標(biāo)題: Titlebook: Remembering the Occupation in French film; National Identity in Leah D. Hewitt Book 2008 Palgrave Macmillan, a division of Nature America I [打印本頁] 作者: Orthosis 時(shí)間: 2025-3-21 17:06
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書目名稱Remembering the Occupation in French film被引頻次學(xué)科排名
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書目名稱Remembering the Occupation in French film讀者反饋學(xué)科排名
作者: 取回 時(shí)間: 2025-3-22 00:00 作者: 大火 時(shí)間: 2025-3-22 01:40
Leah D. Hewitt in the field of science and engineering.Written for a wide This work is inspired by thought to have an overall fuel-ef?cient nuclear plant control system. I picked up the topic in 2002 while deriving the reactor control laws, which aimed at fuel ef?ciency. Controlling the nuclear reactor close to i作者: Ligament 時(shí)間: 2025-3-22 06:08 作者: 喃喃而言 時(shí)間: 2025-3-22 11:10
Leah D. Hewittf multiple steps, of which only the last few involve the yeast. Nevertheless, the behaviour of the yeast is highly decisive for both speed and outcome of the whole process, and to a large extent influences the total beer flavour profile. Long known fermentation-related problems as well as the occasi作者: 挑剔小責(zé) 時(shí)間: 2025-3-22 14:50 作者: 吸引人的花招 時(shí)間: 2025-3-22 20:18 作者: Hyperalgesia 時(shí)間: 2025-3-22 22:05
Identity Politics in Films of the 1970s,aura of the period. The reviews of a Pascal Bonitzer or a Christian Zimmer in the . of the early 1970s adhered to a Marxist critical perspective in which ideology inevitably played a key role (with nothing escaping the political). Set against successive regimes of conservative political leaders (Pre作者: jaunty 時(shí)間: 2025-3-23 04:10 作者: micronutrients 時(shí)間: 2025-3-23 07:45 作者: brassy 時(shí)間: 2025-3-23 13:05
Thus, I felt the need to look beyondPID and obtained the answer in fr- tional order control system, requiring fractional calculus (a 300-year-old subject). This work is taken from a large number of studies on fractional calculus and here it is aimed at giving an application-orientedtreatment, to und作者: 整理 時(shí)間: 2025-3-23 15:41
Leah D. Hewittcs of yeasts as diverse as ., ., and . Scientific knowledge and innovel applications of e.g. biocontrol yeasts, and covers the whole range from classical genetics to modern functional genomics technology. As such, the book is aiming to serve a wide audience, ranging from the interested graduate stud作者: Arrhythmia 時(shí)間: 2025-3-23 18:26
Leah D. Hewittgeny, fields, which have developed with an increasing speed during the last couple of decades. Further, we portray the genetic technologies that are available for the yeast breeder in his or her endeavours for strain improvement. Major areas for the improvement of the brewing yeast behaviour are dis作者: SIT 時(shí)間: 2025-3-23 23:36
Leah D. Hewittegree of multiplexing and long read lengths. SMRT-BS is reproducible and was found to be concordant with other lower throughput quantitative CpG methylation methods. Moreover, the ability to sequence up to ~1.5–2.0?kb amplicons, when coupled with an optimized bisulfite-conversion protocol, allows fo作者: Keshan-disease 時(shí)間: 2025-3-24 05:47 作者: 背心 時(shí)間: 2025-3-24 08:24 作者: 厭食癥 時(shí)間: 2025-3-24 11:10
Leah D. Hewittl system, requiring fractional calculus (a 300-year-old subject). This work is taken from a large number of studies on fractional calculus and here it is aimed at giving an application-orientedtreatment, to und978-3-642-09178-0978-3-540-72703-3作者: 本能 時(shí)間: 2025-3-24 18:50 作者: shrill 時(shí)間: 2025-3-24 21:06
978-1-349-37070-2Palgrave Macmillan, a division of Nature America Inc. 2008作者: 駭人 時(shí)間: 2025-3-25 00:14
Remembering the Occupation in French film978-0-230-61210-5Series ISSN 2945-6274 Series E-ISSN 2945-6282 作者: rectum 時(shí)間: 2025-3-25 06:39
Studies in European Culture and Historyhttp://image.papertrans.cn/r/image/826847.jpg作者: 令人心醉 時(shí)間: 2025-3-25 10:59
Book 2008When collective memory is a source of national debate, the public representation of history quickly becomes a locus of controversy and ideological struggle. This work shows how French film has allowed for a public airing of current concerns through the lens of memory‘s recreations of the Occupation.作者: Inflammation 時(shí)間: 2025-3-25 13:05
https://doi.org/10.1057/9780230612105cinema; Europe; film; history作者: dendrites 時(shí)間: 2025-3-25 16:09 作者: 大方一點(diǎn) 時(shí)間: 2025-3-25 21:55
Film as Memory: A Battleground for Shaping Identity,population during the Second World War.”. The fixation on the war’s moral dimensions has no doubt besieged all of postwar Europe. It has been particularly acute in France, as the French have persistently and agonizingly reconsidered the war’s effects on their “collective memory.”作者: Occipital-Lobe 時(shí)間: 2025-3-26 02:10 作者: 悶熱 時(shí)間: 2025-3-26 05:43 作者: Interlocking 時(shí)間: 2025-3-26 10:54
2945-6274 ogical struggle. This work shows how French film has allowed for a public airing of current concerns through the lens of memory‘s recreations of the Occupation.978-1-349-37070-2978-0-230-61210-5Series ISSN 2945-6274 Series E-ISSN 2945-6282 作者: foppish 時(shí)間: 2025-3-26 16:12 作者: 尖酸一點(diǎn) 時(shí)間: 2025-3-26 17:28
,Transitions Before the “Sorrow”: Criticism and Myth in the Late 1950s and Early 1960s,as has noted, in 1945, de Gaulle’s interim government created a “Ministry of Reconstruction” that became a “Ministry of Construction” under the Fifth Republic’s first government. In addition to rebuilding the physical sites of destroyed movie theaters and studios, “the most pressing concern was to r作者: Nibble 時(shí)間: 2025-3-26 23:49 作者: 淡紫色花 時(shí)間: 2025-3-27 02:00 作者: 甜瓜 時(shí)間: 2025-3-27 09:20
,Ambiguous National Icons in Chabrol’s ,out of the parental shell through film. He tells us that at age four (!) he watched ., a historical film set in eighteenth-century Spain, about an unhappily married woman who falls in love with another man. What strikes the child’s imagination and undoes his parents’ “belle construction morale” (“fi作者: 暖昧關(guān)系 時(shí)間: 2025-3-27 11:08
Love Stories, Real/Cinematic Heroines, the Postmoderns: The 1980s and Beyond,n the Occupation in World War II France. “Why,” she asks, “in the postmodern era when history is being rejected,” do we begin to see more women portrayed in historical film? The possible responses she imagines mostly offer up cynical commentary on postmodernism: “Because history no longer exists, it作者: 偏狂癥 時(shí)間: 2025-3-27 13:44 作者: 清洗 時(shí)間: 2025-3-27 18:14 作者: Osteons 時(shí)間: 2025-3-28 01:55 作者: irreducible 時(shí)間: 2025-3-28 02:43
Ahmed Naseem Alvi,Safdar Hussain Bouk,Syed Hassan Ahmed,Muhammad Azfar Yaqub their own works as Flaubert. Yet few if any published so little on these subjects. The Romantic assault on Classical aesthetics led to a proliferation of prefaces and manifestos, and succeeding generations followed suit in propounding the principles of their schools and movements. Flaubert found th作者: PLE 時(shí)間: 2025-3-28 10:09
