標(biāo)題: Titlebook: Refugees, Theatre and Crisis; Performing Global Id Alison Jeffers Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited [打印本頁] 作者: 巡洋 時(shí)間: 2025-3-21 17:16
書目名稱Refugees, Theatre and Crisis影響因子(影響力)
書目名稱Refugees, Theatre and Crisis影響因子(影響力)學(xué)科排名
書目名稱Refugees, Theatre and Crisis網(wǎng)絡(luò)公開度
書目名稱Refugees, Theatre and Crisis網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Refugees, Theatre and Crisis被引頻次
書目名稱Refugees, Theatre and Crisis被引頻次學(xué)科排名
書目名稱Refugees, Theatre and Crisis年度引用
書目名稱Refugees, Theatre and Crisis年度引用學(xué)科排名
書目名稱Refugees, Theatre and Crisis讀者反饋
書目名稱Refugees, Theatre and Crisis讀者反饋學(xué)科排名
作者: Vldl379 時(shí)間: 2025-3-22 00:03
Alison Jeffersrom August 13 to August 24, 1979. Twenty invited lectures and seminar-speakers and 100 other participants attended this Institute. The contributions of most of the lecturers and seminar-speakers are contained in this volume. The revival of field theory in elementary particle physics that started abo作者: 詳細(xì)目錄 時(shí)間: 2025-3-22 01:14
Alison Jeffersto a large extent on the particular values of the fermion masses. For two massless flavours there is a true second order transition. It has been argued that this transition belongs to the universality class of the three-dimensional O(4) spin model. The arguments have been questioned recently, and th作者: 指令 時(shí)間: 2025-3-22 05:10
Alison Jeffersto a large extent on the particular values of the fermion masses. For two massless flavours there is a true second order transition. It has been argued that this transition belongs to the universality class of the three-dimensional O(4) spin model. The arguments have been questioned recently, and th作者: JEER 時(shí)間: 2025-3-22 12:35
Alison Jeffersto a large extent on the particular values of the fermion masses. For two massless flavours there is a true second order transition. It has been argued that this transition belongs to the universality class of the three-dimensional O(4) spin model. The arguments have been questioned recently, and th作者: Foreknowledge 時(shí)間: 2025-3-22 13:32
Alison Jeffers. Some of these are intrinsically 1 dimensional (1D): quantum wires, quantum Hall effect edge states, quantum spin chains. Others can be reduced to 1D because the bulk excitations are harmonic and can be expanded in spherical (or other) harmonics giving a radial (1D) problem: the Kondo problem (1,2,作者: 事先無準(zhǔn)備 時(shí)間: 2025-3-22 17:37 作者: Adrenaline 時(shí)間: 2025-3-23 00:56 作者: 遺棄 時(shí)間: 2025-3-23 01:25
Introduction: Stories, Words and Points of View,8; Maric, 2009; Moorehead, 2005; Schmid et al., 2003). However, it is only in face to face meetings with people seeking asylum and with refugees1 that it is possible to comprehend the subtlety of these stories and the huge range of emotions behind them; anger, fear, anxiety, jubilation, hope, guilt 作者: MILL 時(shí)間: 2025-3-23 09:25
Refugees, Crisis and Bureaucratic Performance, ‘who can be a refugee’ operates in the West in this particular historical moment. The first part of this chapter briefly deals with this question and I then go on to ask why refugees have been seen as especially significant since the early 1990s when the discourses surrounding them started to be co作者: Harbor 時(shí)間: 2025-3-23 10:06 作者: 披肩 時(shí)間: 2025-3-23 17:47
Taking up Space and Making a Noise: Minority Performances of Activism, placard which said ‘Set them free’ and his gestures were taken as a direct reference to the detained asylum seekers in Australia (Gilbert and Lo, 2007: 190). In October 2001 a ‘sea of chairs’ appeared overnight outside the immigration offices in Melbourne city centre. On each chair was the story of作者: adhesive 時(shí)間: 2025-3-23 20:10
,‘We with Them and Them with Us’: Diverse Cultural Performances,estivals, refugee artists (particularly solo performers) and participatory theatre projects with refugees. Grouping diverse sets of practices in this way draws attention to questions of agency and control on the part of refugees. The examples show how the arts, especially performing arts, hold the p作者: 文字 時(shí)間: 2025-3-24 00:48 作者: HACK 時(shí)間: 2025-3-24 06:06 作者: 靈敏 時(shí)間: 2025-3-24 08:03
Alison Jeffersogy currently used by pure field theorists, one notices that many of them were introduced and discussed first by pheno- menologists in comparing quite elementary models directly with experimental data. For this reason, it seemed worthwhile to re- serve considerable time to phenomenological field the作者: Visual-Acuity 時(shí)間: 2025-3-24 11:14
Alison Jeffers There are related questions here concerning the universality class. We solve this problem essentially by means of the following methods: Large . expansion, dimensional reduction in the framework of quantum field theory, and high order convergent series expansions about disordered lattice systems.作者: 鈍劍 時(shí)間: 2025-3-24 15:03
Alison Jeffers There are related questions here concerning the universality class. We solve this problem essentially by means of the following methods: Large . expansion, dimensional reduction in the framework of quantum field theory, and high order convergent series expansions about disordered lattice systems.作者: pericardium 時(shí)間: 2025-3-24 19:46 作者: eardrum 時(shí)間: 2025-3-25 01:04
Alison Jeffersas Ludwig [1,2]. Other useful methods are the Bethe ansatz [3,4], exact integrability [5], the study of special models which are fully harmonic (called the Toulouse limit in the Kondo problem) [6] and numerical techniques [7]. In these lectures I will discuss the Kondo problem (including its multi-c作者: Flu表流動(dòng) 時(shí)間: 2025-3-25 04:02 作者: Ischemia 時(shí)間: 2025-3-25 09:31 作者: 凝結(jié)劑 時(shí)間: 2025-3-25 12:25
Introduction: Stories, Words and Points of View,esome. Troubling because they are hard to hear, especially if the listener enjoys the privileges of the West; troubled because persecution, trauma and suffering are essential elements of these stories, and troublesome because lives depend on their claims for truth. Studying the many theatrical ways 作者: Hemoptysis 時(shí)間: 2025-3-25 15:51 作者: FLACK 時(shí)間: 2025-3-25 22:20 作者: Systemic 時(shí)間: 2025-3-26 01:15
Taking up Space and Making a Noise: Minority Performances of Activism,were suggesting that xenophobia towards asylum seekers is exacerbated by the fact that Australian citizens live in a land that has already been stolen from its indigenous peoples.. In this action Boat People campaigners placed the‘border panic’ around asylum that had been induced by the government, 作者: 傀儡 時(shí)間: 2025-3-26 05:59 作者: LAST 時(shí)間: 2025-3-26 12:18
Conclusion: Face to Face or Shoulder to Shoulder?,ory and citizenship’ (Stoianova, 2007: 22). None of this has taken place in a calm or measured way and rapid expansion in the scope and severity of government responses to the situation has created a sense of crisis which is in the interests of these governments to instigate and perpetuate, if only 作者: Dorsal 時(shí)間: 2025-3-26 13:17
Performance Interventionshttp://image.papertrans.cn/r/image/824996.jpg作者: 共同確定為確 時(shí)間: 2025-3-26 20:03
Book 2012Using examples of refugee arts and theatrical activity since the 1990s, this book examines how the ‘refugee crisis‘ has conditioned all arts and cultural activity with refugees in a world where globalization and migration go hand in hand.作者: 彩色 時(shí)間: 2025-3-26 21:12 作者: 裝勇敢地做 時(shí)間: 2025-3-27 03:52
978-1-349-31999-2Palgrave Macmillan, a division of Macmillan Publishers Limited 2012作者: Ptosis 時(shí)間: 2025-3-27 06:38
Refugees, Theatre and Crisis978-0-230-35482-1Series ISSN 2947-5600 Series E-ISSN 2947-5619 作者: 車床 時(shí)間: 2025-3-27 12:32 作者: Infirm 時(shí)間: 2025-3-27 14:16
https://doi.org/10.1007/978-3-030-64224-2Refugee crisis; International response; UN Refugee Agency; France; UK; Germany; Israel; Netherlands; Vietnam作者: NICHE 時(shí)間: 2025-3-27 21:10