標(biāo)題: Titlebook: Refiguring Techniques in Digital Visual Research; Edgar Gómez Cruz,Shanti Sumartojo,Sarah Pink Book 2017 The Editor(s) (if applicable) and [打印本頁] 作者: 大口水罐 時(shí)間: 2025-3-21 17:26
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書目名稱Refiguring Techniques in Digital Visual Research讀者反饋學(xué)科排名
作者: evanescent 時(shí)間: 2025-3-21 23:50
Ingrid Richardson,Larissa Hjorth,Yolande Strengers,William Balmfordellungen und Methoden zu entwickeln, oder sogar Anregungen für die eigene Laufbahn geben...Ein Gro?teil der Beitr?ge entstand an der Fakult?t Statistik der TU Dortmund, der einzigen eigenst?ndigen Statistik-Fak978-3-662-60561-5978-3-662-60562-2作者: florid 時(shí)間: 2025-3-22 01:32 作者: 愛得痛了 時(shí)間: 2025-3-22 04:38
nd Chloroplasten dadurch erworben haben, dass sie in den Urzeiten der Evolution prokaryotische Bakterien und Cyanobakterien geschluckt haben. Bei den Ektosymbiosen schlie?en sich Organismen zusammen, ohne sich zellul?r zu durchdringen. Dazu geh?ren die Flechten als Ektosymbiosen von Pilzen und Algen作者: 微塵 時(shí)間: 2025-3-22 09:28
Sarah Pinktes führen zur Bildung von Sauerstoffradikalen und zur Fotodestruktion. Pflanzen besitzen dagegen mannigfaltige Schutzmechanismen, die bei wachsendem Lichtstress eskalationsartig ineinandergreifen k?nnen. Dabei erhalten Pflanzen auch die Gaszusammensetzung der Erdatmosph?re.作者: 珍奇 時(shí)間: 2025-3-22 13:51
Bradley L. Garrett,Anthony McCosker CO. an Phospho.pyruvat entsteht in ?u?eren Blattzellen der C.-K?rper Malat, der in Leitbündelscheidegewebe transportiert wird, wo das CO. regeneriert wird und die RuBisCO arbeitet. Diese Variante hei?t C.-Fotosynthese. Dadurch erfolgt ein enormer Konzentrationshub des CO. an der RuBisCO, was wasser作者: rectum 時(shí)間: 2025-3-22 19:12 作者: 多余 時(shí)間: 2025-3-22 21:16 作者: Musket 時(shí)間: 2025-3-23 02:50 作者: 歡笑 時(shí)間: 2025-3-23 08:54 作者: nurture 時(shí)間: 2025-3-23 11:38 作者: Spinal-Fusion 時(shí)間: 2025-3-23 17:35 作者: vasospasm 時(shí)間: 2025-3-23 18:48
en werden müssen. Studierenden kann das Buch helfen, Begeisterung für statistische Fragestellungen und Methoden zu entwickeln, oder sogar Anregungen für die eigene Laufbahn geben...Ein Gro?teil der Beitr?ge entstand an der Fakult?t Statistik der TU Dortmund, der einzigen eigenst?ndigen Statistik-Fak作者: Optimum 時(shí)間: 2025-3-23 23:53 作者: 最小 時(shí)間: 2025-3-24 06:04 作者: 吸引人的花招 時(shí)間: 2025-3-24 08:57 作者: micturition 時(shí)間: 2025-3-24 14:18
,Erratum to: In Defence of the “Thin”: Reflections on the Intersections Between Interactive Document作者: vitrectomy 時(shí)間: 2025-3-24 15:17
,Immersive Reflexivity: Using 360° Cameras in Ethnographic Fieldwork,This chapter presents a discussion on how the use of 360. cameras could be used for ethnographic work. Suggesting three ways, as visual notes, to share fieldwork experiences and to sense the researcher emplacement in the field, the text presents some preliminary notes on 360. cameras as a research technology.作者: Peculate 時(shí)間: 2025-3-24 20:12
Edgar Gómez Cruz,Shanti Sumartojo,Sarah PinkDiscusses the place of digital technology in modern scholarship.Places an emphasis on applied research that doesn’t just observe the world, but participates in it.Presents up-to-date engagement with m作者: 窗簾等 時(shí)間: 2025-3-25 03:06
Digital Ethnographyhttp://image.papertrans.cn/r/image/824668.jpg作者: amyloid 時(shí)間: 2025-3-25 06:58
https://doi.org/10.1007/978-3-319-61222-5digital-visual techniques; digital-visual technologies; research and intervention; technological change作者: 使閉塞 時(shí)間: 2025-3-25 08:15
The Editor(s) (if applicable) and The Author(s) 2017作者: FLOAT 時(shí)間: 2025-3-25 11:43
Technologies, Possibilities, Emergence and an Ethics of Responsibility: Refiguring Techniques, the ‘technological possible’ mean for digital visual research?; What are the implications of seeing researcher engagement with new and emerging technologies as improvisation rather than innovation?; What does this mean for an ethics of responsibility in digital visual research?; How can we harness 作者: epidermis 時(shí)間: 2025-3-25 16:46
Non-human Sensing: New Methodologies for the Drone Assemblage,th technologies. Piloting a drone through a live video stream appears to create a sensory extension. Yet the increasing autonomy of the drone, facilitated by exponential innovation in sense-and-avoid technologies, point towards future amalgamations that are increasingly more-than-human. In the conte作者: 罵人有污點(diǎn) 時(shí)間: 2025-3-25 20:48
Empathetic Visuality: GoPros and the Video Trace,apter, we explore the possibilities such technologies offer us for encountering and analysing aspects of other people’s and our own (as researchers) experiences through ethnographic theory and practice. In doing so, we focus on the notion of the video trace—that is, the idea that such cameras do not作者: remission 時(shí)間: 2025-3-26 02:42
,In Defence of the “Thin”: Reflections on the Intersections Between Interactive Documentaries and Etotentiality of this audio-visual form as a tool for teaching and conducting visual ethnographies. It proposes, therefore, a shift away from conventional reflections on the potentiality of idocs as communication tools exploring instead the extent to which idocs can be considered as proper tools for p作者: 男生戴手銬 時(shí)間: 2025-3-26 08:18 作者: Minuet 時(shí)間: 2025-3-26 09:20 作者: 拋射物 時(shí)間: 2025-3-26 15:14
At the Edges of the Visual Culture of Exile: A Glimpse from South Australia,h of their homelands. It explores the complex conjunction of trauma and pleasure in situations of exile and hones in on the vital role of digital visual mediation in the creative work of making oneself at home in foreign circumstances. In exile, memory and digitisation of images, sounds and interact作者: 幸福愉悅感 時(shí)間: 2025-3-26 19:13 作者: VAN 時(shí)間: 2025-3-26 21:35 作者: EWE 時(shí)間: 2025-3-27 03:51 作者: inferno 時(shí)間: 2025-3-27 06:31 作者: 萬神殿 時(shí)間: 2025-3-27 11:41
Imagining Technique: Reflexivity, Ethnographic Arts and the Digital-Real, potential for agitating processes, narratives and senses of knowing and unknowing (something) about the world, for an imagining of the possible—for memories, senses, futures. As a textual encounter, this chapter presents a layered account of practice-as-research.作者: 隱士 時(shí)間: 2025-3-27 13:47 作者: DAFT 時(shí)間: 2025-3-27 20:38 作者: adequate-intake 時(shí)間: 2025-3-27 23:44 作者: daredevil 時(shí)間: 2025-3-28 05:08
Visual Documentation in Hybrid Spaces: Ethics, Publics and Transition, street art in the space of the urban street and questions of visitor conduct, gallery space and museum design. The changing nature of public and private spaces, the complex status of the contemporary digital image, and a range of ethical imperatives in digital visual research are discussed in relation to the hybrid spaces of gallery and street.作者: 得體 時(shí)間: 2025-3-28 07:11
Book 2017y. The contributors explore how new and evolving digital-visual technologies and techniques have been utilized in the development of research, and reflect on how such theory and practice might advance what is “knowable” in a world of smartphones, drones, and 360-degree cameras.?.作者: eustachian-tube 時(shí)間: 2025-3-28 10:24
Book 2017discusses technological change and technological possibility; theoretical shifts toward processual paradigms; and a respectful ethics of responsibility. The contributors explore how new and evolving digital-visual technologies and techniques have been utilized in the development of research, and ref作者: Osteoarthritis 時(shí)間: 2025-3-28 17:47 作者: Tractable 時(shí)間: 2025-3-28 22:35 作者: KEGEL 時(shí)間: 2025-3-29 02:19
Sarah Pinkten. Wir unterscheiden Sonnen- und Schattenpflanzen. Schattenpflanzen sind bei niedrigen Strahlungsintensit?ten und Sonnenpflanzen bei hohen Intensit?ten überlegen. Strukturelle und biochemische Eigenschaften werden dabei ver?ndert. Die Pflanzen bauen aus den Pigmentmolekülen des Chlorophylls versch作者: lanugo 時(shí)間: 2025-3-29 06:25
Bradley L. Garrett,Anthony McCoskers Enzym Ribulose-bisphosphat-Carboxylase-Oxygenase (RuBisCO) fixiert CO. und bindet es an Ribulose-bisphosphat. Das Produkt zerf?llt in zwei C.-K?rper. Daher der Name C.-Fotosynthese. Zur Reduktion werden gleichzeitig die Reduktions?quivalente der Lichtreaktionen gebraucht. Das bedeutet, dass bei So作者: 不適當(dāng) 時(shí)間: 2025-3-29 08:09 作者: Transfusion 時(shí)間: 2025-3-29 15:12 作者: 連累 時(shí)間: 2025-3-29 15:33
