標(biāo)題: Titlebook: Reframing Immersive Theatre; The Politics and Pra James Frieze Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 immersive the [打印本頁(yè)] 作者: 類(lèi)屬 時(shí)間: 2025-3-21 16:23
書(shū)目名稱(chēng)Reframing Immersive Theatre影響因子(影響力)
作者: Hyperopia 時(shí)間: 2025-3-21 22:29 作者: 吞噬 時(shí)間: 2025-3-22 01:17
Book 2016of analysis: the participant as co-designer; the challenges facing the facilitator of immersive/participatory performance; the challenges facing the critic of immersive/participatory performance; how and why immersion troubles boundaries between the material and the magical..作者: 逗它小傻瓜 時(shí)間: 2025-3-22 06:25
he fetus and neonate. Each chapter is introduced by a concise account of the development of that system. Where relevant there is also discussion of changes at birth as well as changes in normal function that may occur during the neonatal period. .Fetal and Neonatal Pathology. is primarily written fo作者: arrhythmic 時(shí)間: 2025-3-22 11:44
James Friezeeratins, carcinoembryonic antigen (CEA) and epithelial membrane antigen (EMA) have suggested there may be stages in the development of the interlobar bile ducts from the hepatocytes. Initially the ductal plate hepa-tocytes become flattened and show increased staining for cytokeratins. In the second 作者: 名次后綴 時(shí)間: 2025-3-22 16:10
was a sex difference between donor and recipient, bone marrow cultures for sex chromosomes revealed mixture of XX and XY cells in 3 male patients with aplastic anaemia. One male patient with AML demonstrated complete engraftment after induction chemotherapy and FLI: all the mitoses studied were of X作者: 假裝是我 時(shí)間: 2025-3-22 17:21
Josephine Machon set of features is efficiently integrated into the same forest using contextual trees. Finally, we use a new structured labels space as alternative to the traditional atomic class labels, able to capture morphological variability of the target organ. Here, we show the potential of this new general 作者: CHIP 時(shí)間: 2025-3-23 00:05
Julia M. Ritter set of features is efficiently integrated into the same forest using contextual trees. Finally, we use a new structured labels space as alternative to the traditional atomic class labels, able to capture morphological variability of the target organ. Here, we show the potential of this new general 作者: Arthr- 時(shí)間: 2025-3-23 04:35
Ruth Laurion Bowman annotation of the intracranial volume in 10 equidistantly distributed slices. The automatic analysis was performed by training and testing the network using scans acquired in the representative imaging plane as well as combining the training data from all imaging planes. On average, the automatic m作者: labyrinth 時(shí)間: 2025-3-23 07:08
Roberta Mockhrenen wesentliche Informationen finden k?nnen, da in der anatomischen Literatur für diesen fetalen Bereich brauchbare topographische Lagebeziehungen oder Angaben über die Ausformung der Organe selbst weitgehend fehlen. Den künftigen Benützern dieses Werkes darf auf diesem Gebiet Vorteil und Anregung im Vertr978-3-662-00792-1978-3-662-00791-4作者: 小木槌 時(shí)間: 2025-3-23 11:24
Lindsay Brandon Hunteren, da? sich die Zeitpunkte der frühesten Identifizierbarkeit mit jeder neuen Ger?tegeneration nach unten verschieben. Mit zunehmend verbessertem Aufl?sungsverm?gen werden nur geringe Gewebsverdichtungsbereiche sonographisch identifizierbar, sofern sie sich in ihrer akustischen Impedanz vom umgebend作者: NATAL 時(shí)間: 2025-3-23 15:46 作者: 過(guò)于光澤 時(shí)間: 2025-3-23 19:22
Esther Belvis PonsAusdehnung aus 2 Zellschichten, der Keimschicht und einer neuen oberen Schicht ursprünglich kubischer und sp?ter plattenf?rmiger Zellen, dem sog. . Davor kann an verschiedenen Stellen sporadisch ein doppelschichtiges Epithel auftreten, jedoch existiert an der Oberfl?che kein vollst?ndiges Periderm.作者: gene-therapy 時(shí)間: 2025-3-23 23:33
George Home-Cook,Kristian Derek Balllenary speakers submitted their research or survey papers prior to the conferences. These are included in the volume "Building Bridges". The other speakers were able to finish their contribution only later, these are collected in the present volume.978-3-662-50642-4978-3-642-13580-4Series ISSN 1217-4696 Series E-ISSN 2947-9460 作者: fibroblast 時(shí)間: 2025-3-24 04:28
lenary speakers submitted their research or survey papers prior to the conferences. These are included in the volume "Building Bridges". The other speakers were able to finish their contribution only later, these are collected in the present volume.978-3-662-50642-4978-3-642-13580-4Series ISSN 1217-4696 Series E-ISSN 2947-9460 作者: 休閑 時(shí)間: 2025-3-24 08:44 作者: 急性 時(shí)間: 2025-3-24 13:51 作者: 無(wú)聊的人 時(shí)間: 2025-3-24 17:52 作者: Aerate 時(shí)間: 2025-3-24 22:30
Richard Talbotg the heritage of both. Amore geographically focused case study is set out in author Paul Weller’s .Hizmetin Transitions: European Developments of a Turkish Muslim-Inspired Movement.,also published by Palgrave Macmillan (2022)..978-3-030-97365-0978-3-030-97363-6作者: 翅膀拍動(dòng) 時(shí)間: 2025-3-25 02:44
Rachael Blythg the heritage of both. Amore geographically focused case study is set out in author Paul Weller’s .Hizmetin Transitions: European Developments of a Turkish Muslim-Inspired Movement.,also published by Palgrave Macmillan (2022)..978-3-030-97365-0978-3-030-97363-6作者: pulmonary-edema 時(shí)間: 2025-3-25 04:54
Sherrill Gow,Merryn Oweng the heritage of both. Amore geographically focused case study is set out in author Paul Weller’s .Hizmetin Transitions: European Developments of a Turkish Muslim-Inspired Movement.,also published by Palgrave Macmillan (2022)..978-3-030-97365-0978-3-030-97363-6作者: Fluctuate 時(shí)間: 2025-3-25 07:56
eutlicher, in Richtung ?Marketing”, ein Begriff, um dessen genaue Bedeutung noch viele Jahre gerungen wurde. Erst im Laufe der 1960er Jahre ergab sich eine allm?hliche Konsolidierung dieses neuen Forschungs- und Praxisfeldes, nachdem man sich über den ?Marketing Mix” als feldweites Paradigma mehrhei作者: 小官 時(shí)間: 2025-3-25 12:13
Nele Wynantszallies (1990: 53): ?Der Regelkonsument ,Otto Normalverbraucher’ wird abgel?st durch den postmodernen ,Markus M?glich’, der für alle Optionen offen ist.” Die Folge war eine tiefgreifende Verunsicherung im Marketingbereich, die soweit ging, da? sogar der Abschied vom Marketing ausgerufen wurde (Gerke作者: 鍵琴 時(shí)間: 2025-3-25 17:32 作者: Gnrh670 時(shí)間: 2025-3-25 20:37 作者: micronutrients 時(shí)間: 2025-3-26 00:58 作者: ERUPT 時(shí)間: 2025-3-26 04:31 作者: antidepressant 時(shí)間: 2025-3-26 11:02
Integrating Realities Through Immersive Gamingcase study, the chapter examines the potential for ARGs to blur the boundaries between in- and out-of-game realities in a practical sense without resorting to the sort of seamless simulation or requiring the naive reception that early criticisms assumed were features of play.作者: 新奇 時(shí)間: 2025-3-26 15:34 作者: 委托 時(shí)間: 2025-3-26 18:40
: A Rimini Protokoll Theatre-Mazellenges the theatrical as art by proposing innovative ways of accounting but also interrogates reality by inscribing its creative process in the everyday. ‘.: a Rimini Protokoll theatre-maze’ reveals how the immersive appears as a method of inquiry that serves to confront realities.作者: SOW 時(shí)間: 2025-3-26 22:58 作者: Graves’-disease 時(shí)間: 2025-3-27 01:31
The Fourth Wall and Other Ruins: Immersive Theatre as a Brandnd” upon FoolishPeople, she shows that, whilst the adoption of immersive tropes and language might have postponed the company’s disintegration, in so doing it has radically altered their former anti-theatrical ..作者: GLIB 時(shí)間: 2025-3-27 07:17
Immersive Performance and the Marketplace: , and Owen argue that, ultimately, the creation of any artistic work exists within a framework of constraints and that this should be viewed not as an impediment or compromise but as an inspiration to the creative process.作者: optic-nerve 時(shí)間: 2025-3-27 13:00 作者: CLAP 時(shí)間: 2025-3-27 14:29
In the Body of the Beholder: Insider Dynamics and Extended Audiencing Transform Dance Spectatorship t, transforming audience experiences of dance spectatorship. Ritter proposes the term . to describe how spectators continue their experiences of post-performance through reflection in social media postings and the creation of cultural products alongside the theatrical event.作者: 無(wú)孔 時(shí)間: 2025-3-27 19:09
A Dramaturgy of Participation: Participatory Rituals, Immersive Environments, and Interactive Gamepl the myth of Medea throughout the night, culminating in a shared breakfast at dawn. By casting audience members in specific roles, giving them permission to participate, and constructing a dramaturgy which is audience-centered, they will both surrender to and actively participate in their own customised and memorable experience.作者: gastritis 時(shí)間: 2025-3-28 01:07
Spectral Illusions: Ghostly Presence in Phantasmagoria Showsersion and intermediality in performance. Wynants offers an imaginative, historical genealogy and contextualisation of contemporary notions of intermedial theatre, such as liveness, presence, and interactivity.作者: Stress-Fracture 時(shí)間: 2025-3-28 05:08
Immersed in Sound: , and the Phenomenology of Aural Experience attention to the dynamics of embodied attending: immersion . ‘.’ (Arvidson 2006; emphasis original). Referring to Sound&Fury’s ., the interview considers the particularities of conducting a phenomenology of theatrical listening.作者: ectropion 時(shí)間: 2025-3-28 09:53 作者: CANDY 時(shí)間: 2025-3-28 13:54
Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance,ut immersive and participatory performance. It seemed for a while that no performance event in which the audience moved, or in which they were somehow surrounded or emplaced by the performance, failed to capitalise on the value of the term ‘immersive‘. The cachet of the term reflects a valorisation 作者: Aura231 時(shí)間: 2025-3-28 15:12
On Being Immersed: , audience interaction and appreciation as a result. The chapter begins with an overview of the key terms and defining features of immersive theatres, first introduced in Machon‘s Immersive Theatres (Palgrave Macmillan, 2013), to show the way in which such work prioritises embodied interaction in the作者: NICE 時(shí)間: 2025-3-28 22:31 作者: Ovulation 時(shí)間: 2025-3-28 23:12 作者: BLANK 時(shí)間: 2025-3-29 04:14 作者: 孤僻 時(shí)間: 2025-3-29 09:03 作者: 殺菌劑 時(shí)間: 2025-3-29 12:42
Negotiating the Possible Worlds of Uninvited Guests’ ,: A Hypertextual Experienceroduction . It proposes that this philosophical framework facilitates a new way of considering the spectator’s creative input and generative response to the participatory performance event. Examining how Possible Worlds Theory is used by digital theorists to elucidate the processes of hypertext fict作者: characteristic 時(shí)間: 2025-3-29 18:50 作者: 幻想 時(shí)間: 2025-3-29 23:22
Immersed in Sound: , and the Phenomenology of Aural Experience (distractedness) over and against listening (attentiveness), Home-Cook invites us to reconsider aural immersion in . terms. He urges us to pay closer attention to the dynamics of embodied attending: immersion . ‘.’ (Arvidson 2006; emphasis original). Referring to Sound&Fury’s ., the interview consi作者: Pericarditis 時(shí)間: 2025-3-30 00:21 作者: 主講人 時(shí)間: 2025-3-30 04:11
: Intimacy and Immersion for Family Audiencesence. Couched as a visit to a micronation, the piece was conceived as an immersive performance for six spectators at a time in an old caravan and has toured extensively. Ledger explores the reasons for creating the work, especially the desire to address a lack of intimate performance work for childr作者: 大雨 時(shí)間: 2025-3-30 08:35
A Dramaturgy of Participation: Participatory Rituals, Immersive Environments, and Interactive Gameplresentations, neither does it replace a theatrical narrative for a fully interactive game. Rather, it concentrates on the rituals suggested by the Medea myth. The authors discuss why they won’t allow audiences simply to wander around spaces, hoping for a meaningful sequence of events. Instead, throu作者: 無(wú)王時(shí)期, 時(shí)間: 2025-3-30 13:56
She Wants You to Kiss Her: Negotiating Risk in the Immersive Theatre ContractAutumn 2012. Advertised as ‘intimate’ and ‘risk-taking’, they can be broadly identified as immersive theatre productions. Drawing on interviews with producers and participants and on audience surveys, Talbot argues that, when artists and programmers ‘behind the scenes’ in immersive environments ‘dis作者: MOTIF 時(shí)間: 2025-3-30 18:02 作者: 問(wèn)到了燒瓶 時(shí)間: 2025-3-30 21:18
Immersive Performance and the Marketplace: ,Exploring the authors’ experience of the intensifying relationship between corporate promotion and immersive theatre, the essay discusses the rich source of creative provocations the project provided, enabling the company to create a piece of theatre with clear goals and for a specific audience. Gow作者: 手工藝品 時(shí)間: 2025-3-31 04:46
Spectral Illusions: Ghostly Presence in Phantasmagoria Showsneteenth-century Europe in which showmen such as the mysterious German Paul Philidor, English lantern lecturer John Henry Pepper, and the Belgian physicist étienne-Gaspard Robertson performed spectral illusions with terrifying stage effects. With their innovative use of new technologies such as mobi
