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標(biāo)題: Titlebook: Radical Chicana Poetics; Ricardo F. Vivancos Pérez Book 2013 Ricardo F. Vivancos Pérez 2013 body.boundary element method.compost.corpus.cr [打印本頁]

作者: Goiter    時間: 2025-3-21 20:02
書目名稱Radical Chicana Poetics影響因子(影響力)




書目名稱Radical Chicana Poetics影響因子(影響力)學(xué)科排名




書目名稱Radical Chicana Poetics網(wǎng)絡(luò)公開度




書目名稱Radical Chicana Poetics網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Radical Chicana Poetics被引頻次




書目名稱Radical Chicana Poetics被引頻次學(xué)科排名




書目名稱Radical Chicana Poetics年度引用




書目名稱Radical Chicana Poetics年度引用學(xué)科排名




書目名稱Radical Chicana Poetics讀者反饋




書目名稱Radical Chicana Poetics讀者反饋學(xué)科排名





作者: 追逐    時間: 2025-3-21 20:22
Ricardo F. Vivancos Pérezchen Buchmarkt f?rmlich überfluteten, unterlagen dem Schicksal der Gebrauchsliteratur. Was an Originalen erhalten blieb, geh?rt zu den kostbaren Sch?tzen weniger Sammler oder Bibliotheken und erreicht im Antiquariatshandel Liebhaberpreise. Mit den "Emblemata" wird der Zugang zu diesen für das Verst?
作者: 痛打    時間: 2025-3-22 02:23
arkt f?rmlich überfluteten, unterlagen dem Schicksal der Gebrauchsliteratur. Was an Originalen erhalten blieb, geh?rt zu den kostbaren Sch?tzen weniger Sammler oder Bibliotheken und erreicht im Antiquariatshandel Liebhaberpreise. Mit den "Emblemata" wird der Zugang zu diesen für das Verst?ndnis der
作者: Pillory    時間: 2025-3-22 07:53
Ricardo F. Vivancos Pérezactivities.Includes original contributions from a range of cThis edited book revisits the concept of social ‘a(chǎn)ctivities’ from an interactional perspective, examining how verbal, vocal, visual-spatial and material resources are deployed by participants for meaning-making in social encounters. The ele
作者: 新星    時間: 2025-3-22 10:26

作者: 混亂生活    時間: 2025-3-22 16:03

作者: 寵愛    時間: 2025-3-22 19:04
Ricardo F. Vivancos Pérezactivities.Includes original contributions from a range of cThis edited book revisits the concept of social ‘a(chǎn)ctivities’ from an interactional perspective, examining how verbal, vocal, visual-spatial and material resources are deployed by participants for meaning-making in social encounters. The ele
作者: 箴言    時間: 2025-3-23 00:44

作者: Diastole    時間: 2025-3-23 01:48

作者: Barrister    時間: 2025-3-23 08:51
Ricardo F. Vivancos Pérezactivities.Includes original contributions from a range of cThis edited book revisits the concept of social ‘a(chǎn)ctivities’ from an interactional perspective, examining how verbal, vocal, visual-spatial and material resources are deployed by participants for meaning-making in social encounters. The ele
作者: 補(bǔ)角    時間: 2025-3-23 10:11

作者: decode    時間: 2025-3-23 15:27

作者: Erythropoietin    時間: 2025-3-23 19:18
Literatures of the Americashttp://image.papertrans.cn/r/image/820532.jpg
作者: 赤字    時間: 2025-3-23 23:34

作者: TAP    時間: 2025-3-24 05:44

作者: Intend    時間: 2025-3-24 09:09

作者: 發(fā)現(xiàn)    時間: 2025-3-24 11:55

作者: OUTRE    時間: 2025-3-24 15:44

作者: 討厭    時間: 2025-3-24 20:35
Introductionn this book, radical Chicana poetics is defined as “dangerous beasts poetics.” The use of “dangerous beasts” is taken from the anthology ., coedited by Chicana feminists Cherríe Moraga and Gloria Anzaldúa in 1981. They divided the collection into six “major areas of concern for Third World women in the U.S.”:
作者: 攝取    時間: 2025-3-25 02:01

作者: Cognizance    時間: 2025-3-25 04:39

作者: 多產(chǎn)魚    時間: 2025-3-25 11:16

作者: ABHOR    時間: 2025-3-25 11:52
The Nomadic Chicana Writer in Ana Castillo and Emma Pérezo one generation or region. In this regard, their provisional alliance as coeditors of . is a clear example. Born in the Río Grande Valley in Texas, Anzaldúa was ten years older than Moraga, who was born in Whittier, California. They collaborated intensely for several years to make . a reality, and
作者: 先鋒派    時間: 2025-3-25 17:34

作者: 旁觀者    時間: 2025-3-25 21:22

作者: Perceive    時間: 2025-3-26 01:37

作者: 正面    時間: 2025-3-26 06:40

作者: eustachian-tube    時間: 2025-3-26 08:28

作者: llibretto    時間: 2025-3-26 14:55

作者: 獨行者    時間: 2025-3-26 19:11

作者: 中古    時間: 2025-3-26 23:00

作者: EVADE    時間: 2025-3-27 02:34
2634-601X ra Cisneros, this book explores how radical Chicanas deal with tensions that arise from their focus on the body, desire, and writing.978-1-349-46578-1978-1-137-34358-1Series ISSN 2634-601X Series E-ISSN 2634-6028
作者: 極端的正確性    時間: 2025-3-27 08:52
Polycentricityla Coatlicue is the consuming internal whirlwind, the symbol of the underground aspects of the psyche” (. 68). Coatlicue “l(fā)ives” inside the narrative persona’s inner self together with other myths of Chicanas’ particular pantheon of diosas:
作者: mighty    時間: 2025-3-27 13:01
Gloria Anzaldúa’s Poetics: The Process of Writing ,a. For the rest of her life, she was concerned that her only full-length published book was misinterpreted, and that her thoughts were considered categorical, or inaccessible to larger audiences. However, most of all, she was worried that people did not understand that her book was part of a life-lo
作者: harrow    時間: 2025-3-27 13:46
Cherríe Moraga’s “Theory-in-the Flesh” and the Chicana Subject describes Anzaldúa’s writing as “self-conscious and laborious” when addressing “metaphysical experiences” (Moraga, “Algo” 155). Then, she criticizes . for not being a book about lesbian desire, or even desire in general. Although the narrating “I” positions herself as a Texan Chicana lesbian from t
作者: Volatile-Oils    時間: 2025-3-27 19:35
Collective Creativityeir main points of contention. She reflects upon abstraction and inclusiveness, and about their potentially negative repercussions—futility and appropriation. They all have to do with “the fissure between vision and lived reality,” which is “the stuff” of Chicana writings (. 121–2). But most importa
作者: 松軟    時間: 2025-3-28 00:55
NepantlismChicana intellectual as an inhabitant of nepantla helps explain the continuous positioning and repositioning that characterizes dangerous beasts poetics. The strategic placement of this drawing within Moraga’s essay collection . (2011) is part of Chicanas’ transdisciplinary educational mission throu
作者: Fibroid    時間: 2025-3-28 02:52

作者: 現(xiàn)暈光    時間: 2025-3-28 07:16





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