標(biāo)題: Titlebook: Oprah, Celebrity and Formations of Self; Sherryl Wilson Book 2003 Sherryl Wilson 2003 anxiety.culture.nature.Persona.Self.television.media [打印本頁(yè)] 作者: industrious 時(shí)間: 2025-3-21 16:52
書(shū)目名稱Oprah, Celebrity and Formations of Self影響因子(影響力)
書(shū)目名稱Oprah, Celebrity and Formations of Self影響因子(影響力)學(xué)科排名
書(shū)目名稱Oprah, Celebrity and Formations of Self網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Oprah, Celebrity and Formations of Self網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
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書(shū)目名稱Oprah, Celebrity and Formations of Self讀者反饋
書(shū)目名稱Oprah, Celebrity and Formations of Self讀者反饋學(xué)科排名
作者: 隱語(yǔ) 時(shí)間: 2025-3-21 20:49 作者: Influx 時(shí)間: 2025-3-22 00:29 作者: Callus 時(shí)間: 2025-3-22 06:16 作者: 事與愿違 時(shí)間: 2025-3-22 10:57 作者: hidebound 時(shí)間: 2025-3-22 14:59 作者: 感染 時(shí)間: 2025-3-22 20:56
Anxiety and Agency: , and Constructions of Self,ot we see her through the same lens, it can be of no doubt that Winfrey is a cultural icon of some considerable stature. In 1998 . magazine voted her one of the 100 most important people of the 20th Century. She has won seven Emmy’s for ‘Outstanding Talk Show Host’ and nine Emmy Awards for ‘Outstanding Talk Show’.作者: Ointment 時(shí)間: 2025-3-22 22:12
and Narrating the Self,lay of the ‘ordinariness’ which is hermark as well as that of the guests, and extra-ordinariness confirmed by her celebrity status. The celebrity system, and Oprah’s construction through it, will be discussed in the following chapter.作者: 災(zāi)禍 時(shí)間: 2025-3-23 03:57
ture of Oprah‘s celebrity persona and considers the relevance that she has to contemporary audiences. The stories recounted by guests, and the ways in which confessional discourse works to produce a particular relationship between Oprah, her guests and the audience members are considered within the 作者: 埋葬 時(shí)間: 2025-3-23 08:06
About Television Talk Shows,nge of issues which, when considered collectively, can shed a bright light on the nature of confessional talk shows as well as the critical responses to them. So, while I may disagree with certain positions held, the talk show debate highlights the matrix of processes at play within the programmes.作者: GLOOM 時(shí)間: 2025-3-23 11:18 作者: irreparable 時(shí)間: 2025-3-23 16:14
which confessional discourse works to produce a particular relationship between Oprah, her guests and the audience members are considered within the context of contemporary American culture.978-1-349-51301-7978-0-230-50536-0作者: LOPE 時(shí)間: 2025-3-23 22:06 作者: 吞下 時(shí)間: 2025-3-24 01:26
Introduction,hers. The words are spoken in response to a clip shown of a previous programme in which we see Winfrey1 in a tearful reunion with her 4th grade teacher, a woman who had been hugely influential for her young pupil. We learn that the teacher had been inspirational for Winfrey not only in fuelling the 作者: maroon 時(shí)間: 2025-3-24 04:46 作者: 浸軟 時(shí)間: 2025-3-24 08:24 作者: 果核 時(shí)間: 2025-3-24 13:49
Confessional Discourse on ,ble means for understanding the construction of selfhood, and both are evident in .. In addition, each of these positions offers recognisable frameworks for the critical responses to the talk show genre in general and . in particular. It is this that explains the either/or dichotomy that characteris作者: 赤字 時(shí)間: 2025-3-24 15:15
and Narrating the Self,he ways in which confessional discourse is deployed on ., and how consumerism, expressions of anxiety and fragmentation, and therapy all coexist with the pronouncements of self-reclamation and self-realisation that emerge from narrating one’s own story. I argued that Oprah operates through an interp作者: anarchist 時(shí)間: 2025-3-24 22:35
The Oprah Persona,lf-realisation that forms the overarching meaning of the programme. In addition, I demonstrated how the version of self that is articulated is inextricably bound with significant others providing meaningful points of reference for the individual. My argument at the conclusion is that the show is a h作者: 有毒 時(shí)間: 2025-3-25 01:52
Conclusion,abled an analysis of Oprah’s celebrity persona and of her significance to viewers. In particular, I have focused on the representations of selfhood and explored the ways in which self is constructed through the programme. My central questions have concerned what version(s) of selfhood are serially r作者: 責(zé)難 時(shí)間: 2025-3-25 05:17
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