作者: Haphazard 時(shí)間: 2025-3-21 23:50
https://doi.org/10.1007/978-3-322-84790-4I-Glied; Linearit?t; Methode der harmonischen Balance; PID-Regler; Regelalgorithmen; Regelalgorithmus; Reg作者: BRUNT 時(shí)間: 2025-3-22 01:07 作者: 控制 時(shí)間: 2025-3-22 08:10
Overview: 978-3-519-00142-3978-3-322-84790-4作者: 匍匐 時(shí)間: 2025-3-22 12:37
,Einführung,Unter einer . versteht man einen Vorgang, bei dem der vorgegebene Wert einer physikalischen Gr??e fortlaufend durch Eingriffe auf Grund von . hergestellt und aufrechterhalten wird.作者: 不給啤 時(shí)間: 2025-3-22 13:00 作者: Monocle 時(shí)間: 2025-3-22 19:22
Strecken und Regler,In diesem Abschnitt soll eine übersicht über das Verhalten der wichtigsten Regelstrecken und Regler gegeben werden.作者: 無(wú)聊的人 時(shí)間: 2025-3-22 23:50
Bode-Diagramm,In diesem und den folgenden Abschnitten werden wir als Abkürzungen für den komplexen Frequenzgang F(j.) = . für den Amplitudengang ∣F(jω)∣ = F und für den Phasengang φ (ω) = φ schreiben. Wir haben dann den Zusammenhang (s. Gl. (31))作者: 責(zé)問(wèn) 時(shí)間: 2025-3-23 02:48
Mehrschleifige Regelkreise,Im Beispiel 14 trat ein Wirkungsplan (in Bild 59) auf, der mehrere Schleifen enthielt. Eine . ergab sich durch die Rückführung über das P-Glied mit dem Beiwert K., die ?u?ere, . führte über das untere P-Glied mit dem Beiwert C.?. Beim Schlie?en des Regelkreises wird eine weitere, allen anderen übergeordnete Schleife gebildet.作者: municipality 時(shí)間: 2025-3-23 08:15 作者: 實(shí)施生效 時(shí)間: 2025-3-23 13:02
small cinemas, the meaning of this term is not as fixed as its ubiquitous use would suggest. This chapter will examine the ‘independent’ . of feature films, but, in doing so, it is necessary to acknowledge that what counts as ‘independence’ and what distributors can be said to be independent ., are 作者: 美麗的寫(xiě) 時(shí)間: 2025-3-23 15:10
Tjark Ebelsmall cinemas, the meaning of this term is not as fixed as its ubiquitous use would suggest. This chapter will examine the ‘independent’ . of feature films, but, in doing so, it is necessary to acknowledge that what counts as ‘independence’ and what distributors can be said to be independent ., are 作者: Hyperplasia 時(shí)間: 2025-3-23 21:52
Tjark Ebelan analytic account of value capture by powerful chain participants. Festivals, while mostly operating as nonprofits or with marginal profitability, are found to be key sites for the creation of fields and connections through which value can be extracted and transferred. This is largely achieved via作者: Pudendal-Nerve 時(shí)間: 2025-3-24 01:17 作者: 相同 時(shí)間: 2025-3-24 02:34 作者: 預(yù)示 時(shí)間: 2025-3-24 09:25
Tjark Ebelthe European market. Many academic studies of those European film industries that were controlled or significantly reshaped by Nazi Germany (1939–1945) tend to provide rather general, descriptive overviews that reconstruct cultural policy and cinema infrastructure. Such bird’s-eye view on film and c作者: artless 時(shí)間: 2025-3-24 14:00 作者: MURAL 時(shí)間: 2025-3-24 15:25
Tjark Ebelcinema and television.. In particular, Elsaesser describes two related strategies of .. The first, ., is a . strategy employed by both television (serials, series, sagas) and cinema (series, sequels, remakes) to deliver and bind a global audience to its product and its own institution. The second, .作者: 裂隙 時(shí)間: 2025-3-24 22:30
Tjark Ebelme … through a complex process of cultural negotiation among a motley set of cultural gate-keepers’.. Wollen lists four key agencies or projects that contribute to the process of canon formation. The first of these is the archives and cinematheques that ‘decide which films to preserve and, through t作者: 完成才能戰(zhàn)勝 時(shí)間: 2025-3-25 00:48
nd their surrounding discourses need to perform in order to communicate … their status as adaptations is to (make their audiences) . the adapted work, or the cultural memory of it’.. This process of recollection is, of course, realised through texts and is inseparable from them, but alongside . desc作者: resistant 時(shí)間: 2025-3-25 07:13 作者: 狂熱語(yǔ)言 時(shí)間: 2025-3-25 07:53 作者: CLAN 時(shí)間: 2025-3-25 15:22
Tjark Ebelapital, such as concert venues and broadcasting technologies, but is more usually exerted through intangible assets embedded in social networks. Festivals assemble and activate these networks on the production side while also creating added value on the consumption side, most visibly through the pro作者: 催眠 時(shí)間: 2025-3-25 17:52
Tjark Ebelicable to CVCs whose product is more experiential than tangible and dependent on the quality of connection performers (as producers) and audiences (as consumers). This discussion suggests that, in CVCs, chain integrators have diversified into a spread of devices that help overcome barriers of market作者: Collected 時(shí)間: 2025-3-25 20:42 作者: 地殼 時(shí)間: 2025-3-26 01:29
Tjark Ebelman troops and liberation, investigations and subsequent trials left behind a trail of documents. Such sources are of crucial importance for research that focuses on members of the civil society in German-occupied territories, who accepted the opportunity to play a significant role in a film sector 作者: 聯(lián)合 時(shí)間: 2025-3-26 05:48 作者: urethritis 時(shí)間: 2025-3-26 09:12 作者: 變形 時(shí)間: 2025-3-26 16:12 作者: 搖曳 時(shí)間: 2025-3-26 20:21 作者: Euthyroid 時(shí)間: 2025-3-26 21:07 作者: Interlocking 時(shí)間: 2025-3-27 03:38
Nichtlineare Regelkreise,ines Verst?rkers der Eingangsspannung nur so lange proportional, wie der Verst?rker nicht übersteuert ist; die Ausgangsspannung des übersteuerten Verst?rkers ist dagegen konstant. Der Zusammenhang zwischen Eingangs- und Ausgangsgr??e wird n?herungsweise durch die . (Bild 75) wiedergegeben. Diese Ken作者: Pseudoephedrine 時(shí)間: 2025-3-27 07:07 作者: 行乞 時(shí)間: 2025-3-27 10:46 作者: menopause 時(shí)間: 2025-3-27 15:54
Nichtlineare Regelkreise,t?rkers ist dagegen konstant. Der Zusammenhang zwischen Eingangs- und Ausgangsgr??e wird n?herungsweise durch die . (Bild 75) wiedergegeben. Diese Kennlinie tritt bei vielen Proportionalgliedern auf oder ist eine gute Ann?herung an die wahren Verh?ltnisse.作者: exostosis 時(shí)間: 2025-3-27 18:51
Umberto Stracciareventive strategies have been put in place. Waste disposal should be the last priority if reuse, recycle, resale, and return to vendor do not work. Optimal disposal frequency and concept of “economic disposal quantity” and “disposal point” are inventory control issues in reverse gear. Optimal produ作者: 騷動(dòng) 時(shí)間: 2025-3-28 00:08 作者: Ossification 時(shí)間: 2025-3-28 05:14 作者: 征服 時(shí)間: 2025-3-28 07:11 作者: 圍裙 時(shí)間: 2025-3-28 11:58 作者: 云狀 時(shí)間: 2025-3-28 14:51
