標(biāo)題: Titlebook: Reappearing Characters in Nineteenth-Century French Literature; Authorship, Original Sotirios Paraschas Book 2018 The Editor(s) (if applica [打印本頁(yè)] 作者: dentin 時(shí)間: 2025-3-21 16:28
書(shū)目名稱(chēng)Reappearing Characters in Nineteenth-Century French Literature影響因子(影響力)
書(shū)目名稱(chēng)Reappearing Characters in Nineteenth-Century French Literature影響因子(影響力)學(xué)科排名
書(shū)目名稱(chēng)Reappearing Characters in Nineteenth-Century French Literature網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱(chēng)Reappearing Characters in Nineteenth-Century French Literature網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱(chēng)Reappearing Characters in Nineteenth-Century French Literature被引頻次
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書(shū)目名稱(chēng)Reappearing Characters in Nineteenth-Century French Literature讀者反饋
書(shū)目名稱(chēng)Reappearing Characters in Nineteenth-Century French Literature讀者反饋學(xué)科排名
作者: onlooker 時(shí)間: 2025-3-21 23:55 作者: 史前 時(shí)間: 2025-3-22 02:46 作者: 微生物 時(shí)間: 2025-3-22 07:48 作者: DUST 時(shí)間: 2025-3-22 10:14
Reappearing Characters in Nineteenth-Century French Literature978-3-319-69290-6Series ISSN 2634-6478 Series E-ISSN 2634-6486 作者: 耐寒 時(shí)間: 2025-3-22 13:19 作者: 詩(shī)集 時(shí)間: 2025-3-22 20:14
Sotirios Paraschasrieben. Die umfangreiche Materialsammlung richtet sich vor allem an Betroffene, stellt aber auch eine wertvolle Erg?nzung für Therapeuten dar.Zahlreiche Bilder veranschaulichen den Text und regen die Auseinandersetzung mit dem Denken an. Eine Begleit-CD enth?lt alle im Buch beschriebenen übungen zum作者: 預(yù)示 時(shí)間: 2025-3-22 22:06
Reappearing Characters in Nineteenth-Century French LiteratureAuthorship, Original作者: CESS 時(shí)間: 2025-3-23 05:16 作者: 極大的痛苦 時(shí)間: 2025-3-23 09:32 作者: 沒(méi)有貧窮 時(shí)間: 2025-3-23 11:05 作者: Aura231 時(shí)間: 2025-3-23 14:43
Book 2018f characters in the work of canonical authors and their reappearances in unauthorised appropriations, such as stage adaptations and sequels, this book discusses a series of issues that have shaped our understanding of authorship, originality, and property.作者: 昏暗 時(shí)間: 2025-3-23 20:55 作者: Encephalitis 時(shí)間: 2025-3-23 22:25 作者: 四溢 時(shí)間: 2025-3-24 02:53 作者: 煩躁的女人 時(shí)間: 2025-3-24 06:56
Sotirios Paraschasnken sich nicht mehr regulieren lassen und wir in eine ?Denkfalle“ tappen, aus der wir nicht mehr herausfinden? Es gibt charakteristische Denkverzerrungen, die zur Entstehung und Aufrechterhaltung von Zwangsst?rungen beitragen k?nnen. Die Kunst ist es, diese immer wiederkehrenden Denkfallen zu erken作者: 盡管 時(shí)間: 2025-3-24 11:12
Book 2018d perspective: that of the twin history of the aesthetic notion of originality and the legal notion of literary property. While the reappearance of characters in the works of canonical authors such as Honoré de Balzac and émile Zola is usually seen as a device which transforms the individual works o作者: Reverie 時(shí)間: 2025-3-24 17:03
,Introduction: ‘La littérature ruminante’,ontext of the broader transformation of the notion of the fictional character. While, by the beginning of the century, characters are seen as original creations, intimately connected to their author, they are not protected by literary property law; they are considered to be ‘ideas’ which cannot be t作者: agenda 時(shí)間: 2025-3-24 21:58
‘Le revenant littéraire’: Balzac and the Reappearance of Characters as a Strategy of Re-appropriatioen as Balzac’s response to a specific kind of unauthorised appropriation which was becoming a rapidly growing threat to authorial property in Balzac’s time: the appropriation of his plots and characters by playwrights who staged adaptations of his works—and which Balzac considered to be instances of作者: 高度表 時(shí)間: 2025-3-25 00:29 作者: FAR 時(shí)間: 2025-3-25 04:01
The Poetics of Forgery in Charles Rabou’s Continuation of Balzac’s ,ontinuation which was presented as a novel written by Balzac and only completed by Rabou according to Balzac’s notes. I read Rabou’s sequel, which was for a long time attributed to Balzac, as a self-conscious forgery which does not only attempt to pass itself off as a work by Balzac by resurrecting 作者: Pamphlet 時(shí)間: 2025-3-25 08:20
‘Tous pour un, un pour tous’: Alexandre Dumas, Auguste Maquet, and the Musketeers Trilogy demanding to be recognised as co-author of the novels they had written together. I identify a series of metaphors used in the nineteenth century to describe literary collaboration (friendship, association, employer–employee relation) and I examine the ways in which these metaphors are echoed, on th作者: Crepitus 時(shí)間: 2025-3-25 13:34
‘Le collaborateur fantomatique’: Zola, William Busnach, and the Stage Adaptations of amatic conventions, he collaborated with a commercial playwright, William Busnach, to stage a series of melodramatic adaptations from . and repeatedly denied his involvement in their creation, stating that adaptations were by definition inferior and unoriginal works. The chapter focuses on the adapt作者: CLOUT 時(shí)間: 2025-3-25 15:53
Concluding Reflectionse issues of originality and authorial property in the nineteenth century and beyond from a hitherto unexplored perspective. It suggests that shedding light on the history of the relation between aesthetic and legal discourses can help us contextualise and critique notions such as intertextuality and作者: Scleroderma 時(shí)間: 2025-3-25 22:12
,Introduction: ‘La littérature ruminante’,he object of property and are freely appropriated in stage adaptations and sequels written by other writers. This ambiguous status of fictional characters makes the various forms the reappearance of characters takes an ideal locus for the exploration of issues of authorship, originality, and property.作者: CUR 時(shí)間: 2025-3-26 01:04
‘Le revenant littéraire’: Balzac and the Reappearance of Characters as a Strategy of Re-appropriatio ‘theft’. In this context, I examine the reappearance of characters as Balzac’s attempt to establish ownership of his characters and plots through repetition, to mark them as his property on the grounds of continuous use over a substantial period of time.作者: 衣服 時(shí)間: 2025-3-26 05:20 作者: 發(fā)怨言 時(shí)間: 2025-3-26 11:23 作者: FLORA 時(shí)間: 2025-3-26 13:46 作者: badinage 時(shí)間: 2025-3-26 18:16 作者: Ossification 時(shí)間: 2025-3-26 23:09
Concluding Reflectionslight on the history of the relation between aesthetic and legal discourses can help us contextualise and critique notions such as intertextuality and disciplines such as adaptation studies, through which we understand the relations between texts in the twentieth and twenty-first centuries.作者: deforestation 時(shí)間: 2025-3-27 03:13
2634-6478 s and sequels.Looks at characters from an innovative perspecThis book examines the phenomenon of the reappearance of characters in nineteenth-century French fiction. It approaches this from?a hitherto unexplored perspective: that of the twin history of the aesthetic notion of originality and the leg作者: 凹槽 時(shí)間: 2025-3-27 07:06
Using Inharmonic Strings in Musical Instrumentsr wound portion) is used in the construction of the .. A second experiment designs a string with overtones that lie on steps of the 10-tone equal tempered scale. The strings are sampled, and digital (software) versions of the instruments are made available along with a call for composers interested in writing for these new instruments.作者: 前面 時(shí)間: 2025-3-27 12:11 作者: 滔滔不絕地講 時(shí)間: 2025-3-27 16:51 作者: 喚醒 時(shí)間: 2025-3-27 19:21 作者: expeditious 時(shí)間: 2025-3-27 23:28
Hybrid control models of next generation air traffic management, framework, we describe our work in on-board conflict resolution strategies between aircraft, and in deriving the flight mode switching logic in the flight vehicle management systems of each aircraft.作者: 放逐某人 時(shí)間: 2025-3-28 05:26
angiography are provided when relevant to present the patient‘s condition. Short video clips with maps of activation of the atria or ventricles during the studied arrhythmia complete the information provided. E978-3-031-35581-3978-3-031-35579-0作者: 冰河期 時(shí)間: 2025-3-28 10:13 作者: 啟發(fā) 時(shí)間: 2025-3-28 14:19 作者: 地名表 時(shí)間: 2025-3-28 17:27
