作者: 翅膀拍動(dòng) 時(shí)間: 2025-3-21 20:19 作者: ethereal 時(shí)間: 2025-3-22 03:37
,Baby, You’re the Best: Sex and Sexuality in Contemporary Juvenile Fiction,allegory about adolescent sexuality, . (2001). As a dog, Sandra can do it wherever, whenever and however she likes — and that suits her just fine. Just as it did when she was a school girl, learning the ropes with her first boyfriend:作者: BADGE 時(shí)間: 2025-3-22 08:34
Breaking the Frame: Picturebooks, Modernism, and New Media, that far from turning its back on modernism in the way Jacqueline Rose claims, children’s literature — and particularly in the form of the picturebook — has actively explored its concepts and styles, in the process providing precisely the kind of arena for radical experiments Dusinberre describes.作者: Cardioversion 時(shí)間: 2025-3-22 09:55
,Self-harm, Silence, and Survival: Despair and Trauma in Children’s Literature, stop, learn new ways to cope’ . June 2004: 9). Even better than learning how to break the habit would be a prophylactic approach in which children’s literature provided opportunities for readers to recognise and understand their hostile feelings, and offered them new ways of storying their lives.作者: 全面 時(shí)間: 2025-3-22 14:17 作者: 桉樹 時(shí)間: 2025-3-22 18:21 作者: 先驅(qū) 時(shí)間: 2025-3-22 23:32
Breaking the Frame: Picturebooks, Modernism, and New Media,pay no heed to writing for children. .ndeed, accounts of modernism in the broadest sense generally ignore children’s literature, a fact underlined by the major exhibition ‘Modernism 1914–1939: Designing a new world’ at the Victoria and Albert Museum in 2006, which failed to include any references to作者: ARBOR 時(shí)間: 2025-3-23 03:33 作者: 天文臺(tái) 時(shí)間: 2025-3-23 08:50 作者: Slit-Lamp 時(shí)間: 2025-3-23 13:30
,Self-harm, Silence, and Survival: Despair and Trauma in Children’s Literature, best of my knowledge, this chapter comprises the first exploration of the relationship between what young people read and attitudes to self-harming. The role reading can play in transforming the lives of young people who are caught in cycles of despair and anger directed against themselves is sugge作者: nutrition 時(shí)間: 2025-3-23 17:41
,Baby, You’re the Best: Sex and Sexuality in Contemporary Juvenile Fiction,d off hassles at home and school. When boys snuffle in her ear she’s like a bitch on heat, and that’s just what she becomes in Melvin Burgess’s comic allegory about adolescent sexuality, . (2001). As a dog, Sandra can do it wherever, whenever and however she likes — and that suits her just fine. Jus作者: 燈絲 時(shí)間: 2025-3-23 20:17
Frightening Fiction: The Transformative Power of Fear,s associated with contemporary neoconservative politics, this kind of writing rejects many of the liberal ideas that were shaping children’s and youth lit-erature in the 1960s; its radicalism is anti-progressive in its assumption that mass political engagement is undesirable, and that the needs of t作者: 思考才皺眉 時(shí)間: 2025-3-24 00:41 作者: 異端邪說下 時(shí)間: 2025-3-24 06:05
Conclusion: The Foundations of Future Fictions,s literature itself is taking place in cyberspace. As critics in the field regularly observe, children’s literature is the only body of writing to be defined by and named for its audience: children read children’s literature, they do not produce it (see Rudd, 2004 for a discussion of children’s rela作者: coltish 時(shí)間: 2025-3-24 07:42
about books, society, and narratives in an age of instant communication and multi-media. It looks at the stories about the world and young people; the interaction with changing childhoods and new technologies.978-0-230-23937-1978-0-230-20620-5作者: agenda 時(shí)間: 2025-3-24 11:17
Conclusion: The Foundations of Future Fictions,d continues, the nomenclature of writing read by the young may be forced to adjust. ‘Children’s literature’ may indeed come to refer to writing by the young for the young, meaning that the work produced by adults for children to read will have to be relabelled..作者: AWE 時(shí)間: 2025-3-24 17:28
http://image.papertrans.cn/r/image/820533.jpg作者: 最小 時(shí)間: 2025-3-24 21:38
https://doi.org/10.1057/9780230206205children‘‘s literature; Narrative; space作者: indicate 時(shí)間: 2025-3-24 23:16
978-0-230-23937-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2007作者: heirloom 時(shí)間: 2025-3-25 05:14
about books, society, and narratives in an age of instant communication and multi-media. It looks at the stories about the world and young people; the interaction with changing childhoods and new technologies.978-0-230-23937-1978-0-230-20620-5作者: Interlocking 時(shí)間: 2025-3-25 08:27
engages learners’ imagination, body and voice to create a felt-experience of the second language and culture. Divided into three parts, it begins by examining the aesthetic and intercultural dimension of performative language teaching, the elements of drama and knowing-in-action. The central part of作者: 宇宙你 時(shí)間: 2025-3-25 15:27 作者: 序曲 時(shí)間: 2025-3-25 17:22
Kimberley Reynoldsengages learners’ imagination, body and voice to create a felt-experience of the second language and culture. Divided into three parts, it begins by examining the aesthetic and intercultural dimension of performative language teaching, the elements of drama and knowing-in-action. The central part of作者: watertight, 時(shí)間: 2025-3-25 23:29
Kimberley Reynoldsrom drama and second language teaching to produce fresh insiThis book explores embodiment in second language education, sociocultural theory and research. It focuses on process drama, an embodied approach that engages learners’ imagination, body and voice to create a felt-experience of the second la作者: CT-angiography 時(shí)間: 2025-3-26 01:05
Kimberley Reynoldsiates a literary conversation between Rodríguez and Thomas, as men who grew up in conditions of poverty during turbulent times in the history of the United States. The poem establishes the two men as “. brothers” on the basis of space, economic hardship, writing, and mentorship as unifying discourse作者: 占卜者 時(shí)間: 2025-3-26 04:38 作者: 售穴 時(shí)間: 2025-3-26 10:14
Kimberley Reynoldsd with a former Latin Queen writing under the pseudonym Sonia Rodriguez. . joins Sanchez’s first two memoirs, . (2000) and . (2003), which purport to describe daily life as a member of the Latin Kings street gang on Chicago’s North Side. The event took place at Barbara’s Bookstore located in Chicago作者: Rheumatologist 時(shí)間: 2025-3-26 15:38 作者: BOOST 時(shí)間: 2025-3-26 20:42 作者: 手術(shù)刀 時(shí)間: 2025-3-27 00:01 作者: 刻苦讀書 時(shí)間: 2025-3-27 03:33
he mid-twentieth century. As fallout from the exhaustion of postmodernism’s querying of the grand narratives of History and Society, memory constitutes a new epistemological approach to the relationship between the individual and society, and to our perceptions of the relations between the past, the作者: Injunction 時(shí)間: 2025-3-27 08:45 作者: 言行自由 時(shí)間: 2025-3-27 12:20
can look like when working with asylum seekers, adult learners with intellectual disabilities, pre-service teachers, international students and children involved in a Content and Language Integrated Learning (CLIL) programme. A unique combination of theory, research and reflective practice, this boo作者: 話 時(shí)間: 2025-3-27 17:29
Kimberley Reynoldscan look like when working with asylum seekers, adult learners with intellectual disabilities, pre-service teachers, international students and children involved in a Content and Language Integrated Learning (CLIL) programme. A unique combination of theory, research and reflective practice, this boo作者: 枯萎將要 時(shí)間: 2025-3-27 21:33
Kimberley Reynoldscan look like when working with asylum seekers, adult learners with intellectual disabilities, pre-service teachers, international students and children involved in a Content and Language Integrated Learning (CLIL) programme. A unique combination of theory, research and reflective practice, this boo作者: 持久 時(shí)間: 2025-3-27 22:56
Kimberley Reynoldseen the two men. Through Thomas’s writings on the waste of impoverished urban youth, gripped by drugs and violence, in . (1972) and the prison experience in . (1974), Rodríguez comes to understand his own experiences of drugs, violence, and prison. He concludes that as his “. brother, father/partner作者: 疲勞 時(shí)間: 2025-3-28 03:25 作者: BRAWL 時(shí)間: 2025-3-28 09:29
Kimberley Reynoldsneration said that they were there to support and encourage these two voices willing to tell a story often seen only in news media reports or via the entertainment industry, portrayals that glorify and sensationalize gang life. The younger generation sought the guidance of those who had lived throug作者: 名字 時(shí)間: 2025-3-28 12:50
Kimberley Reynoldseen the two men. Through Thomas’s writings on the waste of impoverished urban youth, gripped by drugs and violence, in . (1972) and the prison experience in . (1974), Rodríguez comes to understand his own experiences of drugs, violence, and prison. He concludes that as his “. brother, father/partner作者: headway 時(shí)間: 2025-3-28 14:47 作者: photopsia 時(shí)間: 2025-3-28 20:46
Kimberley Reynoldsis also increasingly a global phenomenon, widely theorized and examined both in national and transnational contexts. As a cypher for unspeakable horror, the Holocaust is the fundamental point of reference; more recently, South Africa’s Truth and Reconciliation Commission has come to be taken as a wo作者: FIG 時(shí)間: 2025-3-29 00:06 作者: 混合物 時(shí)間: 2025-3-29 03:57
And None of It was Nonsense,geurs suggests that the way Lear encourages children to play with rational order enables them `to use nonsense as a route to meaning … to develop a fully creative mind’ .. Dusinberre too credits nonsense with stimulating new forms of creativity when she points to Lewis Carroll — one of the best-know作者: infarct 時(shí)間: 2025-3-29 09:05
,Useful Idiots: Interactions Between Youth Culture and Children’s Literature, value reading for its ability to entertain and/or empower. Looking at what is being produced for the current generation of adolescent readers reveals a great deal about changes in the way they are being constructed in social terms. Many of these changes do not flatter the young; more than that, as 作者: Cerebrovascular 時(shí)間: 2025-3-29 13:12
978-3-031-13300-8The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
