標(biāo)題: Titlebook: Organizing Occupy Wall Street; This is Just Practic Marisa Holmes Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusiv [打印本頁(yè)] 作者: 獨(dú)裁者 時(shí)間: 2025-3-21 19:33
書(shū)目名稱Organizing Occupy Wall Street影響因子(影響力)
作者: 單調(diào)女 時(shí)間: 2025-3-21 22:37
Intergenerational Dialogues,ruggles, became widespread during the period following the global financial crisis of 2008. I show how interrelated these struggles were, my own position to them, and how I became an organizer. This chapter acts as a prehistory of Occupy Wall Street, setting the stage for what was to come.作者: 赤字 時(shí)間: 2025-3-22 02:43
The Squares, with radical democratic alternatives. I describe how connections across the squares were made, in real time, and my own role in making them. I detail my trip to Egypt and lessons learned from revolutionary youth movements, as well as collaboration with 15 M.作者: 作嘔 時(shí)間: 2025-3-22 04:57 作者: 無(wú)目標(biāo) 時(shí)間: 2025-3-22 09:04
Our Park,l to legal support, the connections between the movements are made clear. I argue that the occupation exercised autonomy from the state and capitalism, and created relationships based around care and mutual aid.作者: dandruff 時(shí)間: 2025-3-22 15:43
This Is What Democracy Looks Like,tion of the New York City General Assembly evolved with those who participated in it, and show how key collective statements were crafted and decisions were reached. Overall, I argue that through the process, occupiers had their voices heard.作者: Junction 時(shí)間: 2025-3-22 18:16 作者: 玉米 時(shí)間: 2025-3-22 23:22
Allies,cial District is also called into question, as community relations take precedence over more internal agreements. While the eviction does not occur, the occupation is not the same. This moment, perceived as a victory, is actually the beginning of the movement’s demise.作者: 管理員 時(shí)間: 2025-3-23 02:46
Race in OWS,r Caucus, and the challenges they faced. I claim that while OWS was open and inclusive in some ways, there were still many informal ways that people of color were excluded from participation. I also note that within communities of color, there were different class and gender positions that complicated their ability to fight together.作者: jettison 時(shí)間: 2025-3-23 08:42
The Eviction,a, then vacant. I analyze the nature of privately owned public space, and the response from the state to a liberated space. I engage with the work of George Caffentzis and mourn the loss of the commons.作者: 現(xiàn)任者 時(shí)間: 2025-3-23 10:08 作者: 允許 時(shí)間: 2025-3-23 15:16
All Our Grievances Are Connected, joy of spring training exercises, and actions alongside rank and file workers across sectors. Overall, the chapter captures the spirit of renewal, and the inevitable conflicts between horizontal occupiers and vertical union leadership. I cite other organizers and engage their reflections.作者: LAIR 時(shí)間: 2025-3-23 18:01
All Roads Lead to Wall Street, ideological differences. Most importantly, I emphasize the role of direct-action trainings in advance of the day of action, as a way to practice in an embodied way, and overcome fear. I describe how actual affinity groups formed and coordinated to produce something larger than the sum of their parts, and shutdown the Financial District.作者: Explosive 時(shí)間: 2025-3-23 23:14 作者: 音樂(lè)學(xué)者 時(shí)間: 2025-3-24 03:00
Informal Elites,as those who wanted to maintain their power, worked against democratic organization. Although the two projects varied in their orientation and purpose, the common thread between them was the creation of new hierarchies.作者: 有幫助 時(shí)間: 2025-3-24 09:30 作者: 行為 時(shí)間: 2025-3-24 10:55
Direct Action,t action. There was a strategic non-violent orientation that was influential. I also cite the origins of the Direct Action Working Group (DAWG), its role in park defense, and how it approached doing marches as part of an outreach strategy. I detail my own experience in the streets, encounters with police, and time in jail.作者: Ruptured-Disk 時(shí)間: 2025-3-24 15:27
Gender in OWS,on the formation of the Safer Spaces Committee (SSC), and their work to address harm and conflict in a transformative way. I show how they made some changes to the culture of OWS, such as the creation of a safe space tent, but also how they were unable to pass universal community agreements.作者: 采納 時(shí)間: 2025-3-24 20:11 作者: V洗浴 時(shí)間: 2025-3-24 23:40 作者: Hippocampus 時(shí)間: 2025-3-25 06:02
Structure,in place to formally deal with disruption, and people were removed. However, the behavior was triggering and led to mistrust. It was the social and cultural impact of disruption that prevented the spokes council from being fully implemented.作者: Ondines-curse 時(shí)間: 2025-3-25 10:37 作者: 要素 時(shí)間: 2025-3-25 11:52 作者: 好開(kāi)玩笑 時(shí)間: 2025-3-25 16:41
Marisa Holmes Netflix original series . (2015) and Telemundo’s telenovela . (2011). During this decade, one of the more significant cinematic contributions is Luis Estrada’s 2010 film ., which premiered in a sea of controversy. The film follows the protagonist Benny as he transitions from a recently deported und作者: Ventilator 時(shí)間: 2025-3-25 22:40
Marisa Holmes Netflix original series . (2015) and Telemundo’s telenovela . (2011). During this decade, one of the more significant cinematic contributions is Luis Estrada’s 2010 film ., which premiered in a sea of controversy. The film follows the protagonist Benny as he transitions from a recently deported und作者: 共同確定為確 時(shí)間: 2025-3-26 01:08
Marisa Holmes (1927) and . (1928) had taken British cinemas by storm. Alfred Hitchcock’s murder story (., Alfred Hitchcock, UK) was Britain’s first official talkie and like the majority of films that followed in its wake, contained a pivotal musical moment. This article analyses the use of song and music in earl作者: 牌帶來(lái) 時(shí)間: 2025-3-26 05:56
Marisa Holmesr, it articulates a privileged musical moment of intense affect, ‘wounding’ the image/music nexus as does Barthes’s .for the photograph. The crystal-song is the piece that stands out from the others by a combination of intensity and critical insistence. The chapter explores such moments in five rece作者: SIT 時(shí)間: 2025-3-26 10:47 作者: Evocative 時(shí)間: 2025-3-26 13:42
Marisa Holmesr, it articulates a privileged musical moment of intense affect, ‘wounding’ the image/music nexus as does Barthes’s .for the photograph. The crystal-song is the piece that stands out from the others by a combination of intensity and critical insistence. The chapter explores such moments in five rece作者: 開(kāi)花期女 時(shí)間: 2025-3-26 17:37 作者: 殺人 時(shí)間: 2025-3-26 21:02
Marisa Holmes Simonischek)—here in character as his eccentric alter ego Toni—into singing to a room full of strangers at a party. Hüller’s rendition of ‘Greatest Love of All’, made famous by Whitney Houston’s 1986 cover, drew spontaneous applause at the film’s Cannes première, and many critics identify it as a ‘作者: Contracture 時(shí)間: 2025-3-27 01:37 作者: Fantasy 時(shí)間: 2025-3-27 06:12 作者: Ingest 時(shí)間: 2025-3-27 11:19 作者: 相容 時(shí)間: 2025-3-27 15:10
Marisa Holmesbodied agency. It draws on the theories of two major second-wave feminists—Shulamith Firestone and Adrienne Rich—to argue that the series shows women to be agential in matters of reproduction and motherhood and problematizes the radical feminist theory that motherhood is primarily oppressive for wom作者: 跟隨 時(shí)間: 2025-3-27 17:55 作者: 劇本 時(shí)間: 2025-3-28 00:56
Marisa Holmeswhen it becomes more pronounced. It situates the series within the historical context of changing perceptions of sexuality in the U.S. and second-wave feminist conceptions of female sexuality in terms of women’s liberation. It shows how the Bene Gesserit secure agency by being sexually active, self-作者: 休戰(zhàn) 時(shí)間: 2025-3-28 03:26
Intergenerational Dialogues,experiments including the Zapatistas, the Global Justice Movement, and the New Students for a Democratic Society. Here I engage with the work of David Graeber, Lisa Fithian, and Francesca Polletta. I then describe how occupation as a tactic, whether in the student movement, workplaces, or housing st作者: arrhythmic 時(shí)間: 2025-3-28 06:53
The Squares,itrin. I argue that the global financial crisis exposed the corruption and complacency of political systems. As a result, liberal democracy, and nation states were openly questioned, and opposed in the streets. The square was transformed from a place to air grievances into a place of experimentation作者: 能得到 時(shí)間: 2025-3-28 14:07
The New York City General Assembly, in NYC in 2011 including the anti-bank group Uncut, the labor and community mobilizations on May 12th, and anti-austerity sit-in at Bloombergville. I describe the initial response to the Adbusters Magazine call to action, and the origin of the New York City General Assembly with a split between hor作者: VEST 時(shí)間: 2025-3-28 15:47
Day One,is chapter with some background on the space of Zuccotti Park as a privately owned public space, and the unique affordances this provided. I describe how the Tactical Working Group researched and scouted occupation sites, and why Zuccotti Park was chosen as a back-up location. I then describe the ac作者: osteocytes 時(shí)間: 2025-3-28 22:05
Our Park,ion. I show how shelters and the battle around structures were made. I show how work was self-organized according to needs and desires of those who participated. I claim very explicit parallels between the Global Justice Movement and Occupy Wall Street, and cite insider accounts. From food to medica作者: 邪惡的你 時(shí)間: 2025-3-29 02:15 作者: 幸福愉悅感 時(shí)間: 2025-3-29 03:19
Direct Action,ey did not ask permission or seek negotiation. While there are many forms of direct action, I claim that occupiers mainly engaged in non-violent direct action. There was a strategic non-violent orientation that was influential. I also cite the origins of the Direct Action Working Group (DAWG), its r作者: 大方一點(diǎn) 時(shí)間: 2025-3-29 09:58
Media for the 99%,roup. I consider the media center at Liberty Plaza to be similar in form to the independent media centers (IMCs) during indymedia and the Global Justice Movement. I track how the group changed over time to scale up, account for more areas of specialization, and define itself in relationship to the m作者: nonradioactive 時(shí)間: 2025-3-29 13:22 作者: 謙卑 時(shí)間: 2025-3-29 17:28
Race in OWS,ge with the work of Keeanga-Yamahtta Taylor and Manissa Maharawl. I show how OWS was committed to anti-racist action, especially in response to the murder of Troy Davis. I describe in vivid detail how multi-racial coalitions met in the streets against police. I cite the origins of the People of Colo作者: 人工制品 時(shí)間: 2025-3-29 21:08
Gender in OWS,nness, and lack of physical or structural boundaries, led to unaccountable and abusive behavior such as sexual assault and harassment. I mainly focus on the formation of the Safer Spaces Committee (SSC), and their work to address harm and conflict in a transformative way. I show how they made some c作者: 千篇一律 時(shí)間: 2025-3-30 01:01 作者: ARENA 時(shí)間: 2025-3-30 05:40
The Eviction,ripped apart and chains of people holding the space broken by police batons. I move around the perimeter, through the Financial District in a cat and mouse game until morning. Then, I describe gathering at Foley Square, an attempted second occupation at Duarte Square, and coming back to Liberty Plaz作者: 調(diào)整 時(shí)間: 2025-3-30 12:14 作者: idiopathic 時(shí)間: 2025-3-30 12:40 作者: epicardium 時(shí)間: 2025-3-30 20:07 作者: 行業(yè) 時(shí)間: 2025-3-30 20:42 作者: Wernickes-area 時(shí)間: 2025-3-31 02:27
Occupy the World Social Forum,Agora 99, a conference organized by occupy and 15M in Madrid, to Firenze 10+10, the European Social Forum in Florence, to the World Social Forum in Tunis, Tunisia in March 2013. I trace the development of Global Square, an international network of the 2011 movements, which had horizontal, autonomous作者: 有毛就脫毛 時(shí)間: 2025-3-31 08:53
Informal Elites,prominent offshoots of OWS drifted away from the politics of the movement and were distinctly their own projects. In both cases, I note, the emergence of competing informal elites who held social, cultural, or financial capital. The anarchists and autonomists wanted more structure and process, where作者: 江湖郎中 時(shí)間: 2025-3-31 10:10 作者: 河流 時(shí)間: 2025-3-31 13:55 作者: chandel 時(shí)間: 2025-3-31 21:32 作者: 大酒杯 時(shí)間: 2025-3-31 23:34 作者: 推延 時(shí)間: 2025-4-1 02:33 作者: 脖子 時(shí)間: 2025-4-1 09:53
Marisa Holmes liberating message. The results are two pioneering films seeking to restore Africa to its proper place through a modernised means of storytelling, cinema and rescue the voice of Africa through the heroines’ ‘redemption songs’ for a hopeful vision that may be realised via the craft of the filmmaker-
