標題: Titlebook: Politics, Art and Commitment in the East European Cinema; David W. Paul (freelance writer, faculty) Book 1983 David W. Paul 1983 cinema.Eu [打印本頁] 作者: FAULT 時間: 2025-3-21 17:12
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作者: 感染 時間: 2025-3-21 22:53 作者: 含糊 時間: 2025-3-22 03:28 作者: 態(tài)學 時間: 2025-3-22 07:57 作者: 不妥協(xié) 時間: 2025-3-22 11:00
Pathos and Irony in East European Films was supposed to be part of a struggle in shaping the future — that is, in the evolution of the society . In this part of the world artists considered it their mission to do no less than to mould history, to substitute somehow for unrealizable political actions: thus to carry the charge of the Deed.作者: 神化怪物 時間: 2025-3-22 14:00 作者: 發(fā)展 時間: 2025-3-22 18:27 作者: 個人長篇演說 時間: 2025-3-23 00:09 作者: 運動的我 時間: 2025-3-23 04:15
The Fickle Dialectic: Realism and the Cinematic Hero in Films from Socialist Europesocialist East or the capitalist West. It is in fact a specific version of the classical literary problem of the individual and the typical. From Charlie Chaplin to Ingmar Bergman and from Sergei Eisenstein to Andrzej Wajda one can find in the world of film many profound comments on the individual a作者: Lasting 時間: 2025-3-23 07:09 作者: 類人猿 時間: 2025-3-23 13:38 作者: grotto 時間: 2025-3-23 16:55 作者: Enteropathic 時間: 2025-3-23 20:03 作者: ABYSS 時間: 2025-3-23 22:51 作者: corn732 時間: 2025-3-24 03:12 作者: 合群 時間: 2025-3-24 10:34
Overview: 978-1-349-06736-7978-1-349-06734-3作者: 文藝 時間: 2025-3-24 14:23
Introductionn unresolvable controversy. On the other hand, it would not be difficult to find agreement on who the frontrunners for such an honour would be. In any list of candidates, several names would be likely to appear: Du?an Makavejev, discussed in the preceding chapter, Andrzej Wajda, Mikls Jancsó and Milos Forman.作者: jabber 時間: 2025-3-24 15:10
Andrzej Wajda’s Vision of One Country’s Past and Presentf Polish society. Or perhaps the phrase ‘social and cultural dilemmas’ has too pretentious a ring. Would it not be less high-flown to seek in Wajda’s films a reflection of a certain country and its life, concerns and dramas?作者: 不適當 時間: 2025-3-24 20:55 作者: Dungeon 時間: 2025-3-25 00:23
Toward an East European Cinemarxism?I believe in the avoidance of neologisms, and it embarrasses me (if only momentarily) to announce my subject with a made-up term that is also a pun. A new word is so often lacking in authenticity and complexity of references to antecedent reality and thinking; and puns, well …作者: Frisky 時間: 2025-3-25 03:23 作者: 賞心悅目 時間: 2025-3-25 10:55
The Short Film in Eastern Europe: Art and Politics of Cartoons and PuppetsThis brief survey of the animated and puppet film in East Europe will not do justice to the short film in socialist society. It’s like stepping into a canoe to paddle across the Pacific: there’s no hope of reaching the other side of this boundless sea, of seeing in a lifetime everything that is important or relevant in the field.作者: 不近人情 時間: 2025-3-25 15:06 作者: agitate 時間: 2025-3-25 17:20 作者: ECG769 時間: 2025-3-25 21:42 作者: 可行 時間: 2025-3-26 02:30 作者: alleviate 時間: 2025-3-26 06:15 作者: 誘拐 時間: 2025-3-26 12:16 作者: 公司 時間: 2025-3-26 16:42
Miklós Jancsó Decline and Fall?d its peak over a decade ago. (An instructive parallel to this might be the fact that Andrzej Wajda was, until very recently, regarded in the English-speaking world primarily as the director of . and ., with films of at least equal stature, such as ., . and ., almost totally unknown.)作者: drusen 時間: 2025-3-26 17:28
Politics, Art and Commitment in the East European Cinema作者: Narrative 時間: 2025-3-26 21:25 作者: Sarcoma 時間: 2025-3-27 02:42 作者: 銼屑 時間: 2025-3-27 05:37
Pathos and Irony in East European Films No matter how significant the chosen topic seemed to be, whether it dealt with the past or the present, whether it was a comedy or a tragedy, the spirit of the charisma and the seriousness of the commission were unavoidably present, lending an overall pathos to the films.作者: 古文字學 時間: 2025-3-27 12:09 作者: Complement 時間: 2025-3-27 15:03 作者: 粗糙濫制 時間: 2025-3-27 21:34
