派博傳思國際中心

標(biāo)題: Titlebook: Risk, Participation, and Performance Practice; Critical Vulnerabili Alice O‘Grady Book 2017 The Editor(s) (if applicable) and The Author(s) [打印本頁]

作者: FLAK    時(shí)間: 2025-3-21 17:23
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作者: 多節(jié)    時(shí)間: 2025-3-21 23:06
ther performance scholars for whom risk and precarity are central concerns, but seeks to move the debate forwards in response to a rapidly changing world where risk is higher on the political, economic and cultural agenda than ever before..978-3-319-87506-4978-3-319-63242-1
作者: disparage    時(shí)間: 2025-3-22 01:00

作者: Charitable    時(shí)間: 2025-3-22 07:59

作者: 安定    時(shí)間: 2025-3-22 10:53

作者: 菊花    時(shí)間: 2025-3-22 15:55
nd the filling of the voids left by time- from then . til about being open, factual, and advisory about moving for- now. Techniques may change, but understanding, direction, ward, in new ways, but maintaining a
作者: FLAIL    時(shí)間: 2025-3-22 17:48
has been conducted since the mid-1970s. This delay in our focus on depression in young people may be in part a function of the long-term psychodynamic perspectives of depression as nonexistent in children or normative in adolescents. In particular, the notion or myth of adolescent turmoil overshado
作者: Nomogram    時(shí)間: 2025-3-22 23:21

作者: left-ventricle    時(shí)間: 2025-3-23 05:12
Zoe Zontoue subject such as the collection, representation, management, and methods of extracting grammatical information from discourse and conversational data as well as the relationship between questionnaire-based elicitation, text-based elicitation, and philology, and the need for combinations of these me
作者: GUILT    時(shí)間: 2025-3-23 08:40
Introduction: Risky Aesthetics, Critical Vulnerabilities, and Edgeplay: Tactical Performances of th work which has risk embedded in its aesthetic. It takes the theoretical concept of edgework and reframes it in relation to participatory practice where playing on the edge is carried out as a tactic. It examines risk taking as a form of openness and as a means of creating spaces of potentiality. Dr
作者: ectropion    時(shí)間: 2025-3-23 10:28

作者: MAPLE    時(shí)間: 2025-3-23 16:34

作者: 小步走路    時(shí)間: 2025-3-23 18:46

作者: APEX    時(shí)間: 2025-3-23 22:37

作者: Herpetologist    時(shí)間: 2025-3-24 03:04

作者: sacrum    時(shí)間: 2025-3-24 07:52

作者: 殺菌劑    時(shí)間: 2025-3-24 12:01
At the Risk of Being Sincere: Participation and Delegation in South African Contemporary Live Art vision of the “Rainbow Nation” which marked the early years of its new democracy. Cultural production has become increasingly influenced by economic forces, in particular from European/Western markets. This, accompanied by an internal desire to find a coherent cultural voice, has led to an increase
作者: 鋼盔    時(shí)間: 2025-3-24 17:14
: Addiction, Performance, and Aesthetics of Authenticityall “risky aesthetics” in participatory theatre practices by way of an exploration of particular aspects of the philosophy of Deleuze and Guattari—namely, notions of “becoming” and practices of “experimentation” as set out in . (1987). This chapter argues that there is a strong affiliation between r
作者: 神秘    時(shí)間: 2025-3-24 20:34
Risk in Theatrical Performances in the City: Creating Impact and Identitiesectives in Brazil over the last twenty years. My investigations have always been related to the creation of performances that appropriate (occupied) urban spaces, particularly places where there is substantial movement of people. The overall objective of these experiments in setting scenes in public
作者: 急性    時(shí)間: 2025-3-25 00:18
Book 2017ical involvement. It considers how risk has been re-configured, re-presented and re-packaged for new audiences with a thirst for performances that promote, encourage and embrace risky encounters in a variety of forms. The collection brings together established voices on performance and risk research
作者: 廚房里面    時(shí)間: 2025-3-25 04:41
Book 2017t of making and participating in performance practice. It takes into account the work of other performance scholars for whom risk and precarity are central concerns, but seeks to move the debate forwards in response to a rapidly changing world where risk is higher on the political, economic and cultural agenda than ever before..
作者: 未開化    時(shí)間: 2025-3-25 11:20

作者: 符合國情    時(shí)間: 2025-3-25 15:04

作者: 精確    時(shí)間: 2025-3-25 16:09

作者: receptors    時(shí)間: 2025-3-25 20:37
: Addiction, Performance, and Aesthetics of Authenticityisk taking in drug addiction and risk taking in performance making. To this end, it proposes that participation in performance can provide a platform from which to encourage an affirmative yet creatively challenging form of risk taking, and in so doing to produce a generative aesthetic praxis for performers.
作者: 無價(jià)值    時(shí)間: 2025-3-26 03:39

作者: 個(gè)阿姨勾引你    時(shí)間: 2025-3-26 08:13
a variety of encounters.Asks who and what is at risk in perf.This book explores a range of contemporary performance practices that engage spectators physically and emotionally through active engagement and critical involvement. It considers how risk has been re-configured, re-presented and re-packag
作者: 慢慢沖刷    時(shí)間: 2025-3-26 10:46

作者: 絕種    時(shí)間: 2025-3-26 13:36

作者: COWER    時(shí)間: 2025-3-26 19:11
Risking Intimacy: Strategies of Vulnerability in Vertical City’s , and ,ble in a context of mutual vulnerability of both the performers and the audience. In this essay Barton and Hansen offer a detailed articulation of these complex and evolving composition and performance processes.
作者: 止痛藥    時(shí)間: 2025-3-26 21:56
: Risk, Intimacy, and Dissonance in Intermedial Performance on the subjective experience of risk in the performance literature, from both the performer’s point of view and the audience’s. Our experiences with?.?argue for risk as a necessary component for rewarding and potentially transformational experiences of intermedial autobiographical performance.
作者: 共和國    時(shí)間: 2025-3-27 03:17

作者: GLOOM    時(shí)間: 2025-3-27 05:35
Alice O’Gradyin. Indeed, it is much like caring for a child who is in physical pain. For the child in the depths of depression, no activity is fun, nothing can be enjoyed, and no one can provide enough consolation or comfort. At times, the youngster may cry or whimper. There may be fits of defiance or rage and s
作者: Peristalsis    時(shí)間: 2025-3-27 11:30

作者: GLOOM    時(shí)間: 2025-3-27 16:35
Rat Westerneader needs to carry out successful linguistic fieldwork. Based on the experiences of two veteran linguistic fieldworkers and advice from more than a twenty active fieldwork researchers, this handbook provides an encyclopedic review of current publications on linguistic fieldwork and surveyspast and
作者: palliative-care    時(shí)間: 2025-3-27 19:27

作者: 半身雕像    時(shí)間: 2025-3-28 01:53
André CarreiraExplanation and guidance for individual solutions and everydPREFACE Youdon‘t know; well, how do you know the line is the right In a world of rapid and ever-changingpractices,among design professionals, there is, we feel, a need to at least recall other line at all? times- times more sedate, slower p
作者: Inculcate    時(shí)間: 2025-3-28 03:05

作者: Ischemic-Stroke    時(shí)間: 2025-3-28 06:49

作者: 鞏固    時(shí)間: 2025-3-28 10:25

作者: JUST    時(shí)間: 2025-3-28 16:12

作者: paleolithic    時(shí)間: 2025-3-28 19:57
978-3-319-87506-4The Editor(s) (if applicable) and The Author(s) 2017
作者: BUDGE    時(shí)間: 2025-3-29 02:52

作者: VAN    時(shí)間: 2025-3-29 06:37
1064-3745 ols, Second Edition. serves as an ideal guide for researchers attempting to visualize, quantify, and modify cell division during cell cycle progression..978-1-0716-1746-5978-1-0716-1744-1Series ISSN 1064-3745 Series E-ISSN 1940-6029
作者: 頭腦冷靜    時(shí)間: 2025-3-29 09:47
https://doi.org/10.1007/978-3-658-35471-8Journalisten und Unternehmenskommunikation; Konkurrenz aufl?sen Journalismus Unternehmenskommunikatio
作者: Free-Radical    時(shí)間: 2025-3-29 13:15

作者: 上下連貫    時(shí)間: 2025-3-29 19:35
Einleitung,hien uns daher von Bedeutung, diesen Trennproblemen unsere Aufmerksamkeit zu widmen. Dabei haben wir versucht, m?glichst alle zur Zeit im Handel erh?ltlichen Tensidklassen, die gr?βere praktische Bedeutung besitzen, zu berücksichtigen.




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