標(biāo)題: Titlebook: Reformations of the Body; Idolatry, Sacrifice, Jennifer Waldron Book 2013 Jennifer Waldron 2013 John Milton.reformation.theatre.tragedy.Wil [打印本頁] 作者: controllers 時(shí)間: 2025-3-21 17:27
書目名稱Reformations of the Body影響因子(影響力)
書目名稱Reformations of the Body影響因子(影響力)學(xué)科排名
書目名稱Reformations of the Body網(wǎng)絡(luò)公開度
書目名稱Reformations of the Body網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Reformations of the Body被引頻次
書目名稱Reformations of the Body被引頻次學(xué)科排名
書目名稱Reformations of the Body年度引用
書目名稱Reformations of the Body年度引用學(xué)科排名
書目名稱Reformations of the Body讀者反饋
書目名稱Reformations of the Body讀者反饋學(xué)科排名
作者: ovation 時(shí)間: 2025-3-21 20:59 作者: 彎曲的人 時(shí)間: 2025-3-22 03:45
Jennifer Waldroning whether or not artificially-intelligent robots have emotions, personalities, and, essentially, autonomy. Similar questions appear in more scholastic works of robot ethics, even in the absence of romanticised fictional narratives. I think these writings ask the wrong questions. I claim that there作者: 遺留之物 時(shí)間: 2025-3-22 05:11
Jennifer Waldronxed and waned many times during the past 300 years. In some ways the situation of women in Western societies has obviously improved, and many of the issues for which feminists have fought in the past are now part of the ‘common sense’ assumptions of our society. Thus few today would challenge the ri作者: 合唱隊(duì) 時(shí)間: 2025-3-22 08:47 作者: 嬉耍 時(shí)間: 2025-3-22 14:10
Jennifer Waldronxed and waned many times during the past 300 years. In some ways the situation of women in Western societies has obviously improved, and many of the issues for which feminists have fought in the past are now part of the ‘common sense’ assumptions of our society. Thus few today would challenge the ri作者: 假裝是我 時(shí)間: 2025-3-22 19:28 作者: Sinus-Rhythm 時(shí)間: 2025-3-23 00:12 作者: 品嘗你的人 時(shí)間: 2025-3-23 02:47 作者: lactic 時(shí)間: 2025-3-23 06:36 作者: 墊子 時(shí)間: 2025-3-23 13:34
978-1-349-44029-0Jennifer Waldron 2013作者: 聯(lián)邦 時(shí)間: 2025-3-23 14:08 作者: 廣口瓶 時(shí)間: 2025-3-23 20:54 作者: 正式通知 時(shí)間: 2025-3-24 01:15
Early Modern Cultural Studies 1500–1700http://image.papertrans.cn/r/image/824835.jpg作者: lymphoma 時(shí)間: 2025-3-24 06:00
Book 2013This project takes the human body and the bodily senses as joints that articulate new kinds of connections between church and theatre and overturns a longstanding notion about theatrical phenomenology in this period.作者: CRUDE 時(shí)間: 2025-3-24 09:45
https://doi.org/10.1057/9781137313126John Milton; reformation; theatre; tragedy; William Shakespeare; British and Irish Literature作者: ineffectual 時(shí)間: 2025-3-24 10:42 作者: 手銬 時(shí)間: 2025-3-24 17:26
Introduction, subplot of a man who “converts” from religion to theater also neatly encapsulates several important problems surrounding Shakespeare’s plays, the institution of the Elizabethan public theaters, and the religious culture of post-Reformation England. At the broadest level, why and how exactly was religion relevant to commercial drama?作者: TEM 時(shí)間: 2025-3-24 20:51
Dead Idols and Lively Images: A Genealogy of Protestant Iconoclasm,etic modes through which these two institutions became aligned?. I focus here on the human body and the bodily senses as joints that articulate new kinds of connections between church and theater (as well as acting as contested sites within both of these domains).作者: ATRIA 時(shí)間: 2025-3-24 23:47
Revenge, Sacrifice, and Post-Reformation Theater: ,,iking effects by entangling the revenger’s personal quest for “justice” and “satisfaction” with his role as an onstage playwright. Yet why should Kyd in the first place have equated the act of taking justice into one’s own hands in bloody, ritualized fashion with the art of writing plays?作者: Decline 時(shí)間: 2025-3-25 05:52 作者: 諂媚于人 時(shí)間: 2025-3-25 11:00
Introduction,devil.” By the end of the movie, he is a Shakespeare convert: we see him standing in the audience, raptly attentive as Romeo and Juliet meet their tragic end. This amusing turnabout is a standard dig at religious hypocrisy—one that could have been written by Shakespeare himself. Yet the film’s minor作者: 驚呼 時(shí)間: 2025-3-25 15:15 作者: 嚴(yán)厲譴責(zé) 時(shí)間: 2025-3-25 16:40
,Sacrament and Theater: Shakespeare’s Lawful Magic,ally as it marks an intersection of theatrical phenomenology with post-Reformation religious culture. Yet what is the nature of the “magic” that characters such as Leontes and Paulina describe as “l(fā)awful” here? Why would Leontes compare it to “eating”? Shakespeare draws freely on Catholic traditions作者: 卷發(fā) 時(shí)間: 2025-3-25 20:48
Theatrical Authorship and Providential Bodies: The Case of ,,nitive break with the sacral theater of medieval drama.”. One set of evidence in this case for Marlowe’s transitional status has been his participation in a general shift away from allegorical dramatic modes over the course of the sixteenth century.. As Katharine Eisaman Maus notes, “Marlowe makes t作者: STEER 時(shí)間: 2025-3-26 00:47
Revenge, Sacrifice, and Post-Reformation Theater: ,,Is it a Christian morality tale about the perils of private revenge? The least Christian play ever staged? A piece of Protestant propaganda against Catholic Spain? A pagan mystery?. The play’s religious allusions crystallize, however, when we consider more closely its institution of the revenge conv作者: 尋找 時(shí)間: 2025-3-26 04:17
Shakespeare and Revenge: Anthropologies of Sacrifice in , and ,,hich I thought a sacrifice!” (5.2.63–65). Othello’s reference to his heart of stone, his legalistic language of retributive justice against a “perjured woman,” and his reference to sacrifice all come into sharp focus in light of Protestant views of propitiatory sacrifice as a species of “dead works”作者: 套索 時(shí)間: 2025-3-26 09:39 作者: 自作多情 時(shí)間: 2025-3-26 14:47
Epilogue,er’s 1620 play, ., which features the death of a fourth-century martyr also described in Foxe. In both stories, the martyr’s body plays an explicitly iconoclastic role that can serve as a signpost for a variety of subtler literary experiments during this long period of reformation. Oldcastle and Dor作者: 詞根詞綴法 時(shí)間: 2025-3-26 19:45
ses on how technology has been developed in the past, and how constructive futures may be envisaged. More and more, academics are inviting multidisciplinarity and embracing ethnographic methods as part of the design of networks and technical artifacts, realizing that innovation cannot be user-center作者: 樸素 時(shí)間: 2025-3-27 00:59 作者: Provenance 時(shí)間: 2025-3-27 02:52 作者: CRAMP 時(shí)間: 2025-3-27 07:35 作者: 現(xiàn)實(shí) 時(shí)間: 2025-3-27 12:24
Jennifer Waldronrrett, 1987); cynics might also draw support from Marx’s least frequently quoted formulation of the approach: ‘Social progress can be measured exactly by the social position of the fair sex (the ugly ones included)’ (1868 letter, quoted in Draper, 1972, p. 88). Nevertheless, although Marx himself ha作者: 高歌 時(shí)間: 2025-3-27 14:57 作者: Postmenopause 時(shí)間: 2025-3-27 18:28 作者: 吝嗇性 時(shí)間: 2025-3-27 22:14
Jennifer Waldron. NMS’s mandate includes raising awareness about the impunity of state actors (the police, justice system, and coroner’s office) in the 582 cases of missing and murdered Indigenous women and girls across Canada identified by the Native Women’s Association of Canada as of March 31, 2010 (NWAC 2010, i作者: 漂泊 時(shí)間: 2025-3-28 04:46 作者: 頌揚(yáng)國家 時(shí)間: 2025-3-28 07:00
enres. By viewing a range of feminist genre fiction, the book is able to compare the narrative strategies used in relation to the conventions of each genre’s narrative format. It is a study that encompasses: a history of the genre, reinstating women’s contributions; the main feminist critiques of ea作者: Innocence 時(shí)間: 2025-3-28 11:04
