標(biāo)題: Titlebook: On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art ; From 1870 to 1914 an Filip Dorssemont B [打印本頁] 作者: 指責(zé) 時(shí)間: 2025-3-21 16:34
書目名稱On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art 影響因子(影響力)
書目名稱On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art 影響因子(影響力)學(xué)科排名
書目名稱On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art 網(wǎng)絡(luò)公開度
書目名稱On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art 網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art 被引頻次
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書目名稱On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art 年度引用學(xué)科排名
書目名稱On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art 讀者反饋
書目名稱On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art 讀者反饋學(xué)科排名
作者: Dedication 時(shí)間: 2025-3-21 23:04 作者: freight 時(shí)間: 2025-3-22 03:25
The Midinette Guiding the People. An Iconographic Break of ,nd the .. Radiguet’s drawings challenge the established iconology of the strike, taking female figures out of the role of the ., and highlighting female figures that combine seductive attitudes with the determination in the movement. In this sense, it’s a renewal of strike practice that is expressed作者: 暗語 時(shí)間: 2025-3-22 06:33
Labour and Art: The Dualism of Backwardness and Timeliness in Hungary and in Its Eastern Neighbourh miserable poverty of rural workers with bitterly critical realism (A.Fényes, J.Vaszary). Factory workers appear on the canvas at the end of the nineteenth century (K.Kernstock) when labour movement becomes noticeable. The historical overview leads to the conclusion that changes in artistic styles a作者: Arteriography 時(shí)間: 2025-3-22 11:03
From 1844 to 1944: Workers and Revolutions in Poland, violence. The second aim is to reflect on the relation between one of the renown The Strike by Stanis?aw Lentz (1910), and The Manifesto by Wojciech Weiss (1950), when the status of workers changed from the group fighting for their rights to the privileged heroes of the new socialistic regime. The 作者: fringe 時(shí)間: 2025-3-22 15:21 作者: Offstage 時(shí)間: 2025-3-22 19:58
2662-4532 istic styles range from (social) realism, naturalism and neo-impressionism to futurism and socialist realism...All stages of industrial disputes (from the causes 978-3-031-63636-3978-3-031-63634-9Series ISSN 2662-4532 Series E-ISSN 2662-4540 作者: 愛得痛了 時(shí)間: 2025-3-23 00:32 作者: JUST 時(shí)間: 2025-3-23 04:49
On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art 978-3-031-63634-9Series ISSN 2662-4532 Series E-ISSN 2662-4540 作者: Congestion 時(shí)間: 2025-3-23 08:35 作者: 殖民地 時(shí)間: 2025-3-23 13:08
Conclusions,e transversal opening chapter in this volume. The aim has never been to answer a unique and comprehensive research question related to a still fairly unexplored field. However, like the owl of Minerva which contemplates human’s labour ., it is worthwhile to highlight some transversal findings.作者: 常到 時(shí)間: 2025-3-23 13:55
Law and Visual Jurisprudencehttp://image.papertrans.cn/o/image/701120.jpg作者: impaction 時(shí)間: 2025-3-23 21:25
https://doi.org/10.1007/978-3-031-63634-9Strikes; Trade Unions; Political Strikes; History of Art; Social History; Social Realism in Art; Visual Cu作者: hemoglobin 時(shí)間: 2025-3-23 22:20
Introduction,cus on strikes opposing workers and their employer. The works of art are essentially produced by artists who were born and trained in Europe. The period between 1870 and 1914 has been chosen for the purpose of temporal demarcation. It is a kind of . (foundational period) that is characterised by acc作者: 本土 時(shí)間: 2025-3-24 03:54
Some Perspectives on the Representation of Industrial Disputes Under the Shadow of Repression in Euen 1870 and 1914. The focus is on representation in painting, engraving and sculpture. The analysis is iconological. Since industrial disputes relate to a process, a selected body of works of art will be analyzed according to the various stages in the development of the dispute, rather than on the b作者: intoxicate 時(shí)間: 2025-3-24 08:50 作者: 省略 時(shí)間: 2025-3-24 11:59 作者: osteopath 時(shí)間: 2025-3-24 17:07 作者: FLACK 時(shí)間: 2025-3-24 21:16
From 1844 to 1944: Workers and Revolutions in Poland, of the 1905 Revolution, the first one on the territory of partitioned Poland where the demands to restore autonomy for the Poles were accompanied by calls for better working and living conditions of the workers. For the first time working men and women became the actors and not spectators of the hi作者: intricacy 時(shí)間: 2025-3-24 23:18
Conclusions,e transversal opening chapter in this volume. The aim has never been to answer a unique and comprehensive research question related to a still fairly unexplored field. However, like the owl of Minerva which contemplates human’s labour ., it is worthwhile to highlight some transversal findings.作者: REIGN 時(shí)間: 2025-3-25 06:36 作者: Enzyme 時(shí)間: 2025-3-25 08:03
2662-4532 ean approach.This book is the first volume on the artistic representation of industrial disputes in European art (from 1870 to 1914) since the catalogue of the landmark exhibition Streik, Realit?t und Mythos, organized by the Deutsches Historisches Museum (1992). It has been written by a group of sc作者: Minuet 時(shí)間: 2025-3-25 15:21
Introduction,tical level, this period begins with the highly revolutionary workers‘ protest of the Paris Commune (1871), which would scare the bourgeoisie, and which was smothered in considerably more blood by the French army. It ends with the outbreak of World war I.作者: Anecdote 時(shí)間: 2025-3-25 18:43
Some Perspectives on the Representation of Industrial Disputes Under the Shadow of Repression in Eutification of the intrinsic meaning of the work of art. This chapter also examines these works from a gender perspective and seeks to understands the reception of these works of art as well as the commitment of the artists.作者: exercise 時(shí)間: 2025-3-25 23:30
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