標(biāo)題: Titlebook: Reflective Affective Dramaturgies of Participatory Theatre; Larping Audiences in Sarah Hoover Book 2024 The Editor(s) (if applicable) and T [打印本頁(yè)] 作者: 法令 時(shí)間: 2025-3-21 17:21
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作者: objection 時(shí)間: 2025-3-21 22:49
Sarah Hooversed has been relatively high. The purpose of this work is to provide a course of study in elementary control theory which is self-contained and suitable for students of all branches of engineering and of applied physics. The book assumes that the student has a knowledge of mathematics of A-level or 作者: 托人看管 時(shí)間: 2025-3-22 02:41
Sarah Hooversed has been relatively high. The purpose of this work is to provide a course of study in elementary control theory which is self-contained and suitable for students of all branches of engineering and of applied physics. The book assumes that the student has a knowledge of mathematics of A-level or 作者: Engaged 時(shí)間: 2025-3-22 05:46 作者: aerial 時(shí)間: 2025-3-22 10:26
Sarah Hooverf the root-locus map for multivariable systems. Among the immediate applications which we derive is that it is not in general possible to develop a formula, involving rational operations and the extraction of r-th roots, for an output feedback gain (either complex or real, should a real solution exi作者: albuminuria 時(shí)間: 2025-3-22 15:12 作者: adduction 時(shí)間: 2025-3-22 18:25
f the root-locus map for multivariable systems. Among the immediate applications which we derive is that it is not in general possible to develop a formula, involving rational operations and the extraction of r-th roots, for an output feedback gain (either complex or real, should a real solution exi作者: MOCK 時(shí)間: 2025-3-22 23:13
Book 2024ibutors and interpreters must keep pace. Simultaneously, the COVID-19 pandemic has added urgency to the collective artistic encounter and its value to individual and community health. This book proposes “reflective affective” dramaturgies of participatory theatre aimed toward incorporating participa作者: 雄辯 時(shí)間: 2025-3-23 05:01
s theoretical rigor and practical artistic examples.As the popularity and diversity of participatory theatre productions increase, scholarly and artistic attention toward the audience as agentive contributors and interpreters must keep pace. Simultaneously, the COVID-19 pandemic has added urgency to作者: Delirium 時(shí)間: 2025-3-23 08:23
Introduction: Urgencies in Interactive Theatre,to enrich this discourse. Co-creative performance-making emphasises affect as a central material of performance, shaped by the knowledges carried by the bodies of the participants. The chapter outlines a four-year project, Play/Test Galway, aimed at exploring the use of interactive theatre technique作者: 信任 時(shí)間: 2025-3-23 12:58
The Potential Machine: Doing Thinking in Research and Performance,ng human experience, emphasising the exploration of creativity and generosity. The chapter outlines a theoretical framework grounding the book in performance philosophy, integrating poststructuralist thinking and affect theory. The chapter discusses the application of Deleuzian affect theory and phe作者: INERT 時(shí)間: 2025-3-23 16:25 作者: 牙齒 時(shí)間: 2025-3-23 18:38 作者: 極為憤怒 時(shí)間: 2025-3-24 01:30
,‘Am I that Kind of Person?’: Reflective Affective Dramaturgies from Concept to Production in ,. It delves into the influence of affective and relational forces on political discourse, particularly in the context of the post-truth era marked by disinformation campaigns and increasing polarisation. The production, inspired by the party game ‘Two Truths and a Lie’, invites participants to take 作者: Encoding 時(shí)間: 2025-3-24 04:38 作者: cruise 時(shí)間: 2025-3-24 06:46 作者: Urgency 時(shí)間: 2025-3-24 10:44 作者: Asperity 時(shí)間: 2025-3-24 18:07
Sarah Hoover courses in electrical, mechanical, chemical and production engineering and in applied physics. It will also provide a primer in specialist courses in instru- mentation and control engineering at undergraduate and post- graduate level. Furthermore, it covers much of the control theory encountered in the gradu978-1-4684-7453-4作者: Hay-Fever 時(shí)間: 2025-3-24 22:19
Sarah Hooverhomotopy continuation method. Since this global analysis of the root-locus map also plays a vital role in recent work on generic stabilizability ([3], [10]) and pole placement by output feedback ([6], [9]) and has never yet appeared in its full generality, we thought it would be useful to collect th作者: 施魔法 時(shí)間: 2025-3-25 02:52
Sarah Hooverhomotopy continuation method. Since this global analysis of the root-locus map also plays a vital role in recent work on generic stabilizability ([3], [10]) and pole placement by output feedback ([6], [9]) and has never yet appeared in its full generality, we thought it would be useful to collect th作者: 正論 時(shí)間: 2025-3-25 06:31
Sarah Hooverhomotopy continuation method. Since this global analysis of the root-locus map also plays a vital role in recent work on generic stabilizability ([3], [10]) and pole placement by output feedback ([6], [9]) and has never yet appeared in its full generality, we thought it would be useful to collect th作者: Gratulate 時(shí)間: 2025-3-25 08:40 作者: 改進(jìn) 時(shí)間: 2025-3-25 12:35
Book 2024 larp scholarship on character/self performance, agency and emergence. Through its integration of the practical and theoretical, this work serves as an essential study for scholars, students and artists in theatre studies, performance studies, visual art studies, role-play studies, cultural studies, and philosophy..作者: ECG769 時(shí)間: 2025-3-25 15:57
Reflective Affective Dramaturgies of Participatory TheatreLarping Audiences in作者: tariff 時(shí)間: 2025-3-25 20:53
Reflective Affective Dramaturgies of Participatory Theatre978-3-031-64459-7作者: 來自于 時(shí)間: 2025-3-26 01:05 作者: 偽造 時(shí)間: 2025-3-26 05:52
The Potential Machine: Doing Thinking in Research and Performance,asising the complexity and multivalence of larp documentation due to its experiential and embodied nature. The chapter also addresses criticisms of artistic research, such as the lack of agreed-upon methodologies and the breadth of available methods, acknowledging the need for assessment and effecti作者: temperate 時(shí)間: 2025-3-26 10:05
,‘It Feels Real!’: Excess and Intensity in ,and potentially disrupted through affective movements. The chapter also provides insights into participant responses and experiences, as well as the affective influences of space on performance. Furthermore, it discusses the historical and societal context that influenced the production, drawing con作者: 集合 時(shí)間: 2025-3-26 13:54
,‘A Bigger Version of Me’: Self-Presence in ,ants to maintain immersion in the performance, but their attention often shifts to integrating their experience into their sense of self and lived history. The chapter emphasises the value of returning to lived experience and the reflective process as a means to contribute to the expansion of knowle作者: 高度表 時(shí)間: 2025-3-26 19:58 作者: Fibroid 時(shí)間: 2025-3-27 00:25
Sarah HooverProposes “reflective affective” dramaturgies of participatory theatre.Applies theoretical frameworks drawn from performance analysis.Combines theoretical rigor and practical artistic examples作者: 謙卑 時(shí)間: 2025-3-27 04:10
978-3-031-64461-0The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 衍生 時(shí)間: 2025-3-27 07:14 作者: esoteric 時(shí)間: 2025-3-27 11:03
https://doi.org/10.1007/978-3-031-64459-7participatory theatre; live action role-play; performance studies; affect theory; reflection; dramaturgy; 作者: 確定 時(shí)間: 2025-3-27 13:41
The Development and Structure of Emotionsors, (2) receptors, (3) states, (4) expressions, and (5) experiences. In this chapter, I address each of these components and pay most attention to states, experiences, and expressions. Having done so, I turn to the interconnections between components, and most specifically to how the development of作者: 尋找 時(shí)間: 2025-3-27 21:45
