 2025-3-22 14:34 作者: enchant 時間: 2025-3-22 18:18 作者: ODIUM 時間: 2025-3-22 21:32 作者: Immobilize 時間: 2025-3-23 02:10
Adam Ganz,Steven Priceity.Contributions by the world‘s leading authorities on high.Since the 1980s, a general theme in the study of high-temperature superconductors has been to test the BCS theory and its predictions against new data. At the same time, this process has engendered new physics, new materials, and new theor作者: 大包裹 時間: 2025-3-23 08:36 作者: lactic 時間: 2025-3-23 10:12
2731-4480 ive reveals, nobody works more closely with the script than the actor, and no actor works more on a script than De Niro..? ? ? ? ? ? ? ??978-3-030-47959-6978-3-030-47960-2Series ISSN 2731-4480 Series E-ISSN 2731-4499 作者: 減去 時間: 2025-3-23 16:10
bel Laureate J. Robert Schrieffer, and Associate Editor James?S. Brooks, have produced a unified, coherent work providing a global view of high-temperature superconductivity covering the materials, the relationships with heavy-fermion and organic systems, and the many formidable challenges that remain.?.978-1-4899-9061-7978-0-387-68734-6作者: 媽媽不開心 時間: 2025-3-23 18:02
Adam Ganz,Steven Pricebel Laureate J. Robert Schrieffer, and Associate Editor James?S. Brooks, have produced a unified, coherent work providing a global view of high-temperature superconductivity covering the materials, the relationships with heavy-fermion and organic systems, and the many formidable challenges that remain.?.978-1-4899-9061-7978-0-387-68734-6作者: Exposure 時間: 2025-3-23 22:39 作者: 運動性 時間: 2025-3-24 04:44
Adam Ganz,Steven Pricebel Laureate J. Robert Schrieffer, and Associate Editor James?S. Brooks, have produced a unified, coherent work providing a global view of high-temperature superconductivity covering the materials, the relationships with heavy-fermion and organic systems, and the many formidable challenges that remain.?.978-1-4899-9061-7978-0-387-68734-6作者: Lethargic 時間: 2025-3-24 08:31 作者: bizarre 時間: 2025-3-24 13:40 作者: 黃瓜 時間: 2025-3-24 17:02
Adam Ganz,Steven Pricebel Laureate J. Robert Schrieffer, and Associate Editor James?S. Brooks, have produced a unified, coherent work providing a global view of high-temperature superconductivity covering the materials, the relationships with heavy-fermion and organic systems, and the many formidable challenges that remain.?.978-1-4899-9061-7978-0-387-68734-6作者: 善辯 時間: 2025-3-24 20:06
Adam Ganz,Steven Pricebel Laureate J. Robert Schrieffer, and Associate Editor James?S. Brooks, have produced a unified, coherent work providing a global view of high-temperature superconductivity covering the materials, the relationships with heavy-fermion and organic systems, and the many formidable challenges that remain.?.978-1-4899-9061-7978-0-387-68734-6作者: 是貪求 時間: 2025-3-24 23:18
Adam Ganz,Steven Pricebel Laureate J. Robert Schrieffer, and Associate Editor James?S. Brooks, have produced a unified, coherent work providing a global view of high-temperature superconductivity covering the materials, the relationships with heavy-fermion and organic systems, and the many formidable challenges that remain.?.978-1-4899-9061-7978-0-387-68734-6作者: 過于光澤 時間: 2025-3-25 06:40
f tissue is the most widely used methodology in histologic slide preparation, procedures have been developed to allow specimens to conform to this routine histologic preparation. In order to accomplish this, bone specimens must be made compatible with the embedding media and sectioning apparatus ass作者: Terminal 時間: 2025-3-25 08:56 作者: 常到 時間: 2025-3-25 14:38 作者: Adornment 時間: 2025-3-25 17:52
Introduction, the performer as an active agent in the development of a film, and screenwriting studies towards studying screenplays as material texts. The Introduction concludes by briefly summarising the material to be considered in each chapter.作者: 草率男 時間: 2025-3-25 21:56
The Robert De Niro Archive and the Screenplay as a Boundary Object,ising, researching and annotating the script; and working with the screenplay as a material text. Drawing on Jerome Bruner’s essay ‘The Narrative Construction of Reality’, the chapter examines how De Niro uses the screenplay text to explore the relationship between part and whole in preparing a performance.作者: aerobic 時間: 2025-3-26 03:53 作者: 植物學(xué) 時間: 2025-3-26 07:58
,,ifferent possibilities for performing the concessions girl scene, explores how Travis thinks about Betsy and the importance of physical gesture and posture in his scenes with her, how he should interact with Jodie Foster/Iris, his preparations for the killing spree, and the use of improvisation.作者: libertine 時間: 2025-3-26 12:19 作者: Defense 時間: 2025-3-26 15:11
Improv(e),guity about whether his comedian character is ‘a(chǎn)ctually’ funny. In all three films he plays a performer thinking about performance, and the script annotations reveal the techniques he used to prefigure this.作者: Injunction 時間: 2025-3-26 20:29 作者: 開玩笑 時間: 2025-3-27 00:25
Conclusion,President Trump. The chapter looks at how de Niro responded to the de-aging technology in . (2019), and considers his commitment to publishing his father’s work and notebooks, in another recent sign of De Niro’s commitment to archiving his process.作者: 爭論 時間: 2025-3-27 04:56
Introduction,well as revealing many different kinds of writing De Niro creates in the process of preparation, it helps to reorient screen studies towards regarding the performer as an active agent in the development of a film, and screenwriting studies towards studying screenplays as material texts. The Introduc作者: 臥虎藏龍 時間: 2025-3-27 07:50
The Robert De Niro Archive and the Screenplay as a Boundary Object, of script annotation. Not only screenplays, but also the actor and the archive, can be thought of as ‘boundary objects’, intersecting productively with multiple users and for multiple purposes. For the actor these include exploring costume and physical appearance in relation to the narrative; organ作者: Esalate 時間: 2025-3-27 11:52 作者: synovitis 時間: 2025-3-27 17:31
,,ned to this point, and becoming an active collaborator with screenwriter Paul Schrader and director Martin Scorsese in creating the character of Travis Bickle. Focusing on De Niro’s script annotations for particular scenes, it shows how, for example, he writes biographical monologues, thinks about d作者: florid 時間: 2025-3-27 21:45
,, from a literary novel, and he was playing a romantic lead role for the first time, but with an inexperienced and under-performing actor playing his love interest, Kathleen. The extraordinarily detailed script annotations show De Niro grappling with these problems, with the title pages preserving a 作者: insipid 時間: 2025-3-28 00:06 作者: 先行 時間: 2025-3-28 05:58 作者: Kaleidoscope 時間: 2025-3-28 07:42 作者: 懶鬼才會衰弱 時間: 2025-3-28 13:59
Book 2020dapted and personalised for the specific use of the individual and their role. As the archive reveals, nobody works more closely with the script than the actor, and no actor works more on a script than De Niro..? ? ? ? ? ? ? ??作者: 擋泥板 時間: 2025-3-28 18:00
Adam Ganz,Steven PriceFeatures unseen annotated scripts from throughout De Niro‘s career and analysis of the same.Re-evaluates how stories evolve between screenwriter, actor and director, tracing power and creative control作者: foppish 時間: 2025-3-28 21:38
978-3-030-47959-6The Editor(s) (if applicable) and The Author(s) 2020作者: 假 時間: 2025-3-28 23:52
